Yamaha SPX90 SPX90 Owners Manual Image - Page 23

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RECORDING SYSTEM In a recording system it is most desirable to have the SPX90 input and outputs available at a patch bay where they may accessed and patched into virtually any part of the system. In some cases it might be best to have the SPX90 connected directly in line between the source and the mixing console inputs, while in other situations-final mixdown, for example-the SPX90 should be patched into the mixing console's effects loop so it may be applied to the entire mix. Naturally, the SPX90 is also an ideal choice for the truly modern digital sequencer recording system, too. (SYSTEM DIAGRAM 3) MIXING CONSOLE MULTITRACK RECORDER .0 . P 0 .. 0 8888 000oop 0 0 0 O. P-- 0,- Q% 07- 0 -6 0'Q. 62. 61 Q.T. p= 05.1 P .- 0 - Q- 0 0 - P .- O * * *I i SPX90 0 it -z- am (=EPEE:Ear:. fSECTION OF PATCH BAY MIXING CONSOLE LINE LINE LINE LINE IN 1 IN 2 IN 3 IN 4 0000 EFFECT EFFECT EFFECT SEND RTN 1 RTN 2 SPX90 IN OUT OUT 22

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RECORDING
SYSTEM
In
a
recording
system
it
is
most
desirable
to
have
the
SPX90
input
and
outputs
available
at
a
patch
bay
where
they
may
accessed
and
patched
into
virtually
any
part
of
the
system.
In
some
cases
it
might
be
best
to
have
the
SPX90
connected
directly
in
line
between
the
source
and
the
mixing
console
inputs,
while
in
other
situations
-final
mixdown,
for
example
—the
SPX90
should
be
patched
into
the
mixing
console's
effects
loop
so
it
may
be
applied
to
the
entire
mix.
Naturally,
the
SPX90
is
also
an
ideal
choice
for
the
truly
modern
digital
sequencer
recording
system,
too.
(SYSTEM
DIAGRAM
3)
MIXING
CONSOLE
MULTITRACK
RECORDER
8888
000oop
SECTION
OF
PATCH
BAY
f
<=>
0
. .
0
P
0
0
..
0
0
O
.
P
-
-
0
,
-
Q%
07-
0
-
6
0'-
Q.
62.
61
Q.T.
p=
05.
1
P
.-
0-
Q
-
0
0-P
.-
*
*
*
I
i
O
SPX90
0
it
(=EPEE:Ear:.
-z-
am
MIXING
CONSOLE
LINE
LINE
LINE
LINE
IN
1
IN
2
IN
3
IN
4
0000
SPX90
EFFECT
EFFECT
EFFECT
IN
OUT
OUT
SEND
RTN
1
RTN
2
22