Home » Yamaha Manuals » Musical Instruments » Yamaha P-250 » Manual Viewer

Yamaha P-250 Owner's Manual - Page 35

Playing in Dual Mode

Add to My Manuals
Save this manual to your list of manuals

Page 35 highlights

■ Playing in Dual Mode Basic Operation In Dual mode, you can play two voices in unison. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound. Dual mode using voices from different groups 3 3 2, 4 1 SONG KEYBOARD MIN MAX MASTER VOLUME SONG BALANCE TRACK1 TRACK2 EX.TRACKS SONG FILE MIDI OUT PANEL LOCK A SONG SELECT TOP START/STOP REC SONG SETTING DOWN UP NEW SONG SYNCHRO START SONG C TEMPO Dual mode using voices from the same group 3 B NO YES D CONTRAST EXIT G.PIANO 1 G.PIANO 2 E.PIANO1 E.PIANO2 E.PIANO3 CLAVI. HARPSI. VIBES VOICE EDIT SPLIT 1 2 3 4 5 6 7 8 ORGAN 1 ORGAN 2 STRINGS CHOIR SYNTH. PAD GUITAR BASS XG VARIATION 9 10 11 12 13 14 15 16 VOICE/PERFORMANCE A B REVERB CHORUS PERFORMANCE MIDI SETTING MASTER EQ EDIT PERFORM. FILE OTHER SETTING 4 2, 5 1 Basic Operation Dual mode using voices in different voice groups 1 Exit Performance mode. Press the [PERFORMANCE] button to turn off the button indicator. 2 Enter Dual mode. Press the two desired VOICE/PERFORMANCE buttons simultaneously. Main part Layer part TIP If you want to select Dual mode for the left-hand area when the entire keyboard is divided into left and right areas (page 36), hold down the [SPLIT] button and simultaneously press two VOICE/PERFORMANCE buttons. 3 Select a voice. Use the A [-]/[+] buttons and B [-(NO)]/[+(YES)] buttons to select a voice. The voice with the lower voice group number (see page 90) is referred to as Main part. The other voice is referred to as Layer part. TIP You can also use the VARIATION [†]/[π] buttons to select voice 1. TIP Details on selecting XG voices are provided on page 34. 4 Exit Dual mode. Press any VOICE/PERFORMANCE button. Dual mode using voices in the same voice group 1 Exit Performance mode. Press the [PERFORMANCE] button to turn off the button indicator. 2 Select a voice group. Press the VOICE/PERFORMANCE button. 3 Select a voice. Use the A [-]/[+] buttons to select a voice. 4 Select another voice. Use the B [-]/[+] buttons to select another voice in the same voice group. To select the same voice, press the B [-(NO)] or [+(YES)] button once. To select a different voice within the same voice group, press the B [-(NO)] or [+(YES)] button repeatedly. TIP If you want to select Dual mode for the left-hand area when the entire keyboard is divided into left and right areas (page 36), press the D [-] or [+] button. 5 Exit Dual mode. Press any VOICE/PERFORMANCE button. TIP If you connect the P-250 to an external tone generator via MIDI (page 18), you can layer the sounds of the P-250 and the tone generator and play them simultaneously (Layer mode) using the "MidiOutChannel" (page 74) and "InternalTG" (page 70) settings. TIP Details on recording in Dual mode are provided on page 50. The Dual mode setting is a performance parameter (page 30). P-250 35

