Yamaha DGX-202 Owner's Manual - Page 77

Troubleshooting - electric keyboard

Page 77 highlights

Troubleshooting Problem Possible Cause and Solution When the DGX-202 is turned on or off, a popping This is normal and indicates that the DGX-202 is receiving electrical sound is temporarily produced. power. When using a mobile phone, noise is produced. Using a mobile phone in close proximity to the DGX-202 may produce interference. To prevent this, turn off the mobile phone or use it further away from the DGX-202. There is no sound even when the keyboard is played or when a song is being played back. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 69.) Playing keys in the right hand area of the keyboard When using the Dictionary function (page 45), the keys in the right does not produce any sound. hand area are used only for entering the chord root and type. The sound of the voices or rhythms seems unusu- The battery power is too low. Replace the batteries. (See page 10.) al or strange. The auto accompaniment doesn't turn on, even when pressing the [ACMP] button. Make sure the Style mode is active before using the auto accompaniment. Press the [STYLE] button to enable style operations. The style, song or M.D.B. does not play back even Check the External Clock on/off. (See page 69.) when pressing the [START/STOP] button. The style does not sound properly. Make sure that the Style Volume (page 42) is set to an appropriate level. Make sure that the Split Point (page 27) is set to an appropriate value. When playing back one of the Pianist styles (#124 - #135), the rhythm cannot be heard. This is normal. The Pianist styles have no drums or bass - only piano accompaniment. The accompaniment of the style can only be heard when accompaniment is set to ON and keys are played in the auto accompaniment area of the keyboard. Not all of the voices seem to sound, or the sound seems to be cut off. The DGX-202 is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or "stolen") from the accompaniment or song. A strange "flanging" or "doubling" sound occurs when using the DGX-202 with a sequencer. (This may also sound like a "dual" layered sound of two voices, even when Dual is turned off.) When using the style with a sequencer, set MIDI Echo (or the relevant control) to "off." (Refer to the owner's manual of your particular device and/or software for details.) The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. The sound of the voice changes from note to note. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. 77

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77
Troubleshooting
Problem
Possible Cause and Solution
When the DGX-202 is turned on or off, a popping
sound is temporarily produced.
This is normal and indicates that the DGX-202 is receiving electrical
power.
When using a mobile phone, noise is produced.
Using a mobile phone in close proximity to the DGX-202 may produce
interference.
To prevent this, turn off the mobile phone or use it fur-
ther away from the DGX-202.
There is no sound even when the keyboard is
played or when a song is being played back.
Check that nothing is connected to the PHONES/OUTPUT jack on
the rear panel.
When a set of headphones is plugged into this jack,
no sound is output.
Check the Local Control on/off. (See page 69.)
Playing keys in the right hand area of the keyboard
does not produce any sound.
When using the Dictionary function (page 45), the keys in the right
hand area are used only for entering the chord root and type.
The sound of the voices or rhythms seems unusu-
al or strange.
The battery power is too low.
Replace the batteries.
(See page 10.)
The auto accompaniment doesn
t turn on, even
when pressing the [ACMP] button.
Make sure the Style mode is active before using the auto accompa-
niment.
Press the [STYLE] button to enable style operations.
The style, song or M.D.B. does not play back even
when pressing the [START/STOP] button.
Check the External Clock on/off. (See page 69.)
The style does not sound properly.
Make sure that the Style Volume (page 42) is set to an appropriate
level.
Make sure that the Split Point (page 27) is set to an appropriate value.
When playing back one of the Pianist styles (#124
- #135), the rhythm cannot be heard.
This is normal.
The Pianist styles have no drums or bass
only pi-
ano accompaniment.
The accompaniment of the style can only be
heard when accompaniment is set to ON and keys are played in the
auto accompaniment area of the keyboard.
Not all of the voices seem to sound, or the sound
seems to be cut off.
The DGX-202 is polyphonic up to a maximum of 32 notes.
If the Dual
voice or Split voice is being used and a style or song is playing back
at the same time, some notes/sounds may be omitted (or
stolen
)
from the accompaniment or song.
A strange
flanging
or
doubling
sound occurs
when using the DGX-202 with a sequencer.
(This
may also sound like a
dual
layered sound of two
voices, even when Dual is turned off.)
When using the style with a sequencer, set MIDI Echo (or the relevant
control) to
off.
(Refer to the owner
s manual of your particular de-
vice and/or software for details.)
The footswitch (for sustain) seems to produce the
opposite effect.
For example, pressing the foot-
switch cuts off the sound and releasing it sustains
the sounds.
The polarity of the footswitch is reversed.
Make sure that the foot-
switch plug is properly connected to the SUSTAIN jack before turning
on the power.
The sound of the voice changes from note to note.
The AWM tone generation method uses multiple recordings (sam-
ples) of an instrument across the range of the keyboard; thus, the ac-
tual sound of the voice may be slightly different from note to note.