Yamaha MT400 Owner's Manual - Page 8
EINPUT-FLIP switch FPAN control GFader, the MIC/LINE - 4 track tape recorder
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7 E INPUT-FLIP switch This switch is used to select the destination of the signal input from the MIC/LINE INPUT jacks and the tape signal. With the switch in the MIC/LINE position ( ), the MIC/LINE input signal is fed to the ST bus via the input channel and the tape signal is fed to the CUE bus. With the switch in the TAPE position ( ), the MIC/LINE input 1, 3 (2, 4) signal is fed to the ST L (ST R) bus and the tape signal is fed to the ST bus via the input channel. Musical instrument signal input from MIC/LINE INPUT jack MT400 tape signal Musical instrument signal input from MIC/LINE INPUT jack MT400 tape signal GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 +12 MIX CUE To ST bus and tape 0 10 To CUE bus TAPE MIC/ LINE INPUT-FLIP When INPUT-FLIP switch is MIC/LINE ( ) GAIN LINE MIC HIGH -12 +12 MID -12 +12 LOW -12 +12 MIX CUE To ST bus and tape 0 10 To ST bus TAPE MIC/ LINE INPUT-FLIP When INPUT-FLIP switch is TAPE ( ) F PAN control This rotary control is used to adjust the stereo position (left or right) of input channel signal that will be sent to the Stereo bus. For recording via the Stereo bus (See page 22), turn this control all the way to the left to assign the signal to odd tracks (1, 3), and all the way to the right to assign the signal to even tracks (2, 4). For mixdown you can use it to pan the playback signal in the stereo mix. G Fader For recording ([INPUT-FLIP] switch: MIC/LINE), use the fader to adjust the level of the input channel signal that is recorded to a track. For mixdown ([INPUT-FLIP] switch: TAPE), use it to adjust the playback level of each track. Unity gain is obtained when the fader is positioned about the 7-8 mark. Unity gain: The condition where the output signal and input signal are at the same level, with signal-to-noise ratio and distortion set to optimum. -Owner's Manual