Panasonic AG-HPX370 Using P2 HD with Final Cut Pro 7

Panasonic AG-HPX370 Manual

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  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 1
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  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 2
    whereas AVC-Intra is Panasonic's 10-bit codec that implements a newer and more efficient broadcast master-quality H.264 compression. All cameras in the P2 range can shoot in DVCPRO HD, but only certain models also have the option to shoot in AVC-I. In cameras such as the AG-HPX370 and AJ-HPX3000, as
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 3
    AJ-HPM110 P2 Mobiles and the AG-HPG20 P2 Portable. These units offer HD/SDI input for recording video to P2 cards as master-quality *AVC-Intra 100 (AJ-HPM110 requires AJ-YBX200 options card) or in other DVPRO-HD/50/25 frame rates and formats. All P2 HD cameras stream DVCPRO HD through the FireWire
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 4
    P2 Metadata System provides when compared to Quicktime. P2 Metadata Fields: Quicktime Logging Fields: The most useful of these features is the User Clip Name, a metadata field in which the camera native DVCPRO HD editing this has been an often requested feature for AVC-Intra, Panasonic's newest 10
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 5
    are two possible recording modes for P2 media: DVCPRO HD or AVC-Intra . Both modes offer intraframe compression and 4:2:2 sampling. All high definition P2 cameras shoot in DVCPRO-HD, but only certain models shoot in AVC-I. In some cameras such as the AG-HPX370, AJ-HPX2700 and AJ-HPX3700 Varicams
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 6
    files to be loaded into the cameras, and then it only takes a minute or so to load new scene files between setups. Here is a picture of the metadata window in Panasonic's Contents Management Software (A free utility in the support section at www.panasonic.com/p2). There is also a white paper on
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 7
    and delete all non-P2 files. Some P2 users create an individual number specifically (A1,A2, B1,B2...) so that it is easy to monitor cards as they come off camera. For multi-camera shoots, this makes it easier to track cards across all cameras. Keep in mind that the white space on the back of the P2
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 8
    require additional storage space. A camera or other P2 player/recorder (HPG-20, HPM200) may be used in Host Mode to offload P2 media material directly to a a verified offload program to offload and verify the footage. Panasonic's P2 CMS offers this functionality as do programs such as Imagine
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 9
    Some users also specific folder on your destination hard drive). If no offload program is available on a computer, it is possible (though not as reliable) to drag & drop and then do a cursory manual P2 volume on a destination hard drive. There is an additional white paper available on the P2 support
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 10
    could make the editing process. From simple single camera work to multi-camera environments, the user clip name drastically speeds organization of any project. For more on metadata, please see the metadata white paper also available on the P2 support site. The remaining clips all show the standard
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 11
    the various P2 and ProRes codecs. Codec DVCPRO HD AVC-Intra ProRes 422 HQ ProRes 422 ProRes LT ProrRes Proxy Bit Rate (Mb/s) @ 60p / 60i 100 100 236 145 100 50 The critical thing to remember is that FCP cannot (at this point) create an AVC-Intra timeline. What that means for users
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 12
    . What this means for P2 users is that when our clips Panasonic offers other options for recording content, including the AJ-HPM200 and AJ-HPM110 P2 Mobiles, and the AG-HPG20 P2 Portable. These units offer HD/SDI input for recording video to P2 the camera via FireWire to record the 8-bit DVCPRO HD
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 13
    cameras and there will be no variable frame rate on output to the hard disk recorder . Cameras such as the Varicam 2700 continue to output DVCPRO HD P2 card capacities have increased to 64GB. This size increase as well as many P2 cameras offering up to five P2 Please contact Panasonic or these
  • Panasonic AG-HPX370 | Using P2 HD with Final Cut Pro 7 - Page 14
    about details and settings. With the parameters that we covered in this paper, most users should be off to a good start. But be sure to do several trial runthroughs of any anticipated workflows. Panasonic's P2 system offers one of the most reliable means of acquisition, and when coupled with a well
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