Yamaha MT2X Owner's Manual - Page 27

RECORDING THE RHYTHM GUITAR, PING-PONG < PING-PONG RECORDING &gt, Signal Path during Ping-pong

Page 27 highlights

RECORDING THE RHYTHM GUITAR Record the rhythm guitar on track 3 in sync with the drums on track 1 and the bass guitar on track 2. Recording preparations and operations are the same as when recording the bass guitar. Be sure to use a guitar preamplifier or guitar amp with a line output to provide a line-level signal to the MT2X. PING-PONG < PING-PONG RECORDING > After the rhythm section has been recorded on tracks 1 - 3, only track 4 remains as an empty, spare track. Since there are three more parts to be recorded, more tracks will be needed. The ping-pong technique (sometimes called bouncing, or track transfer, or collapsing tracks) shown here allows you to re-record these three tracks onto one track, thus freeing up tracks for other recording operations. You can also add other new parts during the ping-pong process. As long as there are empty tracks, you can ping-pong from one or more tracks to another as many times as you like. However, each time a track is ping-ponged onto another track, some degradation in sound quality occurs. Most noticeable is a loss of high frequency sounds, or "treble". Therefore, it's best to plan for only 1 or 2 ping-pong operations to preserve the sound quality of the instruments you record. Now, let's get started. - Signal Path during Ping-pong Recording - Track 1 Track 2 Track 3 Track 4 Track 1 Track 2 Track 3 Track 4 22 55

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42

RECORDING THE RHYTHM GUITAR
Record the rhythm guitar on track 3 in sync with the
drums on track 1 and the bass guitar on track 2. Record-
ing preparations and operations are the same as when
recording the bass guitar. Be sure to use a guitar
preamplifier or guitar amp with a line output to provide
a line-level signal to the MT2X.
Track 1
Track 2
Track 3
Track 4
PING-PONG < PING-PONG RECORDING >
After the rhythm section has been recorded on tracks
1
— 3, only track 4 remains as an empty, spare track.
Since there are three more parts to be recorded, more
tracks will be needed.
The ping-pong technique (sometimes called bouncing, or
track transfer, or collapsing tracks) shown here allows
you to re-record these three tracks onto one track, thus
freeing up tracks for other recording operations. You can
also add other new parts during the ping-pong process.
As long as there are empty tracks, you can ping-pong
from one or more tracks to another as many times as
you like.
However, each time a track is ping-ponged onto another
track, some degradation in sound quality occurs. Most
noticeable is a loss of high frequency sounds, or "tre-
ble". Therefore, it’s best to plan for only 1 or 2 ping-pong
operations to preserve the sound quality of the instru-
ments you record. Now, let’s get started.
— Signal Path during Ping-pong Recording —
Track 1
Track 2
Track 3
Track 4
25
25