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Use the JOG/DATA dial or keypad to adjust the start position, and then press, the [ENTER] button.

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118 Chapter 10-Editing Parts Rec Mode 16 Having selected "REC," press the [ENTER] button. "PITCH CHANGE-FROM TR nn" appears on the display ("nn" being the source track containing the material to be pitched). 17 Use the JOG/DATA dial to select the source track. You can select individual tracks or track pairs: 1-8 or 1/2-7/8. To pitch a virtual track, assign it to a main track ﬁrst, and then pitch the main track. 18 Press the [ENTER] button. "PITCH CHANGE-ST MARK IN" appears on the display ("ST" being the start point of the part to be pitched). 19 Use the JOG/DATA dial to select one of the following points: MARK IN, MARK OUT, MARK A, MARK B, or a locate memory from 1 through 99. 20 Press the [ENTER] button. "PITCH CHANGE-ST 00:00:00.00.0" appears on the display ("00:00:00.00.0" being the position of the selected point). 21 Use the JOG/DATA dial or keypad to adjust the start position, and then press the [ENTER] button. "PITCH CHANGE-ED MARK IN" appears on the display ("ED" being the end point of the part to be pitched). 22 Use the JOG/DATA dial to select one of the following points: MARK IN, MARK OUT, MARK A, MARK B, or a locate memory from 1 through 99. 23 Press the [ENTER] button. "PITCH CHANGE-ED 00:00:00.00.0" appears on the display ("00:00:00.00.0" being the position of the selected point). 24 Use the JOG/DATA dial or keypad to adjust the end position, and then press the [ENTER] button. If the duration of the speciﬁed part is less than 15 milliseconds, the minimum size, the message "TOO SHORT" appears. "PITCH CHANGE-TO V_TR nn" appears on the display ("nn" being the virtual track to which the pitched material will be recorded). 25 Use the JOG/DATA dial to select the destination virtual track. When FROM is an individual track, TO can be one of the source's virtual tracks. When FROM is a pair of tracks, TO can be a pair of the source's virtual tracks. The following table lists the FROM and TO options, with several examples ("TR" stands for "main track," and "V. TR" for "virtual track"). From To TR 1-8 Source's V. TR 1-8 TR pair 1/2-7/8 Source pair's V. TR 1-8 From TR 1 TR 1/2 To V. TR 3 V. TR 3 Examples Result Pitched part of TR 1 recorded to V. TR 1-3 Pitched parts of TR 1/2 recorded to V. TR 1-3/2-3 All the existing data in the destination virtual track is deleted when the data is pitched. D24-Owner's Manual

Section	Page
Important Information	4
Read the Following Before Operating the D24	4
Contents	6
1 Welcome to the D24	10
Welcome to the D24	11
About this Manual	12
Installing the D24	12
D24 Features	13
Choosing MO Disks	15
2 Touring the D24	17
Front Panel	18
Display	18
Transport Controls	20
Power Switch & Phones	22
Jog/Data & Shuttle/Cursor Controls	23
Function Buttons	24
Peak, Monitor, Format & Chase Buttons	25
Keypad	26
Track Buttons	27
Rear Panel	28
3 The Basics	30
Connecting the Power Cord	31
Turning On & Off the D24	31
Write Protecting Disks	31
Inserting & Ejecting Disks	32
Formatting MO Disks	33
Transport Operation Table	34
Indicator Status Tables	35
4 Recording	36
About Projects	37
Preparing to Record	38
Setting the Recording Resolution	39
Recording	40
Conserving Disk Space	42
Undoing a Recording or Edit	42
Rehearsing	43
Extending the Top of a Project	44
Checking the Time Remaining	45
Metering	46
Using Normal & Fine Metering	47
Using Peak Hold	48
Monitoring	49
5 General Operation	51
Using Playback	52
Using Fast Forward & Rewind	52
A–B Repeat Playback	53
Soloing Tracks	54
Selecting the Solo Outputs	54
Using Absolute & Relative Zero	55
Using Rollback	56
Setting the Rollback Time	56
Using Virtual Tracks	57
Shuttling	58
Nudging the Current Position	59
Setting the Nudge Time	60
Using Varispeed	61
6 Quick Locate	62
Searching for Projects	63
Project Search Confirmation	63
Selecting Projects Directly	64
Returning to Zero	65
Using the A & B Points	66
Locating the LAST REC IN & OUT Points	67
Locating Positions Directly	68
Storing Locate Points	69
Storing Locate Points Automatically	70
Recalling Locate Points	71
7 Punch In/Out Recording	72
About Punch In/Out Recording	73
Manual Punch In/Out Rehearsal	74
Manual Punch In/Out Recording	75
Setting the LAST REC IN & OUT Points	76
Auto Punch In/Out Rehearsal	77
Auto Punch In/Out Recording	78
Setting the Preroll Time	81
Setting the Postroll Time	81
8 Editing Projects	82
Copying Projects	83
Erasing Projects	84
Deleting Projects	85
Titling Projects	86
Protecting Projects	87
Modifying a Project’s Start Time	88
9 Editing Tracks	89
Copying Tracks	90
Moving Tracks	92
Erasing Tracks	94
Swapping Tracks	95
Slipping Tracks	97
10 Editing Parts	99
Copying Parts	100
Moving Parts	103
Deleting Parts	106
Erasing Parts	108
Inserting Parts	110
Insert Copying Parts	112
Time Compression	115
Pitch Change	120
11 Wordclocks	124
Wordclocks & the D24	125
Wordclock Connections	126
Dual AES/EBU Mode	126
Selecting a Wordclock Source	127
Wordclock System Examples	129
Terminating BNC Wordclock Distribution	134
12 Timecode	135
Timecode & the D24	136
Timecode Connections	136
Selecting a Timecode Source	137
Setting the Timecode Frame Rate	138
Setting a Timecode Offset	139
Chasing External Timecode	140
Setting the Chase Speed	141
Transmitting MTC	141
Timecode Hookup Examples	142
13 Multiple D24s & Video Sync	144
Multiple D24s	145
Expanding the Number of Tracks	146
Extending the Recording Time	148
Setting the Serial Point	150
Using Video Sync	150
Terminating BNC Video Sync Distribution	151
Connecting a Video Editor	152
Video Hookup Example	152
14 SCSI & External Disk Drives	153
SCSI & the D24	154
Using External Disk Drives	154
Certified Disk Drives	155
Available Recording Time	155
Connecting Disk Drives	156
Assigning SCSI IDs	156
Terminating the SCSI Bus	157
Formatting External Disk Drives	158
Selecting the Work Disk	161
Duplicating MO Disks	162
Copying Projects Between Disk Drives	164
Mounting D24 Disks on a Personal Computer	165
Connecting the D24 to a Personal Computer	166
15 Other Functions	169
Setting the Peak Hold Mode	170
Setting the Fade In/Out Time	170
Setting the Display Brightness	171
Setting the Remote ID	171
Recovering Disk Space	172
Physical Formatting for MO Disks	173
Ejecting Troublesome Disks (emergency use)	174
Initializing the D24	175
Checking the Version Number	175
Updating the System Software	175
16 MIDI	176
MIDI & the D24	177
MIDI Ports	177
Using MMC (MIDI Machine Control)	177
17 Digital Audio I/O	180
About mini YGDAI Cards	181
Card Specifications	182
Choosing Digital I/O Cards	182
Choosing D24 Slots	183
Selecting Slot Inputs	183
Installing Cards	184
Using Dual AES/EBU Mode	185
Using the Coaxial Digital Input & Output	186
Assigning the Coaxial Input & Output	187
Emphasis & the D24	187
SCMS & the D24	187
Digital I/O & Wordlength	188
Troubleshooting	190
Appendix	192
Setting the SCSI ID of the Internal MO Drive	192
Error Messages	193
Specifications	195
Connector Pin Assignments	198
D24 Dimensions	199
Glossary	200
Index	204

