Yamaha AW4416 Tutorial - Page 19

Track 13: Male Chorus, Track 14: Lead Vocal, Save the Song, Female Chorus 2 Compression, Lead Vocal EQ

Page 19 highlights

❍ Female Chorus 2 Compression THRESH. -16 RATIO 2.5:1 OUT GAIN +2.0 ATTACK 22 Tutorial-Mixdown RELEASE 226 KNEE 4 ❒ Track 13: Male Chorus The quality of this singer's voice makes EQ unnecessary in this situation, but some compression will be helpful to help the blend with the female chorus. ❍ Male Chorus Compression THRESH. -20 RATIO 2.5:1 OUT GAIN +2.0 ATTACK 31 RELEASE 315 KNEE 1 ❒ Track 14: Lead Vocal The lead vocalist on this track has a beautiful wide-range voice, one of the attractions of which is the rich, sensuous low-end. We want all of this to come through, so we'll only use a high pass filter set at 79 Hz to cut out the extreme low frequencies (mostly ambient rumble), and a bit of high boost to provide a little extra presence. The lead voice is well controlled, so not much compression is required ... but we'll use a little anyway, for a subtle boost in punch and power. ❍ Lead Vocal EQ LOW L-MID H-MID HIGH Q HPF - - H.SHELF F 79 - - 10.0 kHz G ON - - +1.5 ❍ Lead Vocal Compression THRESH. -13 RATIO 2.5:1 OUT GAIN +1.5 ATTACK 26 RELEASE 6 KNEE 3 Tip! As you make adjustments to EQ, dynamics, etc., don't be afraid to adjust the fader levels as you go along. EQ and dynamics invariably alter the levels of the tracks, and you'll almost certainly need to make minor adjustments to compensate. ❒ Save the Song! Once again, now's a good time to save your work. Press the WORK NAVIGATE [SONG] key to go to the SONG display, if necessary also press the [F1] function key to select the "Song List" page. Move the cursor to "SAVE" on the display and press [ENTER]. When the confirmation window appears move the cursor to "OK" and press [ENTER] again to actually save the song. 19 - Tutorial

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Tutorial
Mixdown
Tutorial
19
Female Chorus 2 Compression
Track 13: Male Chorus
The quality of this singer
s voice makes EQ unnecessary in this situation, but
some compression will be helpful to help the blend with the female chorus.
Male Chorus Compression
Track 14: Lead Vocal
The lead vocalist on this track has a beautiful wide-range voice, one of the attrac-
tions of which is the rich, sensuous low-end. We want all of this to come through,
so we
ll only use a high pass
lter set at 79 Hz to cut out the extreme low fre-
quencies (mostly ambient rumble), and a bit of high boost to provide a little extra
presence. The lead voice is well controlled, so not much compression is required
but we
ll use a little anyway, for a subtle boost in punch and power.
Lead Vocal EQ
Lead Vocal Compression
Save the Song!
Once again, now
s a good time to save your work. Press the WORK NAVIGATE
[SONG] key to go to the SONG display, if necessary also press the [F1] function
key to select the
Song List
page. Move the cursor to
SAVE
on the display and
press [ENTER]. When the con
rmation window appears move the cursor to
OK
and press [ENTER] again to actually save the song.
THRESH.
RATIO
OUT GAIN
ATTACK
RELEASE
KNEE
16
2.5:1
+2.0
22
226
4
THRESH.
RATIO
OUT GAIN
ATTACK
RELEASE
KNEE
20
2.5:1
+2.0
31
315
1
LOW
L-MID
H-MID
HIGH
Q
HPF
H.SHELF
F
79
10.0 kHz
G
ON
+1.5
THRESH.
RATIO
OUT GAIN
ATTACK
RELEASE
KNEE
13
2.5:1
+1.5
26
6
3
As you make adjustments to EQ, dynamics, etc., don
t be afraid to adjust the fader levels
as you go along. EQ and dynamics invariably alter the levels of the tracks, and you
ll
almost certainly need to make minor adjustments to compensate.
Tip!