Yamaha AW4416 Tutorial - Page 20

Phase 4: Add Ambience, Engage the, Effect 1 Sends, and Select an Effect

Page 20 highlights

Tutorial-Mixdown Phase 4: Add Ambience "Ambience" effects such as reverb, delay, and echo are generally used to provide a sense of space and warmth. So far we've worked with the "dry" (i.e. no effects) tracks, but many engineers and artists would already have ambience effects in place. In fact, many artists insist on monitoring "wet" while laying down the tracks. There are no rules regarding when in the mix process you should add ambience, but for this tutorial we've chosen to make ambience a separate subject because, unlike EQ and compression, it doesn't directly affect the actual sound of the tracks. Ambience "adds" to the sound rather than changing it. For the sake of consistency we'll use only one reverb effect for the entire piece. The AW4416 has two separate effect processors built in, so it would be no problem to set up two different reverbs or other effects and use them on different tracks, but the straightforward, "earthy" feel of the song demands a more simple approach. There's nothing worse than too much reverb all over everything!! Use ambience effects sparingly! And remember, reverb is cumulative! That is, the seemingly small amounts of reverb you add to individual tracks can add up to a great big mess when the entire mix is played back. In the beginning you'll probably have to go back and readjust individual reverb sends many times until you get it right, but as you gain experience you'll develop a feel for how much to add right from the outset. INSTANT GRATIFICATION! You can instantly recall all the reverb settings described below (as well as all other settings made up until this point) by recalling the scene number 04 "AMBIENCE" we've provided for you. You should know how to do this by now, but if you don't, go back and check the previous sections. ❒ Engage the "Effect 1 Sends" and Select an Effect 1. Press the FADER MODE [AUX7] key. The faders will now function as auxiliary sends for the corresponding tracks. In the AW4416 AUX 7 is pre-assigned to internal effect processor 1 and AUX 8 is pre-assigned to effect processor 2. We'll only use the AUX 7 sends for this example. 2. Press the [F2] function key to select the "Effect Library" page. The default "Reverb Hall" effect is a little too big and spacious for our needs. The "Reverb Room" effect, on the other hand, has just about the right combination of warmth and intimacy. 3. Use the data dial to select "Reverb Room" from the effect library list, then move the cursor to "RECALL" on the display and press [ENTER]. When the confirmation window appears move the cursor to "OK" and press [ENTER] again. 4. Press the [F1] function key to select the "Effect Edit" page and make sure that the BYPASS setting is "OFF" (if it is ON, move the cursor there and turn it OFF). 20 - Tutorial

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Tutorial
Mixdown
20
Tutorial
Phase 4: Add Ambience
Ambience
effects such as reverb, delay, and echo are generally used to provide
a sense of space and warmth. So far we
ve worked with the
dry
(i.e. no effects)
tracks, but many engineers and artists would already have ambience effects in
place. In fact, many artists insist on monitoring
wet
while laying down the
tracks. There are no rules regarding when in the mix process you should add
ambience, but for this tutorial we
ve chosen to make ambience a separate subject
because, unlike EQ and compression, it doesn
t directly affect the actual sound of
the tracks. Ambience
adds
to the sound rather than changing it.
For the sake of consistency we
ll use only one reverb effect for the entire piece.
The AW4416 has two separate effect processors built in, so it would be no prob-
lem to set up two different reverbs or other effects and use them on different
tracks, but the straightforward,
earthy
feel of the song demands a more simple
approach.
Engage the
Effect 1 Sends
and Select an Effect
1.
Press the FADER MODE [AUX7] key. The faders will now function as auxiliary
sends for the corresponding tracks. In the AW4416 AUX 7 is pre-assigned to
internal effect processor 1 and AUX 8 is pre-assigned to effect processor 2.
We
ll only use the AUX 7 sends for this example.
2.
Press the [F2] function key to select the
Effect Library
page. The default
Reverb Hall
effect is a little too big and spacious for our needs. The
Reverb Room
effect, on the other hand, has just about the right combina-
tion of warmth and intimacy.
3.
Use the data dial to select
Reverb Room
from the effect library list, then
move the cursor to
RECALL
on the display and press [ENTER]. When the
con
rmation window appears move the cursor to
OK
and press [ENTER]
again.
4.
Press the [F1] function key to select the
Effect Edit
page and make sure
that the BYPASS setting is
OFF
(if it is ON, move the cursor there and turn
it OFF).
There
s nothing worse than too much reverb all over everything!! Use ambience effects
sparingly! And remember, reverb is cumulative! That is, the seemingly small amounts of
reverb you add to individual tracks can add up to a great big mess when the entire mix is
played back. In the beginning you
ll probably have to go back and readjust individual
reverb sends many times until you get it right, but as you gain experience you
ll develop a
feel for how much to add right from the outset.
INSTANT GRATIFICATION!
You can instantly recall all the reverb settings described below (as well as all other settings
made up until this point) by recalling the scene number 04
AMBIENCE
we
ve provided
for you. You should know how to do this by now, but if you don
t, go back and check the
previous sections.