Section	Page
PRECAUTIONS	3
PLEASE READ CAREFULLY BEFORE PROCEEDING	3
* Please keep this manual in a safe place for future reference.	3
WARNING	3
CAUTION	3
Introduction	5
How to Use this Manual	5
Accessories and Options	6
Features	6
Basic Operation	13
Names and Functions	14
Top Panel	14
Rear Panel Controls	15
Setting Up	16
Installing the Accessories	16
Music rest	16
Pedal	16
Before Powering Up	16
Powering Up	16
Connecting to External Devices	17
Connecting to External Audio Equipment	17
Connectingstereopowered speakers	17
Connecting to a external instrument	17
Connecting to a mixer	17
Connecting External MIDI Equipment	18
Controlling an external device from the P-250	18
Controlling the P-250 from an external device	18
Recording your performance on the P-250 to an external MIDI sequencer (such as the QY series), or...	18
Controlling another MIDI device via the MIDI [THRU] connector	18
Connecting to a Personal Computer	19
1 USB connection (the computer’s USB port to the P-250 [USB] connector)	19
2Serialconnection(computer’s serial port to P-250 [TO HOST] connector)	20
3 MIDIconnection(thecomputer’s MIDI interface or external MIDI interface to the P-250 MIDI IN ...	22
Connecting Pedals	23
Connecting headphones	23
P-250 Quick Guide	24
Listening to Demo and Preset Songs	24
Listening to the demo songs	24
Listening to the preset songs	25
Selecting, Editing, and Storing a Voice	26
Selecting, Editing, and Storing a Performance	27
Editing a Voice and Storing It as a Performance	27
P-250 Design	28
Voice	28
Performances	30
Performance parameters	30
Performance file	32
Songs	33
Song file	33
About P-250 Memory	33
Storage memory	33
Current memory	33
Basic Operation	34
Selecting a Voice	34
Playing in Dual Mode	35
Dual mode using voices in different voice groups	35
Dual mode using voices in the same voice group	35
Playing in Split Mode	36
Effect Structure	37
System effects	37
Insertion effects	37
Using the Effects	37
Reverb	37
Chorus	37
Using the Master Equalizer	38
Using the Pitch Bend and Modulation Wheels	38
Pitch bend wheel	38
Modulation wheel	38
Using Pedals	39
Applying the sustain effect	39
Applying the sostenuto effect	39
Applying the soft effect	39
Applying the expression effect	39
Using Panel Lock	39
Toggling MIDI Transmission On/Off	40
Transmitting MIDI Panic Signals	40
Performance Operation	41
Selecting a Performance	41
Handling Performance Files [PERFORM.FILE]	42
Basic Operation for the Performance File	42
Storing a Performance [Performance]	43
Renaming a Performance [Perf.Name]	43
Saving a Performance File to Storage Memory [SaveToMemory]	44
Loading a Performance File from Storage Memory [LoadFromMem.]	44
Deleting a Performance File [DeleteFile]	45
Renaming a Performance File [RenameFile]	45
Song Operation	46
Recording Songs	46
Recording a New Song	47
Recording	47
Re-recording part of a song	48
Other Recording Techniques	49
Adding data to or recording over an existing song	49
Changing the voice or tempo after recording	49
Adjusting the volume balance between playback and the sound of your playing by using the [SONG BA...	49
Recording in Dual or Split mode	50
Song Playback	51
Playback	51
Handling Song Files [SONG FILE]	53
Basic Song File Operation	53
Saving a Song File in Storage Memory [SaveToMemory]	54
Deleting a Song File from Storage Memory [DeleteSong]	54
Renaming a Song (Song File) [RenameSong]	55
Changing the On-Screen Character Type [CharacterCode]	55
Edit Operation	57
Editing	58
Parameter List	58
Basic Editing Flow	61
Settings for Song Recording and Playback [SONG SETTING]	62
Correcting note timing [Quantize]	62
Specifying whether playback starts immediately along with the first voicing [QuickPlay]	62
Auditioning channel [ChannelListen]	63
Deleting data from a channel [ChannelClear]	63
Specifying the range and playing back repeatedly [FromToRepeat]	63
Specifying a phrase for playback by phrase number [PhraseMark]	63
Playing back a song repeatedly [SongRepeat]	64
Setting the click time signature [TimeSignature]	64
Setting the click volume [ClickVolume]	64
Turning the click on/off [ClickOnOff]	64
Editing a Voice in Detail [VOICE EDIT]	65
Basic voice editing using [VOICE EDIT]	65
Setting the octave* [Octave]	65
Setting the volume level* [Volume]	65
Setting the position of the right and left channels* [Pan]	66
Adjusting fine pitch offset between two voices in Dual mode [Detune]	66
Selecting the reverb type [ReverbType]	66
Setting the reverb depth* [ReverbSend]	66
Setting the chorus type [ChorusType]	66
Setting the chorus depth* [ChorusSend]	67
Turning the chorus on/off [ChorusOnOff]	67
Selecting the insertion effect type* [Ins.Type(Ins)]	67
Setting the speed of the vibraphone vibrato effect* [VibeRotorSpeed(RotorSpeed)]	67
Turning the Vibraphone vibrato on/off* [VibeRotorOnOff (RotorOnOff)]	67
Adjusting the speed of the rotary speaker* [RotarySpeed (Rot.Speed)]	67
Adjusting the insertion effect depth* [Dry/WetBalance(Dry/Wet)]	68
Adjusting the brightness of the sound* [Brightness]	68
Adjusting the resonance effect* [HarmonicContent (Harmonic)]	68
Adjusting the low-range frequency of the part EQ* [EQ LowFreq.(EQ L.Freq)]	68
Adjusting the high-range frequency of the part EQ* [EQ HighFreq.(EQ H.Freq)]	68
