Yamaha RX-V485 RX-V485/RX-D485 Owner s Manual - Page 79
Switching the input source, Adjusting the tone of the audio output, Configuring DSP/Surround
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Switching the input source Switches the input source. Press ENTER to switch to the selected input source. Option menu "Input Select" Adjusting the tone of the audio output Adjusts the level of high-frequency range (Treble) and low-frequency range (Bass) individually. Option menu "Tone Control" Choices Treble, Bass Setting range -6.0 dB to +6.0 dB (0.5 dB increments) NOTE ▪ When both "Treble" and "Bass" are 0.0 dB, "Bypass" appears. ▪ You can also adjust the tone with the front panel controls. Press TONE CONTROL to select "Treble" or "Bass", then press PROGRAM to make an adjustment. ▪ If you set an extreme value, sounds may not match those from other channels. Configuring DSP/Surround n Selecting sound programs Select sound programs and stereo playback. NOTE You can select a sound program by pressing PROGRAM. Option menu "DSP/Surround" > "Program" MUSIC Hall in Munich Hall in Vienna Chamber Cellar Club The Roxy Theatre The Bottom Line This program simulates a Munich concert hall with approximately 2,500 seats that uses stylish wood for the interior finishing. Fine, beautiful reverberations spread richly, creating a calming atmosphere. The listener's virtual seat is at the center left of the arena. This program simulates a 1700-seat, middle-sized concert hall with a shoebox shape that is traditional in Vienna. Pillars and ornate carvings create extremely complex reverberations from all around the audience, producing a very full, rich sound. This program creates a relatively wide space with a high ceiling, like an audience hall in a palace. It offers pleasant reverberations that are suitable for courtly music and chamber music. This program simulates an intimate concert venue with a low ceiling and homey atmosphere. A realistic, live sound field delivers powerful sounds that make you feel as if you are sitting in the front row in front of a small stage. This program creates the sound field of a 460-seat rock music concert venue in Los Angeles. The listener's virtual seat is at the center left of the hall. This program creates the sound field at stage front in The Bottom Line, a famous New York jazz club once. The floor can seat 300 people to the left and right in a sound field offering real and vibrant sound. 79 En