Alpine CDA-117 Owner's Manual (english) - Page 18
Setting the Subwoofer Channel SUBW. - eq settings
UPC - 793276711656
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Sound Setting You can flexibly customize the unit to suit your own preference and usage. From the SOUND SETUP menu, Audio Setting can be modified. Use steps 1 to 4 to select one of the setting modes to modify. See the applicable section below for details about the selected setting item. 1 Press and hold SOUND SETUP for at least 2 seconds to activate the Sound Setting mode. 2 Turn the Rotary encoder to select the desired sound setting menu, and then press ENTER. HPF*1 Subwoofer SUBW. System*2 SUBW. Phase*2 SUBW. Channel*2 Media Xpander MX Level*3 EQ Mode TCR Parameter Sound Field*4 HPF *1 Adjustment cannot be performed when an external audio processor is connected or Defeat is set to ON. *2 These functions are inoperable when Subwoofer is set to OFF. *3 This function is effective only when Media Xpander is set to ON. *4 In step 2, two sound adjustment items (Parametric EQ/Graphic EQ, T.Correction) can be selected in Sound Field Adjustment mode, turn the Rotary encoder to select the desired item, and then press ENTER to continue to step 3. 3 Turn the Rotary encoder to change the setting, and then press ENTER. (e.g. Select Subwoofer ON or Subwoofer OFF) 4 Press and hold ESC for at least 2 seconds to return to normal mode. Notes • Media Xpander, Parametric EQ/Graphic EQ Adjustment, EQ Mode and MX Level Adjustment are inoperable when Defeat is set to ON. • Pressing ESC returns to the previous Sound menu mode. • If no operation is performed for 60 seconds, Sound menu mode is canceled. Adjusting the High Pass Filter The High Pass Filter on this unit can be adjusted to suit your personal taste. Setting item: HPF Setting contents: OFF (Initial setting) / 60 Hz / 80 Hz / 100 Hz Turning Subwoofer ON/OFF When the subwoofer is on, you can adjust the subwoofer output level (refer to "Sound Setting" on page 16). Setting item: Subwoofer Setting contents: ON (Initial setting) / OFF ON: The subwoofer signal is output from the Subwoofer RCA Connectors (refer to "Connections" on page 52). OFF: No subwoofer signal is output from the Subwoofer RCA Connectors (refer to "Connections" on page 52). 16-EN Setting the Subwoofer System When the subwoofer is on, you can select either System 1 or System 2 for the desired subwoofer effect. Setting item: SUBW. System Setting contents: SYSTEM 1 (Initial setting) / SYSTEM 2 SYSTEM 1: Subwoofer level changes according to the main volume setting. SYSTEM 2: Subwoofer level change is different from the main volume setting. For example, even at low volume settings, the subwoofer is still audible. Setting the Subwoofer Phase The subwoofer output phase is toggled SUBWOOFER NORMAL (0°) or SUBWOOFER REVERSE (180°). To adjust the level, turn the Rotary encoder. Setting item: SUBW. Phase Setting contents: 0° (Initial setting) / 180° Setting the Subwoofer Channel (SUBW. Channel) You can set the subwoofer output to stereo or monaural. Make sure to set the correct output for your subwoofer type. Setting item: SUBW. Channel Setting contents: STEREO (Initial setting) / MONO STEREO: Subwoofer stereo (L/R) output MONO: Subwoofer monaural output Turning Media Xpander ON/OFF When the Media Xpander is on, you can adjust the Media Xpander level (refer to "Setting the MX Level" on page 16). Setting item: Media Xpander Setting contents: OFF (Initial setting) / ON Setting the MX Level MX (Media Xpander) makes vocals or instruments sound distinct regardless of the music source. The FM radio, CD, USB Memory and iPhone/iPod, will be able to reproduce the music clearly even in cars with a lot of road noise. 1 Changing the source to which you want to apply Media Xpander. FM (MX level 1 to 3): The medium to high frequencies become clearer, and produces well balanced sound at all frequencies. CD (MX level 1 to 3): CD mode processes a large amount of data during playback. MX takes advantage of this large data quantity to reproduce a more clear, clean output. CMPM/SAT (MX level 1 to 3): This corrects information that was lost at the time of compression. This reproduces a well-balanced sound close to the original.