Yamaha PSR-A3000 PSR-A3000 Owners Manual - Page 107

Multi, Right 1, Touch Limit

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[4 ]/ ASSIGN* [5 ] Determines the keyboard part to which the effect is assigned. AUTO: Applies the effect to the part (RIGHT 1/2) for which PART ON/ OFF is on. If the Harmony/Echo category is selected, the RIGHT 1 part is given priority over the RIGHT 2 part when both parts are on. MULTI: This parameter is available when the Harmony/Echo category is selected. When both parts are on, the note played on the keyboard is sounded by the RIGHT 1 part and the harmonies (effect) are divided to the RIGHT 1 and RIGHT 2 parts. When only one part is on, the note played on the keyboard and effect are sounded by that part. RIGHT 1, RIGHT 2: Applies the effect to the selected part (RIGHT 1 or RIGHT 2). NOTE When the "Harmony" category is selected, the keyboard part which is set to MONO and LEGATO is selected (page 114) for the Voice is regarded as off. For example, when RIGHT 1 is set to LEGATO (MONO) and RIGHT 2 is set to POLY, and both parts are turned on, turning the [HARMONY/ARPEGGIO] button on applies the Harmony effect only to the RIGHT 2 part. 1 Voices [6 ] SPEED This parameter is only available when the "Echo" category (Echo, Tremolo, or Trill) is selected. It determines the speed of the Echo, Tremolo, and Trill effects. [7 ] CHORD NOTE ONLY This parameter is only available when the "Harmony" category is selected. When this is set to "ON," the Harmony effect is applied only to the note (played in the right-hand section of the keyboard) that belongs to a chord played in the chord section of the keyboard. [8 ] TOUCH LIMIT It determines the lowest velocity value at which the Harmony, Echo, Tremolo, or Trill note will sound. This allows you to selectively apply the harmony by your playing strength, letting you create harmony accents in the melody. The harmony effect is applied when you play the key strongly (above the set value). NOTE The settings for the Arpeggio Quantize function and the Arpeggio Hold function can be made on the display called up via [FUNCTION]  TAB [E] MENU 1  [J] UTILITY  TAB [E][F] CONFIG 2 (page 204). PSR-A3000 Owner's Manual 107

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PSR-A3000 Owner’s Manual
107
Voices
1
NOTE
The settings for the Arpeggio Quantize function and the Arpeggio Hold function can be made on the display called up via [FUNCTION]
TAB [
E
] MENU 1
[J] UTILITY
TAB [
E
][
F
] CONFIG 2 (page 204).
[4

]/
[5

]
ASSIGN*
Determines the keyboard part to which the effect is assigned.
AUTO:
Applies the effect to the part (RIGHT 1/2) for which PART ON/
OFF is on. If the Harmony/Echo category is selected, the RIGHT 1 part
is given priority over the RIGHT 2 part when both parts are on.
MULTI:
This parameter is available when the Harmony/Echo category is
selected. When both parts are on, the note played on the keyboard is
sounded by the RIGHT 1 part and the harmonies (effect) are divided to
the RIGHT 1 and RIGHT 2 parts. When only one part is on, the note
played on the keyboard and effect are sounded by that part.
RIGHT 1, RIGHT 2:
Applies the effect to the selected part (RIGHT 1 or
RIGHT 2).
NOTE
When the “Harmony” category is selected, the keyboard part which is set to MONO and LEGATO is
selected (page 114) for the Voice is regarded as off. For example, when RIGHT 1 is set to LEGATO
(MONO) and RIGHT 2 is set to POLY, and both parts are turned on, turning the [HARMONY/ARPEGGIO]
button on applies the Harmony effect only to the RIGHT 2 part.
[6

]
SPEED
This parameter is only available when the “Echo” category (Echo, Tremolo,
or Trill) is selected. It determines the speed of the Echo, Tremolo, and Trill
effects.
[7

]
CHORD NOTE
ONLY
This parameter is only available when the “Harmony” category is selected.
When this is set to “ON,” the Harmony effect is applied only to the note
(played in the right-hand section of the keyboard) that belongs to a chord
played in the chord section of the keyboard.
[8

]
TOUCH LIMIT
It determines the lowest velocity value at which the Harmony, Echo, Trem-
olo, or Trill note will sound. This allows you to selectively apply the har-
mony by your playing strength, letting you create harmony accents in the
melody. The harmony effect is applied when you play the key strongly
(above the set value).