Yamaha PSR-A3 Owner's Manual - Page 102

GM System Level 1 - software

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MIDI Data Format / TYPE MSB(H) 46 Type TREMOLO Parameter Number 1 2 3 6 7 8 9 14 15 Parameter Value LFO Frequency 0-127 AM Depth 0-127 PM Depth 0-127 EQ Low Frequency 8-40 EQ Low Gain 52-76 EQ High Frequency 28-58 EQ High Gain 52-76 LFO Phase Difference 4-124 Input Mode 0-1 Description 0.00~39.7Hz 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB -180°~+180° (resolution 3°) mono/stereo 47 AUTO PAN 1 LFO Frequency 2 L/R Depth 3 F/R Depth 4 PAN Direction 6 EQ Low Frequency 7 EQ Low Gain 8 EQ High Frequency 9 EQ High Gain 0-127 0-127 0-127 0-5 8-40 52-76 28-58 52-76 0.00~39.7Hz LR, L->R, LW ~ D=W ~ DW ~ D=W ~ DW ~ D=W ~ DW ~ D=W ~ D

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101
TYPE
Type
Parameter
Parameter
Value
Description
MSB(H)
Number
46
TREMOLO
1
LFO Frequency
0-127
0.00~39.7Hz
2
AM Depth
0-127
3
PM Depth
0-127
6
EQ Low Frequency
8-40
50Hz~2.0kHz
7
EQ Low Gain
52-76
-12~+12dB
8
EQ High Frequency
28-58
500Hz~16.0kHz
9
EQ High Gain
52-76
-12~+12dB
14
LFO Phase Difference
4-124
-180
°
~+180
°
(resolution 3
°
)
15
Input Mode
0-1
mono/stereo
47
AUTO PAN
1
LFO Frequency
0-127
0.00~39.7Hz
2
L/R Depth
0-127
3
F/R Depth
0-127
4
PAN Direction
0-5
L<->R, L->R, L<-R,
Lturn, Rturn, L/R
6
EQ Low Frequency
8-40
50Hz~2.0kHz
7
EQ Low Gain
52-76
-12~+12dB
8
EQ High Frequency
28-58
500Hz~16.0kHz
9
EQ High Gain
52-76
-12~+12dB
48
PHASER
1
LFO Frequency
0-127
0.00~39.7Hz
2
LFO Depth
0-127
3
Phase Shift Offset
0-127
4
Feedback Level
1-127
-63~+63
6
EQ Low Frequency
8-40
50Hz~2.0kHz
7
EQ Low Gain
52-76
-12~+12dB
8
EQ High Frequency
28-58
500Hz~16.0kHz
9
EQ High Gain
52-76
-12~+12dB
10*
Dry/Wet
1-127
D63>W ~ D=W ~ D<W63
11
Stage
6-10
49
DISTORTION
1
Drive
0-127
4A
OVERDRIVE
2
EQ Low Frequency
8-40
50Hz~2.0kHz
3
EQ Low Gain
52-76
-12~+12dB
4
LPF Cutoff
34-60
1.0k~Thru
5
Output Level
0-127
7
EQ Mid Frequency
28-54
500Hz~10.0kHz
8
EQ Mid Gain
52-76
-12~+12dB
9
EQ Mid Width
10-120
1.0~12.0
10*
Dry/Wet
1-127
D63>W ~ D=W ~ D<W63
11
Edge(Clip Curve)
0-127
0:Mild ~ 127:Sharp
4B
AMP
1
Drive
0-127
SIMULATOR
2
AMP Type
0-3
Off,Stack,Combo,Tube
3
LPF Cutoff
34-60
1.0k~Thru
4
Output Level
0-127
10*
Dry/Wet
1-127
D63>W ~ D=W ~ D<W63
11
Edge(Clip Curve)
0-127
0:Mild ~ 127:Sharp
4C
3-BAND EQ
1
EQ Low Gain
52-76
-12~+12dB
2
EQ Mid Frequency
28-54
500Hz~10.0kHz
3
EQ Mid Gain
52-76
-12~+12dB
4
EQ Mid Width
10-120
1.0~12.0
5
EQ High Gain
52-76
-12~+12dB
6
EQ Low Frequency
8-40
50Hz~2.0kHz
7
EQ High Frequency
28-58
500Hz~16.0kHz
4D
2-BAND EQ
1
EQ Low Frequency
8-40
50Hz~2.0kHz
2
EQ Low Gain
52-76
-12~+12dB
3
EQ High Frequency
28-58
500Hz~16.0kHz
4
EQ High Gain
52-76
-12~+12dB
4E
AUTO WAH
1
LFO Frequency
0-127
0.00~39.7Hz
2
LFO Depth
0-127
3
Cutoff Frequency Offset
0-127
50Hz~14.0kHz
4
Resonance
10-120
1.0~12.0
6
EQ Low Frequency
8-40
50Hz~2.0kHz
7
EQ Low Gain
52-76
-12~+12dB
8
EQ High Frequency
28-58
500Hz~16.0kHz
9
EQ High Gain
52-76
-12~+12dB
10*
Dry/Wet
1-127
D63>W ~ D=W ~ D<W63
■
GM System Level 1
The existing MIDI protocol allows performance and
other data to be transferred between different instru-
ments, even if they are from different manufacturers.
This means, for example, that sequence data that was
originally created to control a tone generator from
manufacturer A can also be used to control a different
tone generator from manufacturer B. Since the voice
allocation in different devices from different manufactur-
ers is usually different, however, appropriate program
change data must be transmitted to select the right
voices.
The General MIDI protocol was developed to mini-
mize confusion and the need for re-programming when
playing software created by one MIDI device on an-
other. This has been achieved by defining a standard
voice allocation in which the same or similar voices are
accessed by the same program change numbers or
MIDI channels. The current standard recognized by the
International MIDI Association is known as “GM System
Level 1.” The PSR-A3 voice allocation complies with
the GM System Level 1 standard.
MIDI Data Format /