Mackie SR244 / SR324 Owner's Manual - Page 40

via AUX 1 and AUX 2. AUX 3, AUX 4 and AUX 5

Page 40 highlights

buses; temporarily patch the Send 6 output to the track 5 input. This gives you another output bus with complete EQ and fader control on the channel strip. If you don't have an extra Aux Send available ('cause you're just crazy with headphone sends and effects boxes), another way to record a fifth track would be to temporarily patch the input to track 5 directly to the scratch vocal microphone channel strip by pushing the plug into the channel strip 12 INSERT jack to the first click (see Appendix B: Connections). This will act as a sort of direct output (with no EQ or fader control). Use the TRIM control to set a decent level on the signal to tape. When you are finished with the scratch vocal, re-patch track 5 input back into SUB OUT 5. You will be doing all your monitoring through the multitrack recorder and the Left/ Right buses. Do not assign any of your recording inputs to the Left/Right buses, but only to the Submix buses shown. You will be able to listen to the recording inputs through the tape recorder outputs on channel strips 13-20. You provide your headphone cueing mixes via AUX 1 and AUX 2. AUX 3, AUX 4 and AUX 5 will be used as reverb and delay sends, with the returns coming back on STEREO AUX RETURNS 1, 2 and 3. You are also listening to all your MIDI synthesizer voices as you record. To save tape tracks, they will not be recorded but will be played by your sequencer in real time. When you have finished your basic tracks, record the final vocals and erase the scratch vocal track. When the vocals are done, you're ready to mix. Just tweak up your monitor mix, adjust the reverb and push Record on the DAT machine. Viola! A rough mix to take home. In fact, if you are really on that night, a final mix for mastering. TRACKING ON AN EIGHT-TRACK output connections Connection Destination SUB OUT 1 Multitrack input 1 SUB OUT 2 Multitrack input 2 SUB OUT 3 Multitrack input 3 SUB OUT 4 Multitrack input 4 SUB OUT 5 Multitrack input 5 * SUB OUT 6 Multitrack input 6 SUB OUT 7 Multitrack input 7 SUB OUT 8 Multitrack input 8 LEFT MASTER DAT recorder left input RIGHT MASTER DAT recorder right input TAPE IN L DAT recorder left output TAPE IN R DAT recorder right output AUX SEND 1 Headphone cue amp 1 input AUX SEND 2 Headphone cue amp 2 input AUX SEND 3 Digital effects 1 input AUX SEND 4 Digital effects 2 input AUX SEND 5 Digital effects 3 input AUX SEND 6 input #5)* AUX RETURN 1 L Digital effects 1 left output AUX RETURN 1 R Digital effects 1 right output AUX RETURN 2 L Digital effects 2 left output AUX RETURN 2 R Digital effects 2 right output AUX RETURN 3 L Digital effects 3 left output AUX RETURN 3 R Digital effects 3 right output MAIN INSERT L Stereo compressor L input & output MAIN INSERT R Stereo compressor R input & output CONTROL ROOM OUT L ....... C-R monitor amplifier left input CONTROL ROOM OUT R ....... C-R monitor amplifier right input 38

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67

38
buses; temporarily patch the Send 6 output to
the track 5 input. This gives you another out-
put bus with complete EQ and fader control
on the channel strip.
If you don’t have an extra Aux Send avail-
able (’cause you’re just crazy with headphone
sends and effects boxes), another way to
record a fifth track would be to temporarily
patch the input to track 5 directly to the
scratch vocal microphone channel strip by
pushing the plug into the channel strip 12
INSERT jack to the first click (see Appendix
B: Connections). This will act as a sort of
direct output (with no EQ or fader control).
Use the TRIM control to set a decent level on
the signal to tape. When you are finished with
the scratch vocal, re-patch track 5 input back
into SUB OUT 5.
You will be doing all your monitoring
through the multitrack recorder and the Left/
Right buses. Do not assign any of your record-
ing inputs to the Left/Right buses, but only to
the Submix buses shown. You will be able to
listen to the recording inputs through the tape
recorder outputs on channel strips 13–20.
You provide your headphone cueing mixes
via AUX 1 and AUX 2. AUX 3, AUX 4 and AUX 5
will be used as reverb and delay sends, with
the returns coming back on STEREO AUX
RETURNS 1, 2 and 3.
You are also listening to all your MIDI syn-
thesizer voices as you record. To save tape
tracks, they will not be recorded but will be
played by your sequencer in real time.
When you have finished your basic tracks,
record the final vocals and erase the scratch
vocal track.
When the vocals are done, you’re ready to
mix. Just tweak up your monitor mix, adjust
the reverb and push Record on the DAT
machine. Viola! A rough mix to take home. In
fact, if you are really
on
that night, a final mix
for mastering.
TRACKING ON AN EIGHT-TRACK
output connections
Connection
Destination
SUB OUT 1
........................
Multitrack input 1
SUB OUT 2
........................
Multitrack input 2
SUB OUT 3
........................
Multitrack input 3
SUB OUT 4
........................
Multitrack input 4
SUB OUT 5 *
......................
Multitrack input 5 *
SUB OUT 6
........................
Multitrack input 6
SUB OUT 7
........................
Multitrack input 7
SUB OUT 8
........................
Multitrack input 8
LEFT MASTER
......................
DAT recorder left input
RIGHT MASTER
...................
DAT recorder right input
TAPE IN L
..........................
DAT recorder left output
TAPE IN R
..........................
DAT recorder right output
AUX SEND 1
......................
Headphone cue amp 1 input
AUX SEND 2
......................
Headphone cue amp 2 input
AUX SEND 3
......................
Digital effects 1 input
AUX SEND 4
......................
Digital effects 2 input
AUX SEND 5
......................
Digital effects 3 input
AUX SEND 6
......................
(input #5)*
AUX RETURN 1 L
................
Digital effects 1 left output
AUX RETURN 1 R
................
Digital effects 1 right output
AUX RETURN 2 L
................
Digital effects 2 left output
AUX RETURN 2 R
................
Digital effects 2 right output
AUX RETURN 3 L
................
Digital effects 3 left output
AUX RETURN 3 R
................
Digital effects 3 right output
MAIN INSERT L
...................
Stereo compressor L input & output
MAIN INSERT R
..................
Stereo compressor R input & output
CONTROL ROOM OUT L
.......
C-R monitor amplifier left input
CONTROL ROOM OUT R
.......
C-R monitor amplifier right input