Yamaha MU100R MU100R SOUND LIST - Page 103

VL Voice List Preset 1 No. Voice Name 001 Mad Tube 002 VintgLd 003 SpaceZoo 004 GuitHero 005 StoneHng 006 Whizzer 007 SimpleBa 008 ClavBass 009 SuperBas 010 New Slap 011 RockPigs 012 Igneous 013 50 / 50 014 Cybastrg 015 Wynth 016 BuzzSaw 017 ZubZub 018 Blue 019 OsciLead 020 SqrLead 021 Bigger 022 AnaSquid 023 SharpSyn 024 AnaWave 025 AnaWurl 026 Babalog 027 FngerBass 028 Upright 029 Fnground 030 Birdland 031 FlageoBs 032 DampBass 033 Fretles! 034 Frtles!2 035 ThumBass 036 RockBass 037 SmooBass 038 WarmBass 039 YamaBass 040 Box Bass 041 BassCab 042 FruitBas 043 AcidBas! 044 SqrBass! 045 PulsClav 046 MogueBas 047 BoppaBas 048 BuzzrBas 049 MuteHrBs 050 TekBass 051 TranzBas 052 Chamlion 053 ParaSyn 054 SteamBas 055 BooBass Recommended Note Range Comment C1 - B4 An extremely aggressive sound that lies between synth lead and distortion guitar. B-1 - C6 Multi-oscillator type synth lead. *** Try moving PB, MW, and AT in various ways. G0 - C5 A distortion guitar. Controlling the feedback with AT is particularly effective. F0 - G6 MW produces a sustained sound. G#0 - F#5 Long sustaining synth tone similar to bass guitar harmonics. C0 - C6 Straight ahead synth bass with some distortion. C0 - E3 Bass sound with both electric/acoustic and synthesizer qualities. If you use FC (CC#4) you can get "clavinet" style overtones. C0 - F#3 DX7 style slapped bass. C0 - D5 New type slap bass with punchy power. C0 - E4 Organ-type synth lead sound. AT produces a neighing effect. C0 - C5 Feedbacked synth lead sound. C0 - F5 Simple Square wave synth lead. C-1 - C6 Metallic driller killer sound. A-1 - G5 Filter wind synth with control from BC and velocity. E-1 - C6 Play with lots of MW filter control. B-1 - C6 Biting analog synth sound. MW controls filter. G0 - D3 Fizzy synthesiser sound. C0 - G5 Octave synth lead sound. D#0 - C6 Nice Square lead tone. Lowering FC (CC#4) closes filter. C-1 - C6 Big analog synth sound - velocity controls filter and volume. G-1 - C6 Analog synth type sound with MW filter control. G0 - C6 Slightly mode unstable velocity sensitive sound. C0 - E4 Analog synth type sound with MW filter control. C0 - C6 Velocity sensitive sound somewhat like a Vintage EP passed through a resonant filter. C0 - C6 Velocity controlled synth wind sound. B-1 - C4 Vigorous finger bass sound. B-1 - C4 Simulation of accoustic bass. A-1 - C4 Finger bass with particular sound of rear pick up. A-1 - C4 Midway between an analog synth and an electric bass sound. The high range produces harmonics. G0 - C4 Harmonics of a fingerd electric bass. G-1 - C3 Damped Pluck-Bass with a dry speaker sound. E-1 - C4 Fretless bass usable for either rhythm or melody. B-1 - C#4 Another fretless bass, good for melody play. C0 - C3 Thumped Bass. G-1 - C4 Heavy overdrive rock bass sound. B-1 - A#3 Expressive synth bass sound with filter control by velocity and "vintage analog" character. B-1 - C4 Warm electric Precision bass sound. Use FC (CC#4) to make sound brighter or darker. A-1 - C4 Yamaha 5-string electric bass with brand new strings and "studio EQ". C0 - C4 Similar to FM synth bass with filter control on MW. Uses resonator for "boxy" effect. B-1 - G#4 Slightly distorted electric bass with Resonator simulation of speaker cabinet tone. C0 - C4 Fruity electric bass sound. B-1 - C5 Bass sound for acid jazz. B-1 - G4 Square wave synth bass. A-1 - G5 Synth-Clavinet for funky licks. B-1 - C#7 A classic synth bass sound. B-1 - C4 Synth bass with sub-octave undertone. D0 - E4 FM style, bright and buzzy electronic keyboard bass. For fast tempo trance, acid, house, and techno style sequenced basslines. C0 - C5 Upper register bass harmonic sound, with accentuated fingering "pop" similar to playing muted guitar style with the palm of the picking hand on the bridge. B-1 - C4 Synth bass with sub-octave undertone. C0 - F#4 TB303 style synth bass. For fast tempo trance, acid, house, and techno style sequenced basslines. C0 - B4 Dry Synthbass. A-1 - C4 Strong, up-front synth bass, ideal for 70's Jazz-Funk. If you like that sort of thing. C0 - C#7 Use lots of PB (Embouchure) for finger slides. Gives greater tonal variety. B-1 - C5 MW controls filter and gives sharper attack. 102