HP Kayak XU 03xx hp kayak pc workstations, using sound - Page 34

Total harmonic distortion, Sampling rate

Page 34 highlights

Glossary OLE Object Linking and Embedding. A Windows feature that allows different object types (such as speech clips or notes of music) to appear in a document. The objects can be linked, in which case they remain separate files, or embedded, where they become a part of the document. Patch A MIDI term referring to a particular sound or voice. PCM Pulse Code Modulation, a method of storing uncompressed digital audio. The audio is represented by the amplitude of the audio signal sampled at regular intervals. Polyphonic More than one voice played simultaneously. Q-Sound Audio-processing technique to simulate reverb/surround sound. Sampling The process of converting an analog signal into digital data. Sampling rate The rate of analyzing a sound. The more frequently a sound is sampled, the more closely it will match the original sound. Sequencer A device used to record note information from MIDI devices. Sound files Files containing sound data. Sound files are usually stored in one of four formats, with the extension. WAV, .MID, .VOC, or .CMF. Synthesizer Hardware for generating audio from software. Typical methods used are FM synthesis and wave table synthesis. Total harmonic distortion A specification for quantifying the fidelity of audio processing equipment. Tracks The virtual tracks used by MIDI sequencers. VOC files Proprietary digital audio format developed by Creative Labs, Inc. Most digital audio adheres to the Microsoft WAV format. Voices The number of synthesized sounds that a device can generate simultaneously. WAV files A Microsoft file format for storing digital audio data. Wavesample A sample used in a wavetable or sampling synthesizer to reproduce a musical instrument sound. µ-law A method of data compression that enables the sampling of sound at a resolution of 16 bits, but that generates the same quantity of data as an 8-bit sampling rate. 16-bit A standard of sound specification that produces a rich, detailed sound embodying more than 65,000 possible digital configurations. 34 English

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34
English
Glossary
OLE
Object Linking and Embedding.
A Windows feature that allows
different object types (such as speech
clips or notes of music) to appear in a
document. The objects can be linked,
in which case they remain separate
files, or embedded, where they
become a part of the document.
Patch
A MIDI term referring to a
particular sound or voice.
PCM
Pulse Code Modulation, a
method of storing uncompressed
digital audio. The audio is
represented by the amplitude of the
audio signal sampled at regular
intervals.
Polyphonic
More than one voice
played simultaneously.
Q-Sound
Audio-processing
technique to simulate
reverb/surround sound.
Sampling
The process of converting
an analog signal into digital data.
Sampling rate
The rate of analyzing
a sound. The more frequently a sound
is sampled, the more closely it will
match the original sound.
Sequencer
A device used to record
note information from MIDI devices.
Sound files
Files containing sound
data. Sound files are usually stored in
one of four formats, with the
extension. WAV, .MID, .VOC, or .CMF.
Synthesizer
Hardware for
generating audio from software.
Typical methods used are FM
synthesis and wave table synthesis.
Total harmonic distortion
A
specification for quantifying the
fidelity of audio processing
equipment.
Tracks
The virtual tracks used by
MIDI sequencers.
VOC files
Proprietary digital audio
format developed by Creative Labs,
Inc. Most digital audio adheres to the
Microsoft WAV format.
Voices
The number of synthesized
sounds that a device can generate
simultaneously.
WAV files
A Microsoft file format for
storing digital audio data.
Wavesample
A sample used in a
wavetable or sampling synthesizer to
reproduce a musical instrument
sound.
μ
-law
A method of data compression
that enables the sampling of sound at
a resolution of 16 bits, but that
generates the same quantity of data as
an 8-bit sampling rate.
16-bit
A standard of sound
specification that produces a rich,
detailed sound embodying more than
65,000 possible digital configurations.