Yamaha SPX90 SPX90 Owners Manual Image - Page 19

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6. DECAY LEVEL. Range: 0 - 100% Determines the level at which the gate remains open for the HOLD TIME. The lower the value, the lower the HOLD gate level. 7. HOLD TIME. Range: 1 msec - 30,000 msec Determines how long the gate stays open, allowing the input signal to pass. 8. RELEASE TIME. Range: 5 msec - 32,000 msec Determines how long it takes for the gate to close fully from the time it begins to close. 9. MIDI TRIGGER. Range: ON, OFF When ON, a KEY ON signal from an external MIDI keyboard can be used to trigger the gate. COMPRESSOR The COMPRESSOR effect reduces the level of the attack portion of a music signal and keeps overall signal level within narrow limits. 100% HOLD LEVEL t ATTACK HOLD TRIGGER RELEASE (TIME) 1. TRIGGER LEVEL. Range: 1 - 100% Determines the strength of the attack signal required to trigger the compressor effect. 2. TRIGGER DELAY. Range: -100 - 100 msec Produces a delay between the time at which the effect is triggered and that at which the compression actually begins. If a negative value is programmed, the input signal is delayed so that effectively, the compression begins before the signal appears. 3. TRIGGER MASK. Range: 5 - 32,000 msec This parameter makes it impossible to re-trigger the compressor function until the programmed time has elapsed. 4. ATTACK TIME. Range: 5 msec - 32,000 msec Determines how long it takes until the HOLD level (below) is reached after the effect is triggered. 5. HOLD TIME. Range: 1 msec - 30,000 msec Determines how long the maximum compression effect is maintained after the ATTACK TIME has elapsed. 6. HOLD LEVEL. Range: 0 - 100% Determines the actual level to which all input signals will be compressed during the HOLD TIME. The smaller the value, the lower the level of the output signal. 7. RELEASE TIME. Range: 5 msec - 32,000 msec Determines how long it takes to return to normal level once the HOLD TIME has elapsed. 8. MIDI TRIGGER. Range: ON, OFF When ON. a KEY ON signal from an external MIDI keyboard can be used to trigger the compressor effect. 18

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6.
DECAY
LEVEL.
Range:
0
-
100%
Determines
the
level
at
which
the
gate
remains
open
for
the
HOLD
TIME.
The
lower
the
value,
the
lower
the
HOLD
gate
level.
7.
HOLD
TIME.
Range:
1
msec
-
30,000
msec
Determines
how
long
the
gate
stays
open,
allowing
the
input
signal
to
pass.
8.
RELEASE
TIME.
Range:
5
msec
32,000
msec
Determines
how
long
it
takes
for
the
gate
to
close
fully
from
the
time
it
begins
to
close.
9.
MIDI
TRIGGER.
Range:
ON,
OFF
When
ON,
a
KEY
ON
signal
from
an
external
MIDI
keyboard
can
be
used
to
trigger
the
gate.
COMPRESSOR
The
COMPRESSOR
effect
reduces
the
level
of
the
attack
portion
of
a
music
signal
and
keeps
overall
signal
level
within
narrow
limits.
100%
HOLD
LEVEL
t
ATTACK
HOLD
RELEASE
TRIGGER
(TIME)
1.
TRIGGER
LEVEL.
Range:
1
-
100%
Determines
the
strength
of
the
attack
signal
required
to
trigger
the
compressor
effect.
2.
TRIGGER
DELAY.
Range:
—100
-
100
msec
Produces
a
delay
between
the
time
at
which
the
effect
is
triggered
and
that
at
which
the
compression
actually
begins.
If
a
negative
value
is
programmed,
the
input
signal
is
delayed
so
that
effectively,
the
compression
begins
before
the
signal
appears.
3.
TRIGGER
MASK.
Range:
5
-
32,000
msec
This
parameter
makes
it
impossible
to
re
-trigger
the
compressor
function
until
the
programmed
time
has
elapsed.
4.
ATTACK
TIME.
Range:
5
msec
32,000
msec
Determines
how
long
it
takes
until
the
HOLD
level
(below)
is
reached
after
the
effect
is
triggered.
5.
HOLD
TIME.
Range:
1
msec
-
30,000
msec
Determines
how
long
the
maximum
compression
effect
is
maintained
after
the
ATTACK
TIME
has
elapsed.
6.
HOLD
LEVEL.
Range:
0
100%
Determines
the
actual
level
to
which
all
input
signals
will
be
compressed
during
the
HOLD
TIME.
The
smaller
the
value,
the
lower
the
level
of
the
output
signal.
7.
RELEASE
TIME.
Range:
5
msec
32,000
msec
Determines
how
long
it
takes
to
return
to
normal
level
once
the
HOLD
TIME
has
elapsed.
8.
MIDI
TRIGGER.
Range:
ON,
OFF
When
ON.
a
KEY
ON
signal
from
an
external
MIDI
keyboard
can
be
used
to
trigger
the
compressor
effect.
18