Mackie M1400/M1400i Owner's Manual - Page 21

SUBWOOFER, Be Forewarned

Page 21 highlights

simply stops. This causes a sine wave to "square off," and the average power going into the speaker is roughly double that of a sine wave. Square waves sound awful, and could possibly damage your speakers and/or your reputation. The LIMITER is especially handy when you're working with loud output levels. Having the signal spikes (kick drum, for instance) attenuated a bit can actually increase the apparent loudness of the overall mix without diminishing the "power" behind the spikes. Be Forewarned: With the LIMITER engaged, you can still overdrive the amplifier into clipping and cause distortion. It just takes a stronger signal to do it. So even with the LIMITER turned on, you should still pay attention to the OL LEDs . SUBWOOFER Here's a special surprise: If you bought the M•1400/M•1400i amplifier to power a subwoofer system, you just saved yourself the cost of a crossover! The M•1400/M•1400i amp has an active SUBWOOFER filter built in. You can use it, along with the variable LOW CUT FILTER in a second M•1400/M•1400i, to reproduce the function of a crossover. 5dB 0dB Since most low-frequency energy is monophonic (the same in both channels), the subwoofer circuit takes the signal from both Channels 1 and 2 and sums them together. This summed signal is then directed to both power amplifier output stages. It doesn't matter whether the AMP MODE switch is set to STEREO, MONO, or BRIDGE, it will sum the inputs when the OUTPUT APPLICATION switch is set to SUBWOOFER. Here's how to configure it: 1. Turn the M•1400/M•1400i's POWER off. 2. Set the OUTPUT APPLICATION switch to SUBWOOFER. 3. Select a rolloff point, via the FREQUENCY switch: At "125Hz," you'll get the low sub-harmonics on up to the audible bass range. At "63Hz," you'll get just the lowest frequencies, more to be felt than heard. You'll probably want to try this switch both ways. 4. Make sure the LOW CUT FILTER is set to OFF or nearly OFF. If it is turned up above the subwoofer cutoff frequency, the output from the amplifier will be greatly diminished. 5. Connect your cords and speaker cables as usual (see "Quick Start" on page 4). Set the AMP MODE to either STEREO, MONO, or BRIDGE, depending on your application. (STEREO and MONO operate the same with SUBWOOFER activated). 6. Turn the M•1400/M•1400i's POWER on. Woof! -5dB -10dB -15dB 20Hz 100Hz 1kHz 10kHz 20kHz Subwoofer Filter 1 CHANNEL / BRIDGE / MONO LOW CUT INPUT FILTER TYPICAL 35 Hz BALANCED OR UNBALANCED STAGE MONITOR 100 Hz OFF 170 Hz CONSTANT DIRECTIVITY HORN EQ /AIR EQ 4.5 kHz ON 2k Hz 6k Hz AIR EQ OFF TYPICAL THRU AMP MODE STEREO MONO BRIDGE TYPICAL (CHS SUMMED) OUTPUT APPLICATION FULL RANGE LIMITER (CH1 & CH2) STEREO TYPICAL SUB WOOFER FREQUENCY 125Hz ON OFF 63Hz INPUT BALANCED OR UNBALANCED 2 CHANNEL LOW CUT FILTER TYPICAL 35 Hz STAGE MONITOR 100 Hz OFF 170 Hz CONSTANT DIRECTIVITY HORN EQ /AIR EQ ON 4.5k Hz THRU OFF TYPICAL 2k Hz 6k Hz AIR EQ 21

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21
simply stops. This causes a sine wave to
“square off,” and the average power going into
the speaker is roughly double that of a sine
wave. Square waves sound awful, and could
possibly damage your speakers and/or your
reputation.
The
LIMITER
is especially handy when
you’re working with loud output levels. Having
the signal spikes (kick drum, for instance) at-
tenuated a bit can actually increase the
apparent loudness of the overall mix without
diminishing the “power” behind the spikes.
Be Forewarned:
With the
LIMITER
engaged, you can
still overdrive the amplifier
into clipping and cause
distortion. It just takes a
stronger signal to do it. So even with the
LIM-
ITER
turned on, you should still pay attention
to the
OL
LEDs
.
SUBWOOFER
Here’s a special surprise: If you bought the
M•1400/M•1400i amplifier to power a
subwoofer system, you just saved yourself the
cost of a crossover! The M•1400/M•1400i amp
has an active
SUBWOOFER
filter built in. You
can use it, along with the variable
LOW CUT
FILTER
in a second M•1400/M•1400i, to re-
produce the function of a crossover.
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
15
dB
10
dB
5
dB
0
dB
5
dB
Since most low-frequency energy is mono-
phonic (the same in both channels), the
subwoofer circuit takes the signal from both
Channels 1 and 2 and sums them together. This
summed signal is then directed to both power
amplifier output stages. It doesn’t matter
whether the
AMP MODE
switch is set to
STEREO, MONO,
or
BRIDGE
, it will sum the
inputs when the
OUTPUT APPLICATION
switch is set to
SUBWOOFER
.
Here’s how to configure it:
1.
Turn the M•1400/M•1400i’s
POWER
off.
2.
Set the
OUTPUT APPLICATION
switch
to
SUBWOOFER
.
3.
Select a rolloff point, via the
FREQUENCY
switch: At “125Hz,” you’ll get the low
sub-harmonics on up to the audible bass
range. At “63Hz,” you’ll get just the lowest
frequencies, more to be felt than heard.
You’ll probably want to try this switch both
ways.
4.
Make sure the
LOW CUT FILTER
is set to
OFF
or nearly
OFF
. If it is turned up above
the subwoofer cutoff frequency, the output
from the amplifier will be greatly diminished.
5.
Connect your cords and speaker cables as
usual (see
“Quick Start”
on page 4). Set
the
AMP MODE
to either
STEREO,
MONO,
or
BRIDGE
, depending on your
application. (
STEREO
and
MONO
operate
the same with
SUBWOOFER
activated).
6.
Turn the M•1400/M•1400i’s
POWER
on.
Woof!
CHANNEL
2
1
CHANNEL
63Hz
125Hz
CONSTANT DIRECTIVITY
HORN EQ /AIR EQ
CONSTANT DIRECTIVITY
HORN EQ /AIR EQ
INPUT
THRU
THRU
INPUT
AMP MODE
FREQUENCY
4.5 kHz
ON
6k Hz
2k Hz
MONO
(CHS SUMMED)
BRIDGE
LIMITER
(CH1 & CH2)
OFF
FULL
RANGE
SUB
WOOFER
LOW CUT
FILTER
LOW CUT
FILTER
OUTPUT APPLICATION
BALANCED
OR
UNBALANCED
BALANCED
OR
UNBALANCED
ON
/ BRIDGE / MONO
170 Hz
OFF
4.5k Hz
6k Hz
2k Hz
170 Hz
100 Hz
OFF
STAGE
MONITOR
100 Hz
STAGE
MONITOR
OFF
TYPICAL
ON
OFF
TYPICAL
TYPICAL
35 Hz
TYPICAL
35 Hz
STEREO
TYPICAL
STEREO
TYPICAL
AIR EQ
AIR EQ
Subwoofer Filter