TEAC DM-3200 DM-3200 Owner's Manual - Page 39

Analog connections, Mic/line connections

Page 39 highlights

3 - Connections : Analog connections Analog connections Mic/line connections All these connections (microphone and line) are balanced. The XLR connections follow the standard of pin 1 ground, pin 2 hot and pin 3 cold. The TSR 1/4" jacks are tip hot, sleeve ground, ring cold (this applies to all balanced 1/4" jacks on the DM-3200). Both the XLR mic connection and the 1/4" jack connection can be made at one time, but it is only possible to accept input signals from one source at a time. The choice between the mic and line inputs is made with the MIC/LINE selector switches for each input channel Figure 3.2: Analog channel inputs and controls Note that the switch also has a -20 position, providing a 20 dB pad for high-output microphones. The analog input signal level can be adjusted using the analog TRIM controls (there is also an internal software digital trim control for each input channel, independent of these analog controls). A +48V phantom power supply is provided for balanced condenser microphones. This is switchable in groups of 4 (inputs 1-4, 5-8, 9-12 and 13-16). WARNING To avoid damage to the microphones and/or the DM3200, do not connect or disconnect condenser microphones to and from the DM-3200 with the phantom power to that input switched on. Always switch the phantom power off before connecting or disconnecting condenser microphones. Do not use unbalanced dynamic microphones connected to the XLR connectors with the phantom power turned on. This may cause damage to the microphones and/or the DM-3200. The 1/4" balanced input jacks accept +4 dBu connections, but you can use the TRIM controls to allow them to accept -10dBV connections (from synthesizers, etc.). Note that if additional analog inputs are required, the optional IF-AN/DM slot card can be used to provide such inputs. TIP Signal/overload indicators for the input channels are selectable in the preferences screen. See "OL/STATUS LED TYPE" on page 33 for full details. Channel inserts The analog inserts for each ana- log input channel allow you to use your favorite analog compressors/gates, etc. before the sound gets converted to the digital domain. NOTE These are not the same as the "soft" (assignable) insert loops which are described in "Insert patching" on page 50. These 1/4" jacks are wired: tip send, ring return, sleeve common ground. The nominal send and return levels of these inserts is -2 dBu which allows them to be used with a wide range of studio equipment. 2 TR IN This pair of unbalanced RCA jacks pro- vides a -10 dBV return for the analog outputs of a 2track recorder connected to the DM-3200. ASSIGNABLE RETURNS These are balanced 1/4" TRS jacks at +4 dBu (wired as described above). As the name suggests, they provide analog return inputs which can be assigned to a variety of sources (see "Routing" on page 47). TASCAM DM-3200 User's Manual 39

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3 – Connections : Analog connections
TASCAM DM-3200
User’s Manual
39
Analog connections
Mic/line connections
All these connections (microphone and line) are bal-
anced. The XLR connections follow the standard of
pin 1 ground, pin 2 hot and pin 3 cold. The TSR 1/4"
jacks are tip hot, sleeve ground, ring cold (this
applies to all balanced 1/4" jacks on the DM-3200).
Both the XLR mic connection and the 1/4" jack con-
nection can be made at one time, but it is only possi-
ble to accept input signals from one source at a time.
The choice between the mic and line inputs is made
with the
MIC/LINE
selector switches for each input
channel
Note that the switch also has a
–20
position, provid-
ing a 20 dB pad for high-output microphones.
The analog input signal level can be adjusted using
the analog
TRIM
controls (there is also an internal
software digital trim control for each input channel,
independent of these analog controls).
A +48V phantom power supply is provided for bal-
anced condenser microphones. This is switchable in
groups of 4 (inputs 1–4, 5–8, 9–12 and 13–16).
WARNING
To avoid damage to the microphones and/or the DM-
3200, do not connect or disconnect condenser micro-
phones to and from the DM-3200 with the phantom
power to that input switched on. Always switch the
phantom power off before connecting or disconnecting
condenser microphones.
Do not use unbalanced dynamic microphones con-
nected to the XLR connectors with the phantom power
turned on. This may cause damage to the microphones
and/or the DM-3200.
The 1/4" balanced input jacks accept +4 dBu connec-
tions, but you can use the
TRIM
controls to allow
them to accept –10dBV connections (from synthesiz-
ers, etc.).
Note that if additional analog inputs are required, the
optional IF-AN/DM slot card can be used to provide
such inputs.
TIP
Signal/overload indicators for the input channels are
selectable in the preferences screen. See “OL/STATUS
LED TYPE” on page 33 for full details.
Channel inserts
The analog inserts for each ana-
log input channel allow you to use your favorite ana-
log compressors/gates, etc. before the sound gets
converted to the digital domain.
NOTE
These are
not
the same as the “soft” (assignable) insert
loops which are described in “Insert patching” on
page 50.
These 1/4” jacks are wired: tip send, ring return,
sleeve common ground. The nominal send and return
levels of these inserts is –2 dBu which allows them to
be used with a wide range of studio equipment.
2 TR IN
This pair of unbalanced RCA jacks pro-
vides a –10 dBV return for the analog outputs of a 2-
track recorder connected to the DM-3200.
ASSIGNABLE RETURNS
These are balanced
1/4" TRS jacks at +4 dBu (wired as described above).
As the name suggests, they provide analog return
inputs which can be assigned to a variety of sources
(see “Routing” on page 47).
Figure 3.2: Analog channel inputs and controls