Mackie PPM1012 Owner's Manual - Page 6

PPM1012 Hookup Diagrams Microphones Portable Recorder L 1 1 L L MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 2 MON SEND 2 FX SEND R IN OUT TAPE R MAIN INSERT R LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) HI-Z LINE (BAL/UNBAL) HI-Z LINE (BAL/UNBAL) L (MONO) L (MONO) L (MONO) L (MONO) LAMP 12V 0.5A L FX FOOTSWITCH TIP: FX1 RING: FX2 R PHONES INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT A1djust 2 U VocalU Compression MIC GAIN MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 3 U MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 4 U MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 5 U MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz 6 7 press HI-Z U MIC GAIN U MIC GAIN buttons 0 -20dB +50 +30dB 0 -20dB +50 +30dB GAIN GAIN LOW CUT 100 Hz LOW CUT 100 Hz 8 U MIC GAIN 0 -20dB +50 +30dB GAIN LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP R R INPUT 9/10 INPUT 11/12 9/10 11/12 U U -20 +20 GAIN -20 +20 GAIN OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ -15 +15 U HI 12kHz MID OFF MAX U EQ -15 +15 U HI 12kHz MID HI-Z U EQ -15 +15 U HI 12kHz MID HI-Z U EQ -15 +15 U HI 12kHz MID -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 -15 +15 600 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U 150 1.5k FREQ 100 8k U LOW 80Hz LOW 80Hz -15 +15 -15 +15 Keyboard AUX U SEND AUX U SEND LOW 80Hz -15 +15 AUX U SEND LOW 80Hz -15 +15 AUX U SEND LOW 80Hz -15 +15 AUX U SEND LOW 80Hz -15 +15 AUX U SEND LOW 80Hz -15 +15 AUX U SEND LOW 80Hz -15 +15 AUX U SEND +15 U MON 1 +15 U MON 1 +15 U MON 1 +15 U MON 1 +15 U MON 1 +15 U MON 1 +15 U MON 1 +15 U MON 1 OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 +15 U MON 2 FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 1 +15 U FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN FX 2 +15 PAN OO OO OO OO U EQ -15 +15 U HI 12kHz -15 +15 U HI MID 2.5kHz -15 +15 U LOW MID 400Hz LOW 80Hz -15 +15 AUX U SEND +15 U MON 1 +15 U MON 2 FX 1 +15 U FX 2 +15 PAN OO OO OO OO U EQ -15 +15 U HI 12kHz -15 +15 U HI MID 2.5kHz -15 +15 U LOW MID 400Hz LOW 80Hz -15 +15 AUX U SEND +15 U MON 1 +15 U MON 2 FX 1 +15 U FX 2 +15 PAN R FX RTN 1 R FX RTN 2 M MAIN OUT MAX OO M LEVEL POWER PHANTOM 15 10 5 0 5 10 15 63 15 10 5 0 5 10 15 2 X 800W PROFESSIONAL POWERED MIXER MAIN EQUALIZER EQ ASSIGN MAIN MON 2 POWER AMP LIMITER A B 15 10 5 0 5 10 15 125 250 500 1K 2K 4K 8K 16K MON 1 EQUALIZER 15 10 5 0 5 10 15 MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 L R LEVEL SET RUDE SOLO 63 125 FX 1 SIG/OL U +15 SEND MASTER OO TAP DELAY INT FX MUTE 250 500 1K 2K 4K 8K 16K OO FX 2 SIG/OL U +15 SEND MASTER 01 PLATE REVERB 02 VOCAL PLATE 03 WARM ROOM 04 BRIGHT ROOM 05 WARM LOUNGE 06 SMALL STAGE 07 WARM THEATER 08 BRIGHT STAGE 09 WARM HALL 10 CONCERT HALL 11 CATHEDRAL 12 GATED REVERB 13 CHORUS 14 CHORUS + REVERB 15 DOUBLER 16 TAPE SLAP 17 DLY 1 BRIGHT (350ms) 18 DLY 1 WARM (300ms) 19 DLY 2 BRIGHT (250ms) 20 DLY 2 WARM (200ms) 21 DLY 3 BRIGHT (175ms) 22 DLY 3 WARM (150ms) 23 CHORUS + DLY (300ms) 24 REVERB + DLY (200ms) TAP TO EDIT U BREAK TAP DELAY INT FX MUTE MUTES CH 1-12 FX 1 TO MON 1 U +20 TAPE IN FX 1 TO MON 2 U POWER AMP MODE MON 1 MAINS MON 2 MON 1 A (L) B(R) STEREO MAIN LPF 120 100 180 75Hz 200Hz MONO OUT OO OO LR LR LR LR LR LR LR LR LR LR OO +15 +15 MAX OO SRM450v2 Powered Stage Monitors dB 10 1 dB 10 2 dB 10 3 dB 10 (plays mon 1 output) 4 dB 10 5 dB 10 6 dB 10 7 dB 10 8 dB 10 9/10 11/12 FX RTN 1 FX RTN 2 MON 1 MON 2 dB dB dB dB dB 10 10 10 10 10 MAIN dB 10 5 OL 5 OL 5 OL 5 OL 5 OL 5 OL 5 OL 5 OL 5 OL 5 OL 5 5 5 5 5 +10 +10 +10 +10 +10 +10 +10 +10 +10 +10 U U U U U U U U U U U U U U U 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO 40 40 40 40 40 40 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 60 60 60 60 20 30 SOLO 40 50 60 20 30 SOLO 40 50 60 20 30 SOLO 40 50 60 20 30 SOLO 40 50 60 SPEAKER OUT A SPEAKER OUT B PIN PIN 1+ 1+ 1 1 POWER AMP MODE MON 1 MAINS MON 2 MON 1 A (L) B(R) STEREO MAIN Stereo Mains 2 X 800W PROFESSIONAL POWERED MIXER OO OO OO OO OO OO OO OO OO OO OO OO OO OO OO Powered Subwoofers Passive Speakers (plays stereo main mix) This diagram shows microphones attached to channels 1 and 2, electric guitars connected directly to channels 7 and 8 (with hi-z switch pressed in), and a keyboard attached to channels 9/10. A portable recorder is attached to the stereo tape outputs to record the performance. Mackie SRM450v2 powered monitors are connected to the monitor 1 send, and play as stage monitors. The mon 1 knobs of each channel allow you to set up a stage monitor mix that is independent of the main mix. Passive speakers are connected to the speaker-level power output of the powered mixer, and they play the main stereo mix to your audience. SWA1801z powered subwoofers are connected to the main mix mono out, to reinforce the low end in your system. For powered subwoofers like these with their own internal crossover, leave the mixer's LPF (low-pass-filter) switch out.  PPM1012 Club System