Adjusting the low-range gain (amount of boost/cut) of the part EQ* [EQLowGain]	68
Adjusting the high-range gain (amount of boost/cut) of the part EQ* [EQHighGain]	68
Setting the touch sensitivity* [TouchSense]	68
Assigning the Pedal 1 function [Pedal 1]	69
Assigning the Pedal 2 function [Pedal 2]	69
Assigning the Pedal 3 function [Pedal 3]	69
Assigning the Pedal 4 function [Pedal 4]	69
Assigning the modulation wheel function [Modulation]	69
Setting the MSB of the Send Bank Select message* [SendBankMSB(SendMSB)]	70
Setting the LSB of the Send Bank Select message* [SendBankLSB(SendLSB)]	70
Setting the Program Change message* [SendPG#]	70
Turning the Internal tone generator on/off* [InternalTG]	70
Adjusting the Master Equalizer [MASTER EQ EDIT]	71
Setting the Master Equalizer type	71
Adjusting the low range gain of the Master Equalizer [LowGain]	71
Adjusting the low-middle range gain of the Master Equalizer [LowMidGain]	71
Adjusting the middle range gain of the Master Equalizer [MidGain]	71
Adjusting the high-middle range gain of the Master Equalizer [HighMidGain]	71
Adjusting the high range gain of the Master Equalizer [HighGain]	71
Adjusting the low frequency of the Master Equalizer [LowFreq.]	71
Adjusting the low-middle frequency of the Master Equalizer [LowMidFreq.]	71
Adjusting the middle frequency of the Master Equalizer [MidFreq.]	71
Adjusting the high-middle frequency of the Master Equalizer [HighMidFreq.]	71
Adjusting the high frequency of the Master Equalizer [HighFreq.]	71
Adjusting the low range resonance of the Master Equalizer [LowQ]	72
Adjusting the low-middle range resonance of the Master Equalizer [LowMidQ]	72
Adjusting the middle range resonance of the Master Equalizer [MidQ]	72
Adjusting the high-middle range resonance of the Master Equalizer [HighMidQ]	72
Adjusting the high range resonance of the Master Equalizer [HighQ]	72
MIDI [MIDI SETTING]	73
About MIDI	73
[MIDI] connector	73
[TO HOST] connector	73
[USB] connector	73
Setting the MIDI transmit channel [MidiOutChannel]	74
Setting the MIDI receive channel [MidiInChannel]	74
Turning the Local Control On/Off [LocalControl]	74
Specifying keyboard performance or song data to be transmitted via MIDI [MidiOutSelect]	74
Specifying the type of data received via MIDI [ReceiveParameter]	75
Specifying the type of data transmitted via MIDI [TransmitParameter]	75
Transmitting the initial settings on the panel [InitialSetup]	75
Executing Voice Data Bulk Dump [VoiceBulkDump]	75
Other Settings [OTHER SETTING]	76
Selecting a touch response [TouchResponse]	76
Fine-tuning the pitch [Tune]	76
Selecting a tuning curve for a piano voice [PianoTuningCurve]	76
Selecting a scale [Scale]	77
Setting the split point [SplitPoint]	77
Setting the key [Transpose]	77
Specifying the depth of the soft pedal [SoftPedalDepth]	77
Specifying the depth of string resonance [StringResonanceDepth]	77
Specifying the depth of sustain sampling for the damper pedal [SustainSamplingDepth]	78
Specifying the volume of the key-off sound [KeyOffSamplingDepth]	78
Selecting a pedal function for vibraphone [VibraphonePedalMode]	78
Assigning the START/STOP function to a pedal [PedalStart/Stop]	78
Selecting a type of pedal [Pedal Type]	78
Setting the point at which the pedal starts to affect the sound [HalfPedalPoint]	78
Setting the pitch bend range [PitchBendRange]	79
Assigning a function to the [SONG BALANCE] slider [SongBalanceAssign]	79
Switching the speaker on/off [Speaker]	79
Locking the Master Equalizer settings [EqualizerLock]	79
Selecting items saved at shutdown [MemoryBackUp]	79
Restoring the normal (default) settings [FactorySet]	79
Appendix	81
Message List	82
Troubleshooting	86
Midi Data Compatibility	88
Preset Voice List	90
Preset Performance List	92
Application Index	94
Listening and playing	94
Using the controllers	94
Changing the sound	94
Changing the pitch	94
Adjusting the volume Level	95
Recording, playing, and saving a song	95
Using, editing, and saving a performance	95
Connecting the P-250 to other devices	95
If you . . .	95
Index	96
2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply v...	99
3. This product may be equipped with a polarized plug (one blade wider than the other). If you ar...	99
4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type...	99
5. WARNING: Do not place this product or any other objects on the power cord or place it in a pos...	99
6. Ventilation: Electronic products, unless specifically designed for enclosed installations, sho...	99
7. Temperature considerations: Electronic products should be installed in locations that do not s...	99
8. This product was NOT designed for use in wet/damp locations and should not be used near water ...	99
9. This product should be used only with the components supplied or; a cart, rack, or stand that ...	99
10. The power supply cord (plug) should be disconnected from the outlet when electronic products ...	99
11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure ...	99
12. Electrical/electronic products should be serviced by a qualified service person when:	99
13. Do not attempt to service this product beyond that described in the user-maintenance instruct...	99
14. This product, either alone or in combination with an amplifier and headphones or speaker/s, m...	99

