Denon AVR-2803S Operating Instructions - Page 65

Additional, Information

Page 65 highlights

[] ADDITIONAL INFORMATION There are currently various types of multi-channel signals (signals or formats with more than two channels). • Types of multi-channel signals Dolby Digital, Dolby Pro Logic, DTS, high definition 3-1 signals (Japan MUSE Hi-Vision audio}, DVD-Audio, SACD (Super Audio CD), MPEG multichannel audio, etc. "Source" here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories. • Types of sources • Movie audio Signals created to be played in movie theaters. In general sound is recorded to be played in movie theaters equipped with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.). Movie theater sound field D_D D Listening room sound field DI _ ccouucco_ Oi__ ,'D D D D D c_l 1 ' SB Multiple surround speakers (For 6 1-channeE system) E_ r_ F;q D :sR I I i D::.: _D _/ SB ID Di L In this case it is important to achieve the same sense of expansion as in a movie theater with the surround channels. To do so, in some cases the number of surround speakers is increased (to four or eight) or speakers with bipolar or dipolar properties are used. SR: Surround R channel SL: Surround Lchannel SB: Surround back channel • Other types of audio These signals are designed to recreate a 360 ° sound field using three to five speakers. In this case the speakers should surround the listener from all sides to create a uniform sound field from 360 °. Ideally the surround speakers should function as "point" sound sources in the same way as the front speakers. SL SR These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required in order to achieve the ideal sound. 65

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76

[]
ADDITIONAL
INFORMATION
There are currently
various
types
of multi-channel
signals
(signals or formats
with
more
than two
channels).
Types of multi-channel
signals
Dolby
Digital, Dolby
Pro
Logic,
DTS, high definition
3-1 signals
(Japan MUSE Hi-Vision audio}, DVD-Audio,
SACD (Super Audio
CD), MPEG multi-
channel
audio, etc.
"Source"
here does not
refer to the type of signal (format)
but the recorded
content.
Sources
can be divided
into two
major
categories.
Types of sources
Movie
audio
Signals created
to be played
in movie
theaters.
In
general
sound is recorded
to be played
in movie
theaters
equipped
with
multiple
surround
speakers,
regardless
of the format
(Dolby
Digital, DTS, etc.).
Movie theater sound field
D_D
D
DI_
ccouucco_
Oi__
,'D D
D
D
D
c_l
1
'
SB
Multiple
surround
speakers
(For 6 1-channeE system)
Listening
room
sound field
E_ r_
F;q
D
:sR
I
I
i
D::.:
_D
_/
SB
I
D
D
i
L
In this
case
it
is important
to
achieve
the
same
sense
of
expansion
as in a movie
theater
with
the surround
channels.
To do so, in some
cases the number
of surround
speakers
is
increased
(to four or eight) or speakers
with
bipolar or dipolar
properties
are used.
SL:
Surround
Lchannel
SR: Surround
R channel
SB: Surround
back channel
Other types
of audio
These
signals
are designed
to recreate
a 360 ° sound field
using three to five speakers.
In this
case the speakers
should
surround
the
listener
from all sides
to create a uniform
sound
field
from
360 °. Ideally the
surround
speakers
should
function
as "point"
sound
sources
in the
same way as the front speakers.
SL
SR
These two
types
of sources
thus have different
properties,
and different
speaker
settings,
particularly
for the surround
speakers,
are required
in order to achieve
the
ideal
sound.
65