Yamaha MU100R MU100R SOUND LIST - Page 6

Insertion1,2

Page 6 highlights

INSERTION1,2 No. MSB LSB Effect Type 0 40H 00H THRU 1 01H 00H HALL 1 2 01H 01H HALL 2 3 02H 00H ROOM 1 4 02H 01H ROOM 2 5 02H 02H ROOM 3 6 03H 00H STAGE 1 7 03H 01H STAGE 2 8 04H 00H PLATE 9 05H 00H DELAY L,C,R 10 06H 00H DELAY L,R 11 07H 00H ECHO 12 08H 00H CROSS DELAY 13 14H 00H KARAOKE 1 14 14H 01H KARAOKE 2 15 14H 02H KARAOKE 3 16 41H 00H CHORUS 1 17 41H 01H CHORUS 2 18 41H 02H CHORUS 3 19 41H 08H CHORUS 4 20 42H 00H CELESTE 1 21 42H 01H CELESTE 2 22 42H 02H CELESTE 3 23 42H 08H CELESTE 4 24 43H 00H FLANGER 1 25 43H 01H FLANGER 2 26 43H 08H FLANGER 3 27 44H 00H SYMPHONIC 28 57H 00H ENSEMBLE DETUNE 29 45H 00H ROTARY SPEAKER 30 46H 00H TREMOLO 31 47H 00H AUTO PAN 32 48H 00H PHASER 1 33 49H 00H DISTORTION 34 4AH 00H OVER DRIVE 35 4BH 00H AMP SIMULATOR 36 4CH 00H 3BAND EQ(MONO) 37 4DH 00H 2BAND EQ(STEREO) 38 4EH 00H AUTO WAH(LFO) 39 52H 00H TOUCH WAH 1 40 52H 08H TOUCH WAH 2 41 51H 00H AURAL EXCITER® 42 53H 00H COMPRESSOR 43 54H 00H NOISE GATE Effect Type List Remarks Bypass without applying an effect. Reverb simulating the acoustics of a hall. ˝ Reverb simulating the acoustics of a room. ˝ ˝ Reverb appropriate for a solo instrument. ˝ Reverb simulating a metal plate reverb device. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. Echo for karaoke. ˝ ˝ Conventional chorus effect which gives natural spaciousness to the sound. ˝ ˝ ˝ A three-phase LFO is used to give modulation and spaciousness to the sound. ˝ ˝ ˝ An effect reminiscent of a jet airplane taking off and landing. ˝ ˝ A multi-stage version of CELESTE modulation. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound. Adds distortion with an edge to the sound. Adds mild distortion to the sound. Simulation of a guitar amp. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect adds new overtones to the input signal to make the sound stand out. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc. Aural Exciter® is a registered trademark of Aphex Corporation. EFFECT 5

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EFFECT
5
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
MSB
40H
01H
01H
02H
02H
02H
03H
03H
04H
05H
06H
07H
08H
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
45H
46H
47H
48H
49H
4AH
4BH
4CH
4DH
4EH
52H
52H
51H
53H
54H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
08H
00H
00H
00H
Effect Type
THRU
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
TOUCH WAH 1
TOUCH WAH 2
AURAL EXCITER
®
COMPRESSOR
NOISE GATE
Remarks
Bypass without applying an effect.
Reverb simulating the acoustics of a hall.
˝
Reverb simulating the acoustics of a room.
˝
˝
Reverb appropriate for a solo instrument.
˝
Reverb simulating a metal plate reverb device.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
Echo for karaoke.
˝
˝
Conventional chorus effect which gives natural spaciousness to the sound.
˝
˝
˝
A three-phase LFO is used to give modulation and spaciousness to the sound.
˝
˝
˝
An effect reminiscent of a jet airplane taking off and landing.
˝
˝
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Aural Exciter
®
is a registered trademark of Aphex Corporation.
Effect Type List
INSERTION1,2