Yamaha MT400 Owner's Manual - Page 24

the headphones or the audio system. Adjust, Adjust the level and pan of each channel

Page 24 highlights

23 5 Press the [PAUSE] button, then the REC button. Tracks 1 and 2 REC SELECT indicators light up continuously and the MT400 enters recording pause mode. 6 Set the fader on each input channel and the STEREO fader to the 7-8 mark. 7 While checking the level meters, adjust the recording level using the GAIN controls and faders on Input Channels 1-4, and the STEREO fader. Also adjust the stereo position of the sound sources using the PAN controls on Input Channels 1-4. It is best to first play each source while adjusting the GAIN controls, then use the input channel faders and the STEREO fader to obtain a good balance between the sounds. 8 Set the monitor select switch to "CUE" and use the CUE controls to adjust the monitoring level on Tracks 1 and 2. You can monitor the recording sources for Tracks 1 and 2 (in this example, Input Channel 1-4 signals) via the CUE bus. Note: The CUE bus monitoring signal is monaural. If you wish to monitor a stereo signal, set the monitor select switch to "STEREO" to select the Stereo bus instead of the CUE bus. (This is convenient if you wish to check the stereo position of each channel.) 9 Adjust the level and pan of each channel signal while monitoring the sound through the headphones or the audio system. Adjust tonal quality, if necessary, with the EQ controls. 0 Press the [PAUSE] button to cancel pause mode and start recording. A Press the [STOP] button to stop recording. Tracks 1 and 2 REC SELECT indicators flash. B Rewind the tape to the beginning and listen to the recording. If you are satisfied with the recording, set the [REC SELECT] switches on Tracks 1 and 2 to "OFF". MIC/LINE INPUT 1 1 GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 AUX 1 0 AUX 2 0 MIX +12 10 10 CUE 0 10 MIC/LINE to L TAPE TAPE MIC/ LINE INPUT-FLIP PAN L R 10 9 8 7 6 5 4 3 2 1 0 MIC/LINE INPUT 2 2 GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 AUX 1 0 AUX 2 0 MIX +12 10 10 CUE 0 10 MIC/LINE to R TAPE TAPE MIC/ LINE INPUT-FLIP PAN L R 10 9 8 7 6 5 4 3 2 1 0 MIC/LINE INPUT 3 3 GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 AUX 1 0 AUX 2 0 MIX +12 10 10 CUE 0 10 MIC/LINE to L TAPE TAPE MIC/ LINE INPUT-FLIP PAN L R 10 9 8 7 6 5 4 3 2 1 0 MIC/LINE INPUT 4 4 GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 AUX 1 0 AUX 2 0 MIX +12 10 10 CUE 0 10 MIC/LINE to R TAPE TAPE MIC/ LINE INPUT-FLIP PAN L R 10 9 8 7 6 5 4 3 2 1 0 Stereo bus PHONES MONITOR OUT STEREO OUT STEREO 10 9 8 7 6 5 4 3 2 1 0 L Track 1 Track 2 R Track 3 Track 4 Signal flow during multi-channel mixing -Owner's Manual

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23
—Owner’s Manual
5
Press the [PAUSE] button, then the
button.
Tracks 1 and 2 REC SELECT indicators light up contin-
uously and the MT400 enters recording pause mode.
6
Set the fader on each input channel and the
STEREO fader to the 7–8 mark.
7
While checking the level meters, adjust the
recording level using the GAIN controls and
faders on Input Channels 1–4, and the
STEREO fader. Also adjust the stereo position
of the sound sources using the PAN controls
on Input Channels 1–4.
It is best to first play each source while adjusting the
GAIN controls, then use the input channel faders and
the STEREO fader to obtain a good balance between
the sounds.
8
Set the monitor select switch to “CUE” and
use the CUE controls to adjust the
monitoring level on Tracks 1 and 2.
You can monitor the recording sources for Tracks 1
and 2 (in this example, Input Channel 1–4 signals) via
the CUE bus.
9
Adjust the level and pan of each channel
signal while monitoring the sound through
the headphones or the audio system. Adjust
tonal quality, if necessary, with the EQ
controls.
0
Press the [PAUSE] button to cancel pause
mode and start recording.
A
Press the [STOP] button to stop recording.
Tracks 1 and 2 REC SELECT indicators flash.
B
Rewind the tape to the beginning and listen
to the recording.
If you are satisfied with the recording, set the [REC
SELECT] switches on Tracks 1 and 2 to “OFF”.
Signal flow during multi-channel mixing
REC
Note:
The CUE bus monitoring signal is monaural.
If you wish to monitor a stereo signal, set the
monitor select switch to “STEREO” to select the
Stereo bus instead of the CUE bus. (This is
convenient if you wish to check the stereo position of
each channel.)
MIC/LINE INPUT 1
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE
MIC
–12
+12
MID
–12
+12
LOW
–12
+12
AUX
1
0
10
AUX
2
MIX
CUE
MIX
CUE
MIX
CUE
MIX
CUE
0
10
0
10
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
L
R
1
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE
MIC
–12
+12
MID
–12
+12
LOW
–12
+12
AUX
1
0
10
AUX
2
0
10
0
10
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to R
L
R
2
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE
MIC
–12
+12
MID
–12
+12
LOW
–12
+12
AUX
1
0
10
AUX
2
0
10
0
10
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to L
L
R
3
GAIN
HIGH
10
9
8
7
6
5
4
3
2
1
0
LINE
MIC
–12
+12
MID
–12
+12
LOW
–12
+12
AUX
1
0
10
AUX
2
0
10
0
10
PAN
INPUT-FLIP
TAPE
TAPE
MIC/
LINE
MIC/LINE
to R
L
R
4
MIC/LINE INPUT 2
MIC/LINE INPUT 3
MIC/LINE INPUT 4
PHONES
MONITOR OUT
STEREO OUT
STEREO
10
9
8
7
6
5
4
3
2
1
0
Track 1
Track 2
Track 3
Track 4
Stereo bus
L
R