Behringer ULTRA-DRIVE PRO DCX2496 Manual - Page 26

Stereo 3-zone delay line

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26 ULTRADRIVE PRO DCX2496 User Manual 6.8 Stereo 3-zone delay line Main ampli cation Right Stereo master Left Right Stereo sub master Left XENYX X2222USB Mixing console All loudspeakers: full range Left (1) Right (2) (Low) Delay line 1 (High) EUROPOWER EP2000 Stereo power ampli er In A In A Outputs: 1 2 3 4 5 6 EUROLIVE B1520 PRO Left (3) Right (4) (Low) Delay line 2 (High) Left (5) Right (6) (Low) Delay line 3 (High) Fig. 6.8: Triple stereo delay line In this application, the ULTRADRIVE PRO is not used as a crossover network. Instead, it produces stereo delay lines, i.e. stereo speaker cabinets delayed in time with regard to each other. All pairs of cabinets are supplied with the same full-range stereo input signal A+B. Then, these pairs can be placed at regular distances away from the stage, as is often the case at big open-air concerts. The farther away the original signal (usually the music played on stage) is, the more audible the delay between speaker signal (close to the listener) and original signal (far away) becomes. The DCX2496 allows you to make up for the resulting echoes by adding specific delay times to the speaker signals. This allows the audience to feel as if they were "part of it" even though they may be far away from the stage-and this without any annoying echoes.

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ULTRADRIVE PRO DCX2496 User Manual
6.8
Stereo 3-zone delay line
XENYX X2222USB Mixing console
EUROLIVE B1520 PRO
All loudspeakers: full range
Left (1)
Right (2)
Left (3)
Right (4)
Left (5)
Right (6)
(Low)
(High)
EUROPOWER EP2000
Stereo power amplifier
Delay line 1
(Low)
(High)
Delay line 2
(Low)
(High)
Delay line 3
Right
In A
Outputs: 1
2
3
4
5
6
In A
Stereo sub master
Left
Right
Main
amplification
Stereo master
Left
Fig. 6.8: Triple stereo delay line
In this application, the ULTRADRIVE PRO is not used as a crossover network. Instead, it produces stereo delay lines, i.e. stereo speaker cabinets delayed in time with
regard to each other. All pairs of cabinets are supplied with the same full-range stereo input signal A+B. Then, these pairs can be placed at regular distances away
from the stage, as is often the case at big open-air concerts. The farther away the original signal (usually the music played on stage) is, the more audible the delay
between speaker signal (close to the listener) and original signal (far away) becomes. The DCX2496 allows you to make up for the resulting echoes by adding specific
delay times to the speaker signals. This allows the audience to feel as if they were “part of it” even though they may be far away from the stage—and this without any
annoying echoes.