TEAC DM-3200 DM-3200 Owner's Manual - Page 22

EQ settings, High Q value

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2 - Basic operational concepts : Encoders EQ settings The EQ key assigns the 16 encoders to control the 4-band EQ for the module selected with the SEL keys. Each of the four bands may have its gain, frequency, Q and type controlled by the encoders as shown by the labels under the encoders. The first encoder in each band is used to control the gain, the indicators are used as below. "Half-steps" are indicated by dimmed indicators. Note also the slight boost and cut settings, which give an indication, even when the venter is hidden by the control knob. No cut or boost Slight boost (note lower indicator is now off) A little more boost (three indicators now lit and one half-lit) Figure 2.12: Encoders in EQ gain mode The second encoders of each band in EQ mode show the frequency of the band in the following way: Full cut Lowest frequency Middle of the range A little higher than middle A little higher again Figure 2.13: Encoders in EQ frequency selection mode The third encoders of each EQ band are used to control the Q (bandwidth), as shown here: High Q value (minimum band- width) A little wider Minimum Q (widest band) Figure 2.14: Encoders in frequency Q adjustment mode 22 TASCAM DM-3200 Owner's Manual

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2 – Basic operational concepts : Encoders
22
TASCAM DM-3200 Owner’s Manual
EQ settings
The
EQ
key assigns the 16 encoders
to control the 4-band EQ for the module selected
with the
SEL
keys. Each of the four bands may have
its gain, frequency, Q and type controlled by the
encoders as shown by the labels under the encoders.
The first encoder in each band is used to control the
gain, the indicators are used as below. “Half-steps”
are indicated by dimmed indicators. Note also the
slight boost and cut settings, which give an indica-
tion, even when the venter is hidden by the control
knob.
The second encoders of each band in EQ mode show
the frequency of the band in the following way:
The third encoders of each EQ band are used to con-
trol the Q (bandwidth), as shown here:
Figure 2.12: Encoders in EQ gain mode
No cut or boost
Slight boost (note
lower indicator is
now off)
A little more boost
(three indicators
now lit and
one half-lit)
Full cut
Figure 2.13: Encoders in EQ frequency selection mode
Lowest frequency
Middle of the
range
A little higher
than middle
A little higher
again
Figure 2.14: Encoders in frequency Q adjustment mode
High Q value
(minimum band-
width)
A little wider
Minimum Q
(widest band)