Mackie PPM1012 Owner's Manual - Page 14

PPM1012 10 11 13 14 21 5 MIC 1 6 LINE (BAL/UNBAL) 9 INSERT MIC 2 LINE (BAL/UNBAL) INSERT MIC 3 LINE (BAL/UNBAL) INSERT MIC 4 LINE (BAL/UNBAL) INSERT MIC 5 LINE (BAL/UNBAL) INSERT MIC 6 7 LINE (BAL/UNBAL) L 1 1 15 L MIC 7 HI-Z LINE (BAL/UNBAL) 7 MIC 8 HI-Z LINE (BAL/UNBAL) 2 MON SEND 2 FX SEND R IN OUT TAPE R MAIN INSERT 8 8L (MONO) 12L (MONO) 12 L (MONO) L (MONO) INSERT INSERT INSERT R R INPUT 9/10 INPUT 11/12 R FX RTN 1 R FX RTN 2 L 16 16 L R R 17 M MAIN OUT M OO LAMP 12V 0.5A FX FOOTSWITCH TIP: FX1 RING: FX2 20 18 PHONES MAX LEVEL 19 1 2 3 4 5 6 7 8 9/10 11/12 POWER PHANTOM U MIC GAIN U MIC GAIN U MIC GAIN U MIC GAIN U MIC GAIN U MIC GAIN U MIC GAIN U MIC GAIN U U 2 X 800W PROFESSIONAL POWERED MIXER WARNING: The headphone amp is loud, and 21. BNC LAMP CONNECTION 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB 0 -20dB +50 +30dB -20 +20 -20 +20 MAIN EQUALIZER EQ ASSIGN MAIN MON 2 POWER AMP LIMITER A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN can cause permanent ear damage. Even LOWCUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP LOW CUT 15 15 100 Hz Located in the top 10 5 right corner of the mix150er, MAIN thisMETERS 0dB = 0dBu intermediate levels may be painfully loudHI-Z with HI-Z 12V socket will 0 dri5 ve any standard 0 BNC-typ5e OL lamp,15 10 for some earphones. BE CAREFUL! Always turn the phones OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX U EQ U EQ U EQ U EQ U EQ U EQ U EQ U level control [19] all the way down before connecting HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz HI 12kHz 10 10 6 example, a Littlite® #12G or #12G-HI (high-intensity). EQ U EQ U EQ 15 15 3 0 HI 12kHz HI 12kHz HI 12kHz 63 125 250 500 1K 2K 4K 8K 16K 2 4 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 7 U U U U U U U U U U MID MID MID MID MID MID MID MID HI HI headphones or pressing a solo switch, or doing anything It will cast a light in the dark, so you can work your MID MID -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 2.5kHz 2.5kHz 15 -15 +15 -15 +15 new that may affect the headphone volume. Then turn it audio magic like an ancient wizard. It will also attract 600 600 600 600 600 600 600 600 U U 10 MON 1 EQUALIZER 10 20 30 15 L R 10 LEVEL SET up slowly as you listen carefully. all the mosquitoes, moths, and other hungry flying crit- 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k 150 1.5k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ LOW MID 400Hz LOW 5 MID 400Hz 0 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k -15 +15 -15 +15 U U U U U U U U U U 5 5 RUDE SOLO 0 5 LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz ters LOW 80Hz within LOW 80Hz a one LOW 80Hz mile 10 15 radius. Have fun with10 15 that. -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 19. LEVELAUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND AUX U SEND 63 125 250 500 1K 2K 4K 8K 16K 01 PLATE REVERB 13 CHORUS POWER AMP MODE OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO