Canon PowerShot S30 PowerShot S40/S30 Camera User Guide - Page 56

Shooting

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Stitch Assist Mode (continued) • Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to keep the vertical misalignment to within 10% of the image height. • Do not include moving items in the overlap. • Do not try to stitch images that include both distant and close subjects. Objects may appear warped or doubled up. To Shoot a Distant Subject As shown below, swivel the camera around its axis to take successive shots. Horizontal: swivel left to right or vice versa Vertical: swivel up and down or vice versa To Shoot a Close Subject Slide the camera (move the camera parallel to the subject) to take successive shots. Shooting Images can be shot in the following 5 sequences in Stitch Assist mode. Horizontally, left to right Horizontally, right to left Vertically, bottom to top Vertically, top to bottom Clockwise starting at the top left 1 Turn the shooting mode dial to . • The LCD monitor will turn on. 2 Select the shooting sequence using B or A on the multicontroller and press . • You can also press the shutter button directly to shoot without pressing . 54 Shooting - Letting the Camera Select Settings

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54
Shooting - Letting the Camera Select Settings
Shooting
Images can be shot in the following 5 sequences in Stitch Assist mode.
1
Turn the shooting mode dial to
.
• The LCD monitor will turn on.
2
Select the shooting sequence using
B
or
A
on the multicontroller and press
.
• You can also press the shutter button directly to
shoot without pressing
.
Horizontally, left to right
Horizontally, right to left
Vertically, bottom to top
Vertically, top to bottom
Clockwise starting at the top left
Horizontal:
swivel left to right
or vice versa
Vertical:
swivel up and down
or vice versa
To Shoot a Close
Subject
Slide the camera (move
the camera parallel to
the subject) to take
successive shots.
Stitch Assist Mode (continued)
•
Compose each frame so that it overlaps 30 to 50% of the adjoining image. Try to
keep the vertical misalignment to within 10% of the image height.
•
Do not include moving items in the overlap.
•
Do not try to stitch images that include both distant and close subjects. Objects
may appear warped or doubled up.
To Shoot a Distant Subject
As shown below, swivel the camera around its axis
to take successive shots.