Pentax IQZoom 280P IQZoom 280P Manual - Page 35

Exposure, Compensation

Page 35 highlights

Exposure Compensation Hard-to-autofocus subjects Like many other autofocus cameras, the camera's autofocus system is highly precise, but not perfect. Some subjects may not be focused as you wish. In such a case, use the focus-lock technique on a subject near the actual one and equidistant from the lens. Subjects which may fool the system include: 1. Black objects like hair, which don't reflect much light (and therefore don't reflect infrared autofocus beams). 2. Wire netting, latticework, iron exercisebars, etc. 3. Flickering light sources such as neon signs, fluorescent lamps, TV images, sunlight coming through trees, etc. and subjects illuminated by these light sources. 4. Glossy and reflective surfaces like glass, mirrors, car bodies, etc. 5. Fast-moving objects, like trains or automobiles in motion. 6. Water jets, water surface, smoke, flame, fireworks, etc., which have no distinct or consistent form, or a subject in mist. Exposure compensation is an adjustment to brighten or darken the whole picture when shot in high-contrast lighting conditions. Use the "+" side for situations with bright backgrounds or the "-" side for situations where the central subject is too brightly lit from the front. Exposure compensation is possible in the range from +3EV to -3EV in 0.5EV step. This compensation can be used in combination with the various exposure settings. • Once the exposure compensation is set, the compensated value will be stored in memory until the film is replaced. To cancel exposure correction, reset the corrected value to ±0. 31

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Exposure
Compensation
Hard-to-autofocus
subjects
Like
many
other
autofocus
cameras,
the
camera's
autofocus
system
is
highly
pre-
cise,
but
not
perfect.
Some
subjects
may
not
be
focused
as
you
wish.
In
such
a
case,
use
the
focus
-lock
technique
on
a
subject
near
the
actual
one
and
equidistant
from
the
lens.
Subjects
which
may
fool
the
system
include:
1.
Black
objects
like
hair,
which
don't
reflect
much
light
(and
therefore
don't
reflect
in-
frared
autofocus
beams).
2.
Wire
netting,
latticework,
iron
exercise
-
bars,
etc.
3.
Flickering
light
sources
such
as
neon
signs,
fluorescent
lamps,
TV
images,
sun-
light
coming
through
trees,
etc.
and
sub-
jects
illuminated
by
these
light
sources.
4.
Glossy
and
reflective
surfaces
like
glass,
mirrors,
car
bodies,
etc.
5.
Fast-moving
objects,
like
trains
or
auto-
mobiles
in
motion.
6.
Water
jets,
water
surface,
smoke,
flame,
fireworks,
etc.,
which
have
no
distinct
or
consistent
form,
or
a
subject
in
mist.
Exposure
compensation
is
an
adjustment
to
brighten
or
darken
the
whole
picture
when
shot
in
high
-contrast
lighting
conditions.
Use
the
"+"
side
for
situations
with
bright
back-
grounds
or
the
"—"
side
for
situations
where
the
central
subject
is
too
brightly
lit
from
the
front.
Exposure
compensation
is
possible
in
the
range
from
+3EV
to
-3EV
in
0.5EV
step.
This
compensation
can
be
used
in
combina-
tion
with
the
various
exposure
settings.
Once
the
exposure
compensation
is
set,
the
compensated
value
will
be
stored
in
memory
until
the
film
is
replaced.
To
can-
cel
exposure
correction,
reset
the
corrected
value
to
±0.
31