Yamaha MW10C MW8CX/MW10C Owners Manual - Page 21

Reference Front & Rear Panels Digital Effect Program List (Only MW8CX) No Program Parameter Description 1 REVERB HALL 1 2 REVERB HALL 2 REVERB TIME REVERB TIME Reverb simulating a large space such as a concert hall. 3 REVERB ROOM 1 REVERB TIME Reverb simulating the acoustics of a small space (room). 4 REVERB ROOM 2 REVERB TIME 5 REVERB STAGE 1 REVERB TIME Reverb simulating a large stage. 6 REVERB STAGE 2 REVERB TIME 7 REVERB PLATE REVERB TIME Simulation of a metal-plate reverb unit, producing a more hard-edged sound. 8 DRUM AMBIENCE REVERB TIME A short reverb that is ideal for use with kick drum. 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke (sing-along) applications. 10 VOCAL ECHO DELAY TIME Echo suitable for vocals. 11 CHORUS 1 12 CHORUS 2 LFO Frequency LFO Frequency Creates a thick sound by modulating the delay time. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 13 FLANGER LFO Frequency A sweeping pitched effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 14 PHASER LFO Frequency Phase modulation produces a cyclical phasing effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 15 AUTO WAH LFO Frequency A wah-wah effect with cyclical filter modulation. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. 16 DISTORTION DRIVE Adds a sharp-edged distortion to the sound. * "LFO" stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and waveform shape. Mounting to a Microphone Stand • When using the mixer on a microphone stand, be sure to set the stand on a level and stable CAUTION surface. Do not set up the stand in locations subject to vibrations or wind. • Note that mixer may be damaged if the stand should fall over. Attach the connection cables carefully so that the cables will not catch on the equipment and cause it to fall. For example: arrange the cables so that they run parallel with the microphone pole down to the base of the stand. • Leave ample free space around the stand. 1 Turn the mixer upside-down, and hold the microphone-stand adaptor (BMS-10A; sold separately) against the bottom of the mixer so that the screw holes are aligned (q). Screw the adaptor firmly into place with the two screws (w). 2 Turn the mixer right-side up, and mount it onto your microphone stand. 3 Loosen the angle adjustment wingnut (q), adjust the mixer's angle as desired (w), and then tighten the wingnut securely (e). For more information, refer to the BMS-10A Owner's Manual. MW8CX/MW10C Owner's Manual 21