Canon PowerShot S410 PowerShot S500/410, DIGITAL IXUS 500/430 Camera User Guid - Page 83

Adjusting, the Tone White Balance

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Shooting Adjusting the Tone (White Balance) When the white balance mode is set to match the light source, the camera reproduces colors more accurately. Auto The camera sets the white balance automatically according to shooting conditions. Daylight For recording outdoors on a bright day. Cloudy For recording under overcast, shady or twilight skies. Tungsten For recording under tungsten and bulb-type 3-wavelength fluorescent lighting. Fluorescent For recording under warm-white, cool-white or warmwhite (3-wavelength) fluorescent lighting. Fluorescent H For recording under daylight fluorescent, or daylight fluorescent-type 3-wavelength fluorescent lighting. Custom For setting a custom value with a white sheet of paper, etc., to obtain the optimal white balance for the conditions. 1 In the FUNC. menu, select *. See Selecting Menus and Settings (p. 43). * The current setting is displayed. 2 Use the or button to select an option. • See Setting a Custom White Balance (p. 82). • You can confirm the effect of the setting in the LCD monitor when it is on. • You can shoot right after selecting an option. The menu displays again after the shot, allowing you to change the settings easily. 81

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81
Shooting
Adjusting
the Tone (White Balance)
When the white balance mode is set to match the light source, the camera
reproduces colors more accurately.
Auto
The camera sets the white balance automatically according
to shooting conditions.
Daylight
For recording outdoors on a bright day.
Cloudy
For recording under overcast, shady or twilight skies.
Tungsten
For recording under tungsten and bulb-type 3-wavelength
fluorescent lighting.
Fluorescent
For recording under warm-white, cool-white or warm-
white (3-wavelength) fluorescent lighting.
Fluorescent H
For recording under daylight fluorescent, or daylight
fluorescent-type 3-wavelength fluorescent lighting.
Custom
For setting a custom value with a white sheet of paper, etc.,
to obtain the optimal white balance for the conditions.
1
In the FUNC. menu, select
*
.
See
Selecting Menus and Settings
(p. 43).
*
The current setting is displayed.
2
Use the
or
button to select an
option.
•
See
Setting a Custom White Balance
(p. 82).
•
You can confirm the effect of the setting in
the LCD monitor when it is on.
•
You can shoot right after selecting an
option. The menu displays again after the
shot, allowing you to change the settings
easily.