Mackie SR244 / SR324 Owner's Manual - Page 18

Trim Control, Eq

Page 18 highlights

Layout and Function MIC GA-1IN0 U TRIM 2 10 60 +10dB -40dB TRIM CONTROL The white knob at the top of the channel strip is the TRIM con- U AUX trol [8]. TRIM sets the gain 1 (volume level) of PRE the SR24•4 input OO OO +15 amplifier, and is U labeled with gain 2 sensitivity mark- PRE ings for both +15 LINE (the outer U circle) and MIC inputs (the inner circle marked MIC GAIN). Proper setting of the TRIM control is essential for good noise and headroom performance. Since you might be using your SR24•4 to mix dynamic or condenser microphones, elec- tronic keyboards or even guitar amplifier heads, the signals connected to the channel inputs could vary from extremely small to very large. With the TRIM level adjusted correctly, the Mackie input amplifier can accept a wide range of input levels. See Setting Levels With Solo just above, and Important Sensitivity Adjustment Procedure! in the Introduction. EQ SECTION Channels 1-20 (1-28 on the SR32•4) each have a three-band EQ (Equalizer) plus a switchable LOW CUT filter. When any HI, MID or LOW EQ knob is set at its Unity Gain "U" detent, it does not affect the signal. +15 HI EQ +10 +5 The HI 0 section [9] is -5 a fixed 12kHz -10 shelving EQ -15 with ±15dB of 20Hz 100Hz 1kHz 10kHz 20kHz equalization available. This is a great treble control, with the same range as the HI EQ in the Mackie 8•Bus console. Shelving equalizers work on a very broad range of frequencies and consequently are very "musical." In a 12kHz shelf like this section, that means that all the upper harmonics of a sound are raised evenly, basically keeping their original musical relationship to each other. A highfrequency shelving EQ is great for putting shimmer into acoustic guitar and piano tracks or sizzle into vocals and recordings of eggs frying. MID EQ The MID section [10] is a sweepable peak- ing/dipping EQ with a fixed bandwidth of 1.5 octaves (Q=0.9). The FREQ knob sweeps the EQ over a range from 100Hz to 8kHz, and the MID knob selects up to ±15dB of equalization. +15 It's true you +10 can't get along +5 very well with- 0 out high or low -5 EQ, but mid- -10 range EQ often -15 seems to be +15 the most pow- +10 erful. Much of +5 the essential 0 character of a -5 voice or in- -10 strument is -15 20Hz 100Hz 1kHz 10kHz 20kHz determined by U EQ HI 12k -15 +15 U -15 +15 MID FREQ 100 8kHz U -15 +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz 16

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16
M
I
C
G
A
I
N
10
U
60
+10dB
-40dB
-
1
0
U
U
O
O
+15
U
O
O
+15
PRE
1
PRE
2
TRIM
2
AUX
TRIM CONTROL
The white
knob at the top of
the channel strip
is the
TRIM
con-
trol [8].
TRIM
sets the gain
(volume level) of
the SR24•4 input
amplifier, and is
labeled with gain
sensitivity mark-
ings for both
LINE (the outer
circle) and MIC
inputs (the inner circle marked
MIC GAIN
).
Proper setting of the
TRIM
control is essential
for good noise and headroom performance.
Since you might be using your SR24•4 to
mix dynamic or condenser microphones, elec-
tronic keyboards or even guitar amplifier
heads, the signals connected to the channel
inputs could vary from extremely small to very
large. With the
TRIM
level adjusted correctly,
the Mackie input amplifier can accept a wide
range of input levels. See
Setting Levels With
Solo
just above, and
Important Sensitivity
Adjustment Procedure!
in the
Introduction.
EQ SECTION
Channels 1–20 (1–28 on the SR32•4) each
have a three-band EQ (Equalizer) plus a switch-
able
LOW CUT
filter.
When any
HI
,
MID
or
LOW
EQ knob is
set at its Unity Gain “U” detent, it does not
affect the signal.
HI EQ
The
HI
section [9] is
a fixed 12kHz
shelving EQ
with
±
15dB of
equalization
available. This is a great treble control, with
the same range as the HI EQ in the Mackie
8•Bus console.
Shelving equalizers work on a very broad
range of frequencies and consequently are very
“musical.” In a 12kHz shelf like this section, that
means that all the upper harmonics of a sound
are raised evenly, basically keeping their original
musical relationship to each other. A high-
frequency shelving EQ is great for putting
shimmer into acoustic guitar and piano tracks or
sizzle into vocals and recordings of eggs frying.
MID EQ
The
MID
section [10] is a sweepable peak-
ing/dipping EQ with a fixed bandwidth of 1.5
octaves (Q=0.9). The
FREQ
knob sweeps the
EQ over a range from 100Hz to 8kHz, and the
MID
knob selects up to
±
15dB of equalization.
It’s true you
can’t get along
very well with-
out high or low
EQ, but mid-
range EQ often
seems to be
the most pow-
erful. Much of
the essential
character of a
voice or in-
strument is
determined by
U
+15
-15
U
+15
-15
U
+15
-15
8kHz
100
LOW CUT
75 Hz
18dB/OCT
80Hz
LOW
12k
HI
MID
FREQ
EQ
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
Layout
and Function