Match case Limit results 1 per page

P-250

Basic Operation

■

Playing in Dual Mode

In Dual mode, you can play two voices in unison. In this way, you can simulate a melody duet or combine

two similar voices to create a thicker sound.

Dual mode using voices in differ-

ent voice groups

Exit Performance mode.

Press the [PERFORMANCE] button to turn off the

button indicator.

Enter Dual mode.

Press the two desired VOICE/PERFORMANCE but-

tons simultaneously.

Select a voice.

Use the A [–]/[+] buttons and B [–(NO)]/[+(YES)]

buttons to select a voice.

The voice with the lower voice group number (see

page 90) is referred to as Main part. The other voice is

referred to as Layer part.

Exit Dual mode.

Press any VOICE/PERFORMANCE button.

Dual mode using voices in the

same voice group

Exit Performance mode.

Press the [PERFORMANCE] button to turn off the

button indicator.

Select a voice group.

Press the VOICE/PERFORMANCE button.

Select a voice.

Use the A [–]/[+] buttons to select a voice.

Select another voice.

Use the B [–]/[+] buttons to select another voice

in the same voice group.

To select the same voice, press the B [–(NO)] or

[+(YES)] button once.

To select a different voice within the same voice

group, press the B [–(NO)] or [+(YES)] button repeat-

edly.

Exit Dual mode.

Press any VOICE/PERFORMANCE button.

The Dual mode setting is a performance parameter

(page 30).

VOICE/PERFORMANCE

TEMPO

SONG

SONG BALANCE

MASTER VOLUME

MIDI SETTING

CHORUS

REVERB

SPLIT

CONTRAST

YES

BASS

PERFORM. FILE

MASTER EQ EDIT

VARIATION

PERFORMANCE

VOICE EDIT

VIBES

GUITAR

SYNTH.PAD

E.PIANO3

HARPSI.

CLAVI.

ORGAN 1

EXIT

G.PIANO 1

EX.TRACKS

SONG FILE

PANEL LOCK

TRACK1

TOP

SONG SELECT

KEYBOARD

SONG

MIN

MAX

REC

START/STOP

SYNCHRO START

NEW SONG

TRACK2

MIDI OUT

ORGAN 2

G.PIANO 2

STRINGS

E.PIANO1

CHOIR

E.PIANO2

OTHER SETTING

DOWN

SONG SETTING

Dual mode using voices from

the same group

Dual mode using voices from

different groups

2, 4

2, 5

TIP

If you want to select Dual mode for the left-hand area when

the entire keyboard is divided into left and right areas

(page 36), hold down the [SPLIT] button and simulta-

neously press two VOICE/PERFORMANCE buttons.

TIP

You can also use the VARIATION [

†

]/[

] buttons to select

voice 1.

TIP

Details on selecting XG voices are provided on page 34.

Main part

Layer part

TIP

If you want to select Dual mode for the left-hand area when

the entire keyboard is divided into left and right areas

(page 36), press the D [–] or [+] button.

TIP

If you connect the P-250 to an external tone generator via

MIDI (page 18), you can layer the sounds of the P-250 and

the tone generator and play them simultaneously (Layer

mode) using the “MidiOutChannel” (page 74) and “Intern-

alTG” (page 70) settings.

TIP

Details on recording in Dual mode are provided on page 50.