Mackie SR244 / SR324 Owner's Manual - Page 35

Control Room Out, Phones 1 & 2, Talkback Mic, Power

Page 35 highlights

For even more L L convenience, there are two more RCA jacks labeled R R TAPE IN. Connect your tape playback TAPE IN TAPE OUT to the TAPE IN jacks and you'll be able to quickly monitor your tape recorder with the TAPE RETURN switches on the front panel. The TAPE IN jacks are unbalanced RCA inputs with a nominal level of 0dBu. Caution: Assigning the TAPE RETURN MAIN MIX could cause a several-megaton feedback loop. Stick to control room/ phones monitoring while in record mode on your tape deck. You'll get maximum smoke with 60-ohm headphones. (See tinnitus in the Glossary.) TALKBACK MIC Remember the talkback function we talked about before? Here is where you plug in the microphone. This is a balanced mic input [18] using a standard XLR-type mic connector which will accept a wide range of microphone levels and impedances. NOTE: There is no phantom power avail- able at the TALK BACK MIC input. ADDITIONAL NOTE: Engaging talkback to AUX 1/2 or MAIN MIX will attenuate control room out by 20dB. Layout and Function CONTROL ROOM OUT POWER The CONTROL ROOM OUT L and R jacks [15] carry the monitoring signal controlled by the PHONES/C-R LEVEL knob on the front panel, and should be connected to the inputs of your control room monitor power amplifier. CONTROL ROOM OUT L and R are impedance balanced 1/4" TRS (tip-ringsleeve) phone jacks with ground wired to the sleeve, signal "hot" (or "high" or "+") to the tip and signal "cold" (or "low" or "-") wired to the ring. You can connect either balanced or unbalanced inputs to these outputs. Nominal level is 0dBu. PHONES 1 & 2 The PHONES jacks [17] carry the same signals as the CONTROL ROOM OUT L and R jacks, with extra amplification to drive stereo headphones. Careful; they're loud! The connections are 1/4" TRS (tip-ring- sleeve) stereo phone jacks wired for standard stereo phones with common (ground) con- nected to the sleeve, left channel to the tip and right channel wired to the ring. PHONES 1 and PHONES 2 are parallel and provide the same 120VAC 50/60 HZ 60W 1A/250V SLO BLO FUSE INSIDE signals. Main power is provided through the IEC connector at the lower left of the rear panel [19]. An IEC power cord of relatively gener- ous length is provided with the SR24•4. Replacement cords are available anywhere (try making that statement when you only ship a lame wall wart with a mixer...). A mains power fuse is located in a tiny compartment in the power cord connector housing. Replace only with the correct fuse. It's a very good idea to carry spares. Just to the right of the power cord connec- tor is the main power switch. Turn this switch ON for normal operation and OFF for silent (ultra-ultra- low noise) mode. PHONES 1 PHONES 2 TALK BACK MIC POWER ON PHANTOM ON CAUTION: TO REDUCE THE RISK OF FIRE, REPLACE WITH THE SAME TYPE FUSE AND RATING OFF OFF 33

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33
TAPE OUT
TAPE IN
R
L
L
R
For even more
convenience, there
are two more RCA
jacks labeled
TAPE IN
. Connect
your tape playback
to the
TAPE IN
jacks and you’ll be
able to quickly
monitor your tape recorder with the
TAPE
RETURN
switches on the front panel. The
TAPE IN
jacks are unbalanced RCA inputs
with a nominal level of 0dBu.
Caution: Assigning the
TAPE RETURN
MAIN MIX
could cause a several-megaton
feedback loop. Stick to control room/
phones monitoring while in record mode
on your tape deck.
CONTROL ROOM OUT
The
CONTROL ROOM OUT
L
and
R
jacks [15] carry the monitoring signal con-
trolled by the
PHONES/C-R LEVEL
knob on
the front panel, and should be connected to
the inputs of your control room monitor power
amplifier.
CONTROL ROOM OUT
L
and
R
are
impedance balanced
1
/
4
" TRS (tip-ring-
sleeve) phone jacks with ground wired to the
sleeve, signal “hot” (or “high” or “+”) to the tip
and signal “cold” (or “low” or “–”) wired to the
ring. You can connect either balanced or un-
balanced inputs to these outputs. Nominal
level is 0dBu.
PHONES 1 & 2
The
PHONES
jacks [17] carry the same
signals as the
CONTROL ROOM OUT
L
and
R
jacks, with extra amplification to drive
stereo headphones. Careful; they’re loud!
The connections are
1
/
4
" TRS (tip-ring-
sleeve) stereo phone jacks wired for standard
stereo phones with common (ground) con-
nected to the sleeve, left channel to the tip
and right channel
wired to the ring.
PHONES 1
and
PHONES 2
are parallel and
provide the same
signals.
You’ll get maximum smoke with 60-ohm
headphones. (See
tinnitus
in the Glossary.)
TALKBACK MIC
Remember the talkback function we talked
about before? Here is where you plug in the
microphone. This is a balanced mic input
[18] using a standard XLR-type mic connec-
tor which will accept a wide range of
microphone levels and impedances.
NOTE: There is no phantom power avail-
able at the
TALK BACK
MIC
input.
ADDITIONAL NOTE: En-
gaging talkback to
AUX
1/2
or
MAIN MIX
will
attenuate control room out by 20dB.
POWER
Main power is provided through the IEC
connector at the lower left of the rear panel
[19]. An IEC power cord of relatively gener-
ous length is provided with the SR24•4.
Replacement cords are available anywhere
(try making
that
statement when you only
ship a lame wall wart with a mixer…).
A
mains power fuse
is located in a tiny
compartment in the power cord connector
housing. Replace only with the correct fuse.
It’s a very good idea to carry spares.
Just to the right of the power cord connec-
tor is the main power switch. Turn this switch
ON
for normal operation and
OFF
for silent
(ultra-ultra-
low noise)
mode.
OFF
POWER
ON
OFF
PHANTOM
ON
FUSE INSIDE
120VAC
50/60 HZ 60W
1A/250V SLO BLO
CAUTION:
TO REDUCE
THE RISK OF FIRE, REPLACE
WITH THE SAME TYPE FUSE
AND RATING
TALK BACK
MIC
PHONES
2
PHONES
1
Layout
and Function