Match case Limit results 1 per page

118

Chapter 10

—

Editing Parts

D24—Owner’s Manual

Rec Mode

Having selected

“

REC,

”

press the [ENTER] button.

“PITCH CHANGE—FROM TR nn” appears on the display (“nn” being the source

track containing the material to be pitched).

Use the JOG/DATA dial to select the source track.

You can select individual tracks or track pairs: 1–8 or 1/2–7/8. To pitch a virtual track,

assign it to a main track ﬁrst, and then pitch the main track.

Press the [ENTER] button.

“PITCH CHANGE—ST MARK IN” appears on the display (“ST” being the start point

of the part to be pitched).

Use the JOG/DATA dial to select one of the following points: MARK IN, MARK

OUT, MARK A, MARK B, or a locate memory from 1 through 99.

Press the [ENTER] button.

“PITCH CHANGE—ST 00:00:00.00.0” appears on the display (“00:00:00.00.0” being

the position of the selected point).

Use the JOG/DATA dial or keypad to adjust the start position, and then press

the [ENTER] button.

“PITCH CHANGE—ED MARK IN” appears on the display (“ED” being the end point

of the part to be pitched).

Use the JOG/DATA dial to select one of the following points: MARK IN, MARK

OUT, MARK A, MARK B, or a locate memory from 1 through 99.

Press the [ENTER] button.

“PITCH CHANGE—ED 00:00:00.00.0” appears on the display (“00:00:00.00.0” being

the position of the selected point).

Use the JOG/DATA dial or keypad to adjust the end position, and then press

the [ENTER] button.

If the duration of the speciﬁed part is less than 15 milliseconds, the minimum size, the

message “TOO SHORT” appears.

“PITCH CHANGE—TO V_TR nn” appears on the display (“nn” being the virtual

track to which the pitched material will be recorded).

Use the JOG/DATA dial to select the destination virtual track.

When FROM is an individual track, TO can be one of the source’s virtual tracks. When

FROM is a pair of tracks, TO can be a pair of the source’s virtual tracks. The following

table lists the FROM and TO options, with several examples (“TR” stands for “main

track,” and “V. TR” for “virtual track”).

All the existing data in the destination virtual track is deleted when the data is pitched.

From

Examples

From

Result

TR 1

–

Source

’

s V. TR 1

–

TR 1

V. TR 3

Pitched part of TR 1 recorded

to V. TR 1-3

TR pair

1/2

–

7/8

Source pair

’

s V. TR 1

–

TR 1/2

V. TR 3

Pitched parts of TR 1/2

recorded to V. TR 1-3/2-3