Yamaha PSR-A3000 PSR-A3000 Owners Manual - Page 139

HIGH KEY / NOTE LIMIT, RTR Retrigger Rule, PITCH SHIFT

Page 139 highlights

3 HIGH KEY / NOTE LIMIT The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR. [4 ]/ HIGH KEY [5 ] This sets the highest key (upper octave limit) of the note transposition for the chord root change. Any notes calculated to be higher than the highest key are transposed down to the next lowest octave. This setting is available only when the NTR parameter (page 137) is set to "Root Trans." Example-When the highest key is F. Root changes Notes played [6 ] [7 ] NOTE LIMIT LOW NOTE LIMIT HIGH These set the note range (highest and lowest notes) for Voices recorded to the Style channels. By judicious setting of this range, you can ensure that the Voices sound as realistic as possible-in other words, that no notes outside the natural range are sounded (e.g., high bass sounds or low piccolo 2 sounds). Styles Example-When the lowest note is C3 and the highest is D4. Root changes Notes played High Limit Low Limit 4 RTR (Retrigger Rule) These settings determine whether notes stop sounding or not and how they change pitch in response to chord changes. STOP The notes stop sounding. PITCH SHIFT The pitch of the note will bend without a new attack to match the type of the new chord. PITCH SHIFT TO ROOT The pitch of the note will bend without a new attack to match the root of the new chord. However, the octave of the new note remains the same. RETRIGGER The note is retriggered with a new attack at a new pitch corresponding to the next chord. RETRIGGER TO ROOT The note is retriggered with a new attack at the root note of the next chord. However, the octave of the new note remains the same. PSR-A3000 Owner's Manual 139

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PSR-A3000 Owner’s Manual
139
Styles
2
3 HIGH KEY / NOTE LIMIT
The settings here adjust the Octave of the notes converted from the original ones through NTT and NTR.
4 RTR (Retrigger Rule)
These settings determine whether notes stop sounding or not and how they change pitch in response to chord
changes.
[4

]/
[5

]
HIGH KEY
This sets the highest key (upper octave limit) of the note transposition for
the chord root change. Any notes calculated to be higher than the highest
key are transposed down to the next lowest octave. This setting is available
only when the NTR parameter (page 137) is set to “Root Trans.”
[6

]
NOTE LIMIT
LOW
These set the note range (highest and lowest notes) for Voices recorded to
the Style channels. By judicious setting of this range, you can ensure that
the Voices sound as realistic as possible—in other words, that no notes out-
side the natural range are sounded (e.g., high bass sounds or low piccolo
sounds).
[7

]
NOTE LIMIT
HIGH
STOP
The notes stop sounding.
PITCH SHIFT
The pitch of the note will bend without a new attack to match the type of the new
chord.
PITCH SHIFT TO
ROOT
The pitch of the note will bend without a new attack to match the root of the new
chord. However, the octave of the new note remains the same.
RETRIGGER
The note is retriggered with a new attack at a new pitch corresponding to the
next chord.
RETRIGGER TO
ROOT
The note is retriggered with a new attack at the root note of the next chord. How-
ever, the octave of the new note remains the same.
Example—When the highest key is F.
Root changes
Notes played
Example—When the lowest note is C3 and the highest is D4.
Root changes
Notes played
High Limit
Low Limit