Casio WK 1630 User Guide - Page 88

Chord Conversion Table

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Chord Conversion Table • The applicable chord conversion table depends on the particular combination of elements and parts. The symbol ć in the table below indicates that a chord table is applicable, while ҂ indicates that a chord table is not applicable. • The explanations in the "Description" column all assume the following conditions for the recorded accompaniment pattern. Root: C Major chords, unless specified otherwise. • The explanations in the "Description" column describe how the recorded accompaniment (12 notes from C to B) are modified when an accompaniment chord is specified. • The shaded rows are the default numbers for each element and part. No. Names 00 Basic Bass 01 7th Bass 02 Basic Chord 03 Basic Chord2 04 Variation Chord1 05 Variation Chord2 06 7th Chord 07 Minor Chord 08 Major Phrase 09 Minor Bass Phrase 10 Penta Phrase 11 Natural Minor 12 Melodic Minor 13 Harmonic Minor 14 No Change 15 Melodic Minor 2 16 Dorian Scale 17 Minor ➛ Major 18 Tension chord Element Names Intro, Normal, Variation, Ending Normal/Fill-in, Variation/Fill-in ҂ ć Part Names Bass ć Chord 1 Chord 2 Chord 3 ҂ Description Normally used for the bass part. ҂ ć ć ҂ Used for a bass part recorded by a 7th chord. ҂ ć ҂ ć Normally used for the chord part. ҂ ć ҂ ć A variation of Number 02 with different conversion when Gm7/C is specified during accompaniment. Specifying a 7th chord during play transforms the 5th note of the ҂ ć ҂ ć scale to the 7th note of the scale. In the case of C7, for example, G becomes B . ҂ ć ҂ ć Variation of number 04 (Variation Chord 1) ҂ ć ҂ ć Used for the chord part when a 7th chord is recorded. ҂ ć ҂ ć Used for the chord part when a minor chord is recorded. ҂ ć ҂ ć Used for the chord part when a phrase is recorded in a major scale. ҂ ć ć ҂ Used for the bass part when a phrase is recorded in a minor scale. ҂ ć ҂ ć Used for the chord part when a phrase is recorded in a penta scale (CDEGA). ć ҂ ć ć Transforms to natural minor when a minor chord is played. ć ҂ ć ć Transforms to melodic minor (ascending) when a minor chord is played. ć ҂ ć ć Transforms to harmonic minor when a minor chord is played. ć ҂ ć ć Original chord as recorded in response to chord that is played, without transformation to minor or major. Variation of number 12 (Melodic Minor). Playing a major chord ć ҂ ć ć causes recorded B notes to be transformed to B, while playing a minor chord plays B as it is. ć ҂ ć ć Play of a minor chord is transformed to the Dorian scale. The Dorian scale lowers the major scale E and B one semitone. ć ҂ ć ć Used for intro and ending recorded with minor chords. ҂ ć ҂ ć Used for the tension chord part used in jazz, bossa nova, etc. A-8 WK-1800/1600(E)-Appendix Page 8 733A-E-088A 03.7.31, 5:22 PM Adobe PageMaker 6.5J/PPC

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A-8
733A-E-088A
Chord Conversion Table
The applicable chord conversion table depends on the particular combination of elements and parts. The symbol
µ
in the table
below indicates that a chord table is applicable, while
±
indicates that a chord table is not applicable.
The explanations in the
Description
column all assume the following conditions for the recorded accompaniment pattern.
Root: C
Major chords, unless specified otherwise.
The explanations in the
Description
column describe how the recorded accompaniment (12 notes from C to B) are modified
when an accompaniment chord is specified.
The shaded rows are the default numbers for each element and part.
Intro,
Ending
Bass
Chord 1
Chord 2
Chord 3
Normal, Variation,
Normal/Fill-in,
Variation/Fill-in
No.
Names
Element Names
Part Names
Description
00
Basic Bass
±
µ
µ
±
Normally used for the bass part.
01
7th Bass
±
µ
µ
±
Used for a bass part recorded by a 7th chord.
02
Basic Chord
±
µ
±
µ
Normally used for the chord part.
03
Basic Chord2
±
µ
±
µ
A variation of Number 02 with different conversion when Gm7/C
is specified during accompaniment.
Specifying a 7th chord during play transforms the 5th note of the
04
Variation Chord1
±
µ
±
µ
scale to the 7th note of the scale. In the case of C7, for example, G
becomes B
±
.
05
Variation Chord2
±
µ
±
µ
Variation of number 04 (Variation Chord 1)
06
7th Chord
±
µ
±
µ
Used for the chord part when a 7th chord is recorded.
07
Minor Chord
±
µ
±
µ
Used for the chord part when a minor chord is recorded.
08
Major Phrase
±
µ
±
µ
Used for the chord part when a phrase is recorded in a major scale.
09
Minor Bass Phrase
±
µ
µ
±
Used for the bass part when a phrase is recorded in a minor scale.
10
Penta Phrase
±
µ
±
µ
Used for the chord part when a phrase is recorded in a penta scale
(CDEGA).
11
Natural Minor
µ
±
µ
µ
Transforms to natural minor when a minor chord is played.
12
Melodic Minor
µ
±
µ
µ
Transforms to melodic minor (ascending) when a minor chord is
played.
13
Harmonic Minor
µ
±
µ
µ
Transforms to harmonic minor when a minor chord is played.
14
No Change
µ
±
µ
µ
Original chord as recorded in response to chord that is played,
without transformation to minor or major.
Variation of number 12 (Melodic Minor). Playing a major chord
15
Melodic Minor 2
µ
±
µ
µ
causes recorded B
±
notes to be transformed to B, while playing a
minor chord plays B
±
as it is.
16
Dorian Scale
µ
±
µ
µ
Play of a minor chord is transformed to the Dorian scale. The Dorian
scale lowers the major scale E and B one semitone.
17
Minor
Major
µ
±
µ
µ
Used for intro and ending recorded with minor chords.
18
Tension chord
±
µ
±
µ
Used for the tension chord part used in jazz, bossa nova, etc.
WK-1800/1600(E)-Appendix
03.7.31, 5:22 PM
Page 8
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