Yamaha MU100R MU100R SOUND LIST - Page 5

Effect Type List VARIATION No. MSB LSB Effect Type 0 00H 00H NO EFFECT 1 01H 00H HALL 1 2 01H 01H HALL 2 3 02H 00H ROOM 1 4 02H 01H ROOM 2 5 02H 02H ROOM 3 6 03H 00H STAGE 1 7 03H 01H STAGE 2 8 04H 00H PLATE 9 10H 00H WHITE ROOM 10 11H 00H TUNNEL 11 12H 00H CANYON 12 13H 00H BASEMENT 13 05H 00H DELAY L,C,R 14 06H 00H DELAY L,R 15 07H 00H ECHO 16 08H 00H CROSS DELAY 17 09H 00H ER 1 18 09H 01H ER 2 19 0AH 00H GATE REVERB 20 0BH 00H REVERSE GATE 21 14H 00H KARAOKE 1 22 14H 01H KARAOKE 2 23 14H 02H KARAOKE 3 24 41H 00H CHORUS 1 25 41H 01H CHORUS 2 26 41H 02H CHORUS 3 27 41H 08H CHORUS 4 28 42H 00H CELESTE 1 29 42H 01H CELESTE 2 30 42H 02H CELESTE 3 31 42H 08H CELESTE 4 32 43H 00H FLANGER 1 33 43H 01H FLANGER 2 34 43H 08H FLANGER 3 35 44H 00H SYMPHONIC 36 57H 00H ENSEMBLE DETUNE 37 58H 00H AMBIENCE 38 45H 00H ROTARY SPEAKER 39 56H 00H 2WAY ROTARY SPEAKER 40 46H 00H TREMOLO 41 47H 00H AUTO PAN 42 48H 00H PHASER 1 43 48H 08H PHASER 2 44 49H 00H DISTORTION 45 49H 01H COMP+DISTORTION 46 4AH 00H OVER DRIVE 47 4BH 00H AMP SIMULATOR 48 4CH 00H 3BAND EQ(MONO) 49 4DH 00H 2BAND EQ(STEREO) 50 4EH 00H AUTO WAH(LFO) 51 4EH 01H AUTO WAH+DIST 52 4EH 02H AUTO WAH+ODRV 53 52H 00H TOUCH WAH 1 54 52H 01H TOUCH WAH 2 55 52H 02H TOUCH WAH+DIST 56 52H 08H TOUCH WAH+ODRV 57 50H 00H PITCH CHANGE 1 58 50H 01H PITCH CHANGE 2 59 51H 00H AURAL EXCITER® 60 53H 00H COMPRESSOR 61 54H 00H NOISE GATE 62 55H 00H VOICE CANCEL 63 5DH 00H TALKING MODULATOR 64 5EH 00H LO-FI 65 5FH 00H DIST+DELAY 66 5FH 01H OVERDRIVE+DELAY 67 60H 00H COMP+DIST+DELAY 68 60H 01H COMP+OVERDRIVE+DELAY 69 61H 00H WAH+DIST+DELAY 70 61H 01H WAH+OVERDRIVE+DELAY 71 40H 00H THRU Remarks Turns off the effect. Reverb simulating the acoustics of a hall. ˝ Reverb simulating the acoustics of a room. ˝ ˝ Reverb appropriate for a solo instrument. ˝ Reverb simulating a metal plate reverb device. Distinctive short reverb with a slight initial delay. Simulation of a cylindrical space extending to left and right. A hypothetical acoustic space which extends without limit. Reverb with distinctive resonance following a slight initial delay. Three delay sounds L, R and C (center). Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. This effect isolates only the early reflection components of the reverb. ˝ Simulation of gated reverb. Simulation of gated reverb played back in reverse. Echo for karaoke. ˝ ˝ Conventional chorus effect which gives natural spaciousness to the sound. ˝ ˝ ˝ A three-phase LFO is used to give modulation and spaciousness to the sound. ˝ ˝ ˝ An effect reminiscent of a jet airplane taking off and landing. ˝ ˝ A multi-stage version of CELESTE modulation. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. An effect which adds spatial breadth by blurring the location of the sound. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. Cyclically changes the phase to modulate the sound. ˝ Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well. Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level. Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well. Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well. Mono EQ with equalization of LOW, MID and HIGH. Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts. Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah. Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way. Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah. Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah. This effect changes the pitch of the input signal. ˝ This effect adds new overtones to the input signal to make the sound stand out. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc. Attenuates the vocal part from sources such as CDs. Adds a vowel sound to the input signal. Degrades the audio quality of the input signal. DISTORTION and DELAY are connected in series. OVERDRIVE and DELAY are connected in series. COMPRESSOR, DISTORTION and DELAY are connected in series. COMPRESSOR, OVERDRIVE and DELAY are connected in series. TOUCH WAH, DISTORTION and DELAY are connected in series. TOUCH WAH, OVERDRIVE and DELAY are connected in series. Bypass without applying an effect. Aural Exciter® is a registered trademark of Aphex Corporation. 4 EFFECT