Apple M8728Z/A User Manual - Page 49
Digital Intermediate Workflow Using a Telecine, Finishing the Project in Color
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• If the EDL refers to clips on more than one volume, a Cinema Tools database can connect to all of the clips. Color can automatically connect to the clips on only one volume, and you must manually connect to the clips on the other volumes. Stage 6: Finishing the Project in Color Once you have imported the EDL into Color and matched it to the source clips, the clips are conformed to match the edits, and you can proceed with the usual color correction process. Color is then used to render the final output video. Digital Intermediate Workflow Using a Telecine Using a telecine to create the offline video clips to edit with Final Cut Pro requires far less storage space than using a film scan for all of the film footage. After the edit is finished, you use Cinema Tools to generate the pull list, which is used to create scans for only the video clips that are actually used in the program. The drawbacks of this method are that the original camera negative must be processed twice and the clips from each process must use the same reel names and timecode. Original camera negative Create high-quality film scan Pull list DPX DPX image sequences Color Conform video Color correct Convert to video with a telecine Telecine log Cinema Tools Create database Offline video Film list Final Cut Pro Capture Offline edit EDL Final program output Chapter 3 Cinema Tools Workflows 49