Apple M8728Z/A User Manual - Page 137

To use batch reverse telecine 1 Place all the clips that you want to process in one folder. 2 Choose File > Batch Reverse Telecine. 3 In the dialog that appears, select any source clip file in the folder that contains the source clips, then click Choose. 4 In the Batch Reverse Telecine dialog that appears, select the capture mode that indicates the correct field capture for the clip: • Field 1 Only: Select this option if the video contains only field 1. • Field 2 Only: Select this option if the video contains only field 2. • F1 - F2: Select this option if the video contains both fields, and field 1 is the dominant field (the first field to appear). • F2 - F1: Select this option if the video contains both fields, and field 2 is the dominant field. Select the field capture information for this clip. See Determining the Field Capture Information for details. Note: If Cinema Tools finds pull-down information embedded in the source clips, a simpler version of this dialog appears. See Removing 2:3:3:2 or 2:3:2:3 Pull-Down with Cinema Tools for more information. 5 From the "Conform to" pop-up menu, choose the frame rate that allows you to maintain or restore audio/video sync: • 23.98: This frame rate is useful if you want to later use the Final Cut Pro pull-down feature that lets you output 23.98 fps video as 29.97 fps video. (See Pull-Down Patterns You Can Apply to 23.98 fps Video for more information.) • 24.0: You may want to conform and edit the clips at this rate if you plan to include them in a project that contains other clips that are exactly 24 fps. Note: If the audio and video are contained in the same clip, and you choose 24.0 from this pop-up menu, the Reverse Telecine feature increases the audio speed by a very small percentage so that it is in sync with 24 fps instead of 23.98 fps. 6 Leave the Standard Upper/Lower checkbox selected. Chapter 8 Preparing the Source Clips for Editing 137