MON MON MON MON MON MON MON 1 1 1 1 1 1 1 ThisU+15knob cU+1o5 ntrolsU+15the ­leUv+15el of the+15 U signaU+1l5 goingU+15to your+15 U stereo headphones. MON 2 +15 MON 2 +15 MON 2 +15 MON 2 +15 MON 2 +15 MON 2 +15 MON 2 +15 +15 U U U U U U U U 22. LUNCH-TIME DECOUPLER MON 1 MON 1 +15 MON 1 +15 FX 1 SIG/OL FX 2 SIG/OL 02 VOCAL PLATE 03 WARM ROOM 04 BRIGHT ROOM 05 WARM LOUNGE 14 CHORUS + REVERB 15 DOUBLER 16 TAPE SLAP 17 DLY 1 BRIGHT (350ms) MON 1 MAINS MON 2 MON 1 U U U U 06 SMALL STAGE 18 DLY 1 WARM (300ms) A (L) B(R) 07 WARM THEATER 19 DLY 2 BRIGHT (250ms) STEREO MON 2 OO OO Not available on Earth models, this control actually MON 2 MON 2 +15 +15 +15 08 BRIGHT STAGE 20 DLY 2 WARM (200ms) MAIN 09 WARM HALL 21 DLY 3 BRIGHT (175ms) 10 CONCERT HALL 22 DLY 3 WARM (150ms) +15 11 CATHEDRAL 23 CHORUS + DLY (300ms) LPF U U SEND MASTER SEND MASTER 12 GATED REVERB 24 REVERB + DLY (200ms) FX slows down time, especially lunchtimes. Use this wisely, 1 +15 Make sure this is fully down whenever you are U and only engage it after receiving your food and bever- FX 2 making connections in your system, or putting +15 on the headphones, or before you press any ages, or you may be in for a long wait. PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN FX 1 +15 U FX 2 +15 PAN TAP DELAY INT FX MUTE TAP DELAY INT FX MUTE BREAK TAP TO EDIT U MUTES CH 1-12 FX 1 TO MON 1 U +20 TAPE IN FX 1 TO MON 2 U 120 100 180 75Hz 200Hz MONO OUT OO OO solo sLwR itch [L4R1]. BrLiRng up LtRhe leveL Rl slowlLyR and cLaRrefullyL R DoL R not eL nR gage during drum solos+15or scats+1.5 OO OO MAX to protect your hearing. 20. FX FO1 OTSW2ITCH C3ONNEC4TOR 5 6 7 dB dB dB dB dB dB dB dB 10 10 10 10 10 10 10 10 Th5 is isOL wh5 ereOL yo5u coOnL ne5 ct aOL fo5otswOLitc5h. (AOL ny5 twoOL-bu5 t- +10 +10 +10 +10 +10 +10 +10 U U U U U U U U ton o5 n/o0ff fo5 otsw0 it5ch w0ill 5do).0 Th5 is al0low5 s yo0 u t5o ea0sily5 -20 -20 -20 -20 -20 -20 -20 mut1e0 or un1-0 mute t10he two10interna10 l effect10 proces10 sors 10 20 20 20 20 20 20 20 20 independently, while stamping your foot and looking 30 30 30 30 30 30 30 30 SOLO SOLO SOLO SOLO SOLO SOLO SOLO 40 40 40 40 40 40 40 40 like you were mad about something. 50 50 50 50 50 50 60 60 60 60 60 60 50 60 50 60 8 dB 10 OL 5 +10 U 0 5 -20 10 20 30 SOLO 40 50 60 9/10 dB 10 OL 5 +10 U 0 5 -20 10 20 30 SOLO 40 50 60 11/12 FX RTN 1 FX RTN 2 dB dB dB 10 10 10 OL 5 5 5 +10 U U U 0 5 5 5 -20 10 10 10 20 20 20 30 SOLO 40 50 60 30 SOLO 40 50 60 30 SOLO 40 50 60 MON 1 dB 10 5 U 5 10 20 30 SOLO 40 50 60 MON 2 SOLO MAIN dB 10 5 U 5 10 20 30 40 50 60 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO The output is wired so the tip affects FX1, and the ring affects FX2. If the internal effects have already been muted with the FX mute switches [64] then the footswitch has no effect. It cannot un-mute or mute it. The footswitch only affects the internal FX. It has no effect on the output-to and input-from external effects processors. 14 PPM1012