Yamaha RM1x Owner's Manual - Page 61

Feedback

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t Feedback Track number 5. MIDI delay Transpose PATTERN MODE Parameter Feedback velocity Values -127 ... 000 ... +127 Feedback note -24 ... 00 ... +24, RND Feedback gate time -100 ... 000 ... +100 Feedback clock Track number Transpose -100 ... 000 ... +100 01 ... 16 -36 ... +36 Function Offsets the velocity of the delayed notes, thereby affecting the level of the delay sound. By offsetting the feedback velocity of the delayed note, this parameter affects the level of the delay sound and how the repeats decay. Positive values produce increasing repeat level, while negative values produce decreasing repeat level. Offsets the pitch of the delayed notes so that each repeat will have a different pitch. By setting an appropriate FB NOTE value it is possible to produce delays that sound like glissandos or even arpeggios. Each increment corresponds to a semitone. The "RND" setting produces delay repeats with random pitch. Offsets the gate time of the delayed notes by the specified percentage so the repeated notes become longer or shorter. Positive settings produce gradually longer repeated notes, while negative settings have the opposite effect. Offsets the timing of the delayed notes in clock increments. Positive settings result in an increasingly longer delay time from repeat to repeat, while negative settings have the opposite effect. Shows the current selected track number. Track number selection can be accomplished via this parameter, or by the keyboard method described on page 27. Shows the current transpose value. Transposition can be accomplished via this parameter, or by the keyboard method described on page 27. * For information about how to change values, refer to the Basic Operation (page26). Recording the MIDI delay Settings The MIDI delay settings can actually be merged into the sequence data as follows. 1 Make the MIDI delay settings as described above. 2 Press the [PATTERN] button to go to the Pattern playback mode. 3 Press the REC e button to engage the record standby mode. 4 Set the REC TYPE parameter to "OVERDUB." 5 Press the PLAY p button to begin recording. You don't actually need to record any new data; the MIDI delay setting will automatically be recorded. 6 Press the STOP s button to stop recording after the pattern has played through once. The MIDI delay level setting will automatically be set to 0 when recording is stopped. RM1x SEQUENCE REMIXER 61

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RM1x SEQUENCE REMIXER
61
PATTERN MODE
5. MIDI delay
Feedback
Track number
Transpose
Recording the MIDI delay Settings
The MIDI delay settings can actually be merged into the se-
quence data as follows.
1
Make the MIDI delay settings as described above.
2
Press the [PATTERN] button to go to the Pattern play-
back mode.
3
Press the REC
e
button to engage the record
standby mode.
4
Set the REC TYPE parameter to “OVERDUB.”
5
Press the PLAY
p
button to begin recording. You
don’t actually need to record any new data; the MIDI
delay setting will automatically be recorded.
6
Press the STOP
s
button to stop recording after
the pattern has played through once. The MIDI delay
level setting will automatically be set to 0 when re-
cording is stopped.
Parameter
Values
Function
Feedback velocity
-127 ... 000 ... +127
Offsets the velocity of the delayed notes, thereby affecting the level
of the delay sound.
By offsetting the feedback velocity of the delayed note, this param-
eter affects the level of the delay sound and how the repeats decay.
Positive values produce increasing repeat level, while negative val-
ues produce decreasing repeat level.
Feedback note
-24 ... 00 ... +24, RND
Offsets the pitch of the delayed notes so that each repeat will have
a different pitch. By setting an appropriate FB NOTE value it is pos-
sible to produce delays that sound like glissandos or even arpeg-
gios. Each increment corresponds to a semitone.
The “RND” setting produces delay repeats with random pitch.
Feedback gate time
-100 ... 000 ... +100
Offsets the gate time of the delayed notes by the specified percent-
age so the repeated notes become longer or shorter. Positive set-
tings produce gradually longer repeated notes, while negative set-
tings have the opposite effect.
Feedback clock
-100 ... 000 ... +100
Offsets the timing of the delayed notes in clock increments. Positive
settings result in an increasingly longer delay time from repeat to
repeat, while negative settings have the opposite effect.
Track number
01 ... 16
Shows the current selected track number. Track number selection
can be accomplished via this parameter, or by the keyboard method
described on page 27.
Transpose
-36 ... +36
Shows the current transpose value. Transposition can be accom-
plished via this parameter, or by the keyboard method described on
page 27.
*
For information about how to change values, refer to the Basic Operation (page26).