Yamaha MD8 Owner's Manual - Page 93

Using the MD8 with Another Mixer, Track transfer - digital recorder

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Using the MD8 with Another Mixer 85 Using the MD8 with Another Mixer In this system, the MD8 is used in conjunction with another mixer, in this case, a Yamaha 03D Digital Mixing Console. Track signals are fed to the 03D via the MD8's DIRECT OUTs. The 03D offers 4-band parametric EQ, two stereo multi-effects processors, scene memories, and mix automation, which can be synchronized to the MTC or MIDI Clock coming from the MD8, for fully automated mixing. In addition, MMC commands can be assigned to the 03D's USER DEFINE buttons for remote MD8 control. PHONES 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN MONITOR OUT PHONES PAD 26dB 26dB 26dB 26dB 26dB 26dB 26dB 26dB SOLO/ 2TR IN -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 0 10 LEVEL 0 10 LEVEL SETUP SCENE MEMORY UTILITY MIDI MIDI REMOTE SCENE MEMORY UNDO/ REDO SOLO SOLO DIO GROUP/PAIR SOLO SETUP AUTOMIX STORE RECALL CHANNEL CONTROL DELAY/Ø DYNAMICS PAN/ROUTING VIEW EQ LOW LO-MID HI-MID HIGH EQ LIBRARY EQ FLAT FADER MODE AUX 1 AUX 2 AUX 3 AUX 4 FUNCTION SEL CH FADER EFFECT 1 EFFECT 2 METER MIXING LAYER 1-16 17-24/MASTER 1 2 3 4 5 17 18 19 20 21 FADER STATUS 6 22 SCENE MEMORY USER DEFINE FADER 1-8 9-12 13-16 ST IN EFFECT RTN L STEREO R CLIP -3 -6 -9 -12 -15 -18 -24 -30 -36 -42 -48 USER DEFINE 1 2 3 4 ENTER CURSOR PARAMETER 1 2 7 23 8 24 9 AUX1 10 AUX2 11 AUX3 12 AUX4 13 BUS1 14 BUS2 15 BUS3 16 BUS4 ST IN EFFECT RETURN ST OUT SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON MIDI OUT MIDI IN 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 1 17 2 18 3 19 4 20 5 21 6 22 7 23 8 24 9 AUX1 10 AUX2 11 AUX3 12 AUX4 13 BUS1 14 BUS2 15 BUS3 16 BUS4 ST IN EFFECT RETURN ST OUT INPUT 1-8 Headphones POWER AC IN ON OFF THRU OUT IN MID AUX SEND 2 1 LINE INPUT 12 11 10 9 MIC/LINE INPUT 8 7 6 5 4 3 INSERT I/O 2 INSERT I/O 1 MONITOR OUT R L STEREO OUT R L 2TR IN R L TRACK DIRECT OUT 8 7 6 5 4 3 2 1 MIC/LINE 2 IN (BAL) 1 2 1 3 2 1 3 ON OFF 1: GMD 2: HOT 3: COLD DC48V PHANTOM MAX. 7mA Track transfer MD8 tracks can be transferred to a larger multitrack recorder as shown below. POWER AC IN ON OFF THRU OUT IN MID AUX SEND 2 1 LINE INPUT 12 11 10 9 MIC/LINE INPUT 8 7 6 5 4 3 INSERT I/O 2 INSERT I/O 1 MONITOR OUT R L STEREO OUT R L 2TR IN R L TRACK DIRECT OUT 8 7 6 5 4 3 2 1 MIC/LINE 2 IN (BAL) 1 2 1 3 2 1 3 ON OFF 1: GMD 2: HOT 3: COLD DC48V PHANTOM MAX. 7mA 8-track digital multitrack MD8-Owner's Manual

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Using the MD8 with Another Mixer
85
MD8—Owner’s Manual
Using the MD8 with Another Mixer
In this system, the MD8 is used in conjunction with another mixer, in this case, a Yamaha
03D Digital Mixing Console. Track signals are fed to the 03D via the MD8’s DIRECT OUTs.
The 03D offers 4-band parametric EQ, two stereo multi-effects processors, scene memories,
and mix automation, which can be synchronized to the MTC or MIDI Clock coming from
the MD8, for fully automated mixing. In addition, MMC commands can be assigned to the
03D’s USER DEFINE buttons for remote MD8 control.
Track transfer
MD8 tracks can be transferred to a larger multitrack recorder as shown below.
Headphones
MIDI IN
INPUT 1–8
MIDI OUT
PHONES
PHONES
26dB
1
26dB
2
26dB
3
26dB
4
26dB
5
26dB
6
26dB
7
26dB
8
9
GAIN
10
GAIN
11
GAIN
12
GAIN
13
GAIN
14
GAIN
15
GAIN
16
GAIN
ST IN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
MONITOR
OUT
LEVEL
LEVEL
SCENE MEMORY
SETUP
CHANNEL CONTROL
FADER MODE
MIXING LAYER
1–16
17–24/MASTER
USER DEFINE
SOLO
RECALL
ENTER
L STEREO R
USER DEFINE
EFFECT RTN
ST IN
13–16
9–12
FADER 1–8
SCENE MEMORY
FUNCTION
SEL CH
FADER
STATUS
SCENE
MEMORY
MIDI
REMOTE
UTILITY
AUTOMIX
VIEW
HIGH
HI-MID
LO-MID
EQ LOW
AUX 1
FADER
EFFECT 1
EFFECT 2
AUX 2
AUX 3
AUX 4
SOLO SETUP
GROUP/PAIR
DYNAMICS
DELAY/Ø
PAN/ROUTING
MIDI
DIO
PARAMETER
CURSOR
STORE
UNDO/
REDO
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
SEL
ON
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
SEL
ON
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
6
0
5
10
20
40
60
00
SOLO
1
2
PAD
1
2
3
4
2
3
1
2
3
1
AC IN
THRU
OUT
MID
IN
POWER
ON
OFF
LINE INPUT
AUX SEND
MONITOR OUT
STEREO OUT
MIC/LINE INPUT
TRACK DIRECT OUT
MIC/LINE
IN (BAL)
2
R
L
R
L
2TR IN
R
L
8
7
6
5
4
3
2
1
1
12
11
10
9
8
7
6
5
4
3
2
2
1
1
1: GMD
2: HOT
3: COLD
ON
OFF
PHANTOM
DC48V
MAX. 7mA
INSERT I/O
INSERT I/O
2
3
1
2
3
1
AC IN
THRU
OUT
MID
IN
POWER
ON
OFF
LINE INPUT
AUX SEND
MONITOR OUT
STEREO OUT
MIC/LINE INPUT
TRACK DIRECT OUT
MIC/LINE
IN (BAL)
2
R
L
R
L
2TR IN
R
L
8
7
6
5
4
3
2
1
1
12
11
10
9
8
7
6
5
4
3
2
2
1
1
1: GMD
2: HOT
3: COLD
ON
OFF
PHANTOM
DC48V
MAX. 7mA
INSERT I/O
INSERT I/O
8-track digital multitrack