Yamaha SPX90 SPX90 Owners Manual Image - Page 13

Modulation

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MODULATION STEREO FLANGE A combination of Delay and LFO (Low Frequency Oscillation) modulation, the popular Flanging effect can dramatically thicken the sound of keyboard instruments, or produce the "aircraft" sound popular among guitarists. Basically, a short delay time is varied with LFO modulation so that the delayed signal moves in relation to the direct signal. The resultant variations in pitch and stereo imaging are known as "flanging". 1dB) DIRECT SIGNAL MOD. DEPTH L(R) / RIL) -4----). I I CHORUS With the Chorus effect, a violin, keyboard, or guitar can sound like an entire ensemble. Chorusing splits the incoming signal into three signals placed at the center, left, and right in the stereo image. Each signal is delayed slightly, and then its delay time and level are modulated by the LFO (Low Frequency Oscillator). (dB) DIRECT SIGNAL AMPLITUDE MODULATION DEPTH MOD. DELAY TIME (TIME) I A DELAY MODULATION DEPTH (TIME) 1. MOD FREQ. Range: 0.1 - 20.0 Hz Sets the speed of modulation, and hence the rate at which the effect varies. 2. MOD DEPTH. Range: 0 - 100% This sets the amount of delay time variation, thus adjusting the "depth" of the effect. At the maximum setting, the delay time is varied by +/-4 msec. 3. MOD DELAY TIME. Range: 0.1 - 100 msec This sets the basic delay time from the initial direct sound to the flange effect. When set to lower than 1 msec, more high-frequency variation is produced, while a setting higher than 3 msec will create more low-frequency variation. 4. F.B. GAIN. Range: 0 - 99% Sets the amount of flange signal which is fed back into the circuit for further modulation. This controls the complexity of the effect, its "strength," and its overall decay time. 1. MOD FREQ. Range: 0.1 -' 20.0 Hz Sets the delay time modulation speed (frequency). 2i DELAY MODULATION DEPTH. Range: 0 100% This sets the amount by which the delay time of one delay signal is varied in relation to the other. At the maximum setting, the delay time is varied by +/-4 msec. 3. AMPLITUDE MODULATION DEPTH. Range: 0 - 100% This sets the amount by which the amplitude (level) of the input signal is varied. 12

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MODULATION
STEREO
FLANGE
A
combination
of
Delay
and
LFO
(Low
Frequency
Oscillation)
modulation,
the
popular
Flanging
effect
can
dramatically
thicken
the
sound
of
keyboard
in-
struments,
or
produce
the
"aircraft"
sound
popular
among
guitarists.
Basically,
a
short
delay
time
is
varied
with
LFO
modulation
so
that
the
delayed
signal
moves
in
relation
to
the
direct
signal.
The
resultant
variations
in
pitch
and
stereo
imaging
are
known
as
"flanging".
1dB)
DIRECT
SIGNAL
MOD.
DEPTH
/
L(R)
RIL)
-4----).
I
I
MOD.
DELAY
TIME
(TIME)
1.
MOD
FREQ.
Range:
0.1
-
20.0
Hz
Sets
the
speed
of
modulation,
and
hence
the
rate
at
which
the
effect
varies.
2.
MOD
DEPTH.
Range:
0
100%
This
sets
the
amount
of
delay
time
variation,
thus
adjusting
the
"depth"
of
the
effect.
At
the
maximum
setting,
the
delay
time
is
varied
by
+/-4
msec.
3.
MOD
DELAY
TIME.
Range:
0.1
-
100
msec
This
sets
the
basic
delay
time
from
the
initial
direct
sound
to
the
flange
effect.
When
set
to
lower
than
1
msec,
more
high
-frequency
variation
is
produced,
while
a
setting
higher
than
3
msec
will
create
more
low
-frequency
variation.
4.
F.B.
GAIN.
Range:
0
99%
Sets
the
amount
of
flange
signal
which
is
fed
back
into
the
circuit
for
further
modulation.
This
controls
the
complexity
of
the
effect,
its
"strength,"
and
its
overall
decay
time.
CHORUS
With
the
Chorus
effect,
a
violin,
keyboard,
or
guitar
can
sound
like
an
entire
ensemble.
Chorusing
splits
the
incoming
signal
into
three
signals
placed
at
the
center,
left,
and
right
in
the
stereo
image.
Each
signal
is
delayed
slightly,
and
then
its
delay
time
and
level
are
modulated
by
the
LFO
(Low
Frequency
Oscillator).
(dB)
DIRECT
SIGNAL
AMPLITUDE
MODULATION
DEPTH
(TIME)
I
A
DELAY
MODULATION
DEPTH
1.
MOD
FREQ.
Range:
0.1
-'
20.0
Hz
Sets
the
delay
time
modulation
speed
(frequency).
2i
DELAY
MODULATION
DEPTH.
Range:
0
100%
This
sets
the
amount
by
which
the
delay
time
of
one
delay
signal
is
varied
in
relation
to
the
other.
At
the
maximum
setting,
the
delay
time
is
varied
by
+/-4
msec.
3.
AMPLITUDE
MODULATION
DEPTH.
Range:
0
100%
This
sets
the
amount
by
which
the
amplitude
(level)
of
the
input
signal
is
varied.
12