Apple M8728Z/A User Manual - Page 47
Creating Apple ProRes Files for Final Cut Pro, Stage 1
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• Use a telecine for all of the film, and then scan only the clips that are used: This approach is a bit more complicated and uses a telecine to provide the offline video for Final Cut Pro to edit. This approach is detailed in the Digital Intermediate Workflow Using a Telecine section. A typical scan-based DI workflow is outlined below. Cinema Tools Create database Create high-quality film scan DPX 2K DPX image sequences XML EDL Color Conform video Color correct Offline QuickTime conversion Apple ProRes video clips Final Cut Pro Offline edit EDL Final program output Stage 1: Creating Apple ProRes Files for Final Cut Pro Final Cut Pro cannot work directly with the DPX image sequences that are typically used in this workflow. You can use Color to create QuickTime files (usually based on an Apple ProRes codec) from the DPX image sequences. Using Color ensures that the QuickTime files have the correct reel number (the folder name that contains the actual DPX files) and timecode (as embedded in the DPX files). Chapter 3 Cinema Tools Workflows 47