Yamaha P-250 Owner's Manual - Page 91

Stereo, sampling, Touch, Sense, Dynamic, Key-off, String, resonance

Page 91 highlights

Preset Voice List Voice group (Panel display) Voice name Stereo Touch Dynamic Key-off String sampling Sense sampling sampling resonance Voice description HARPSICHORD (HARPSI.) Harpsichord8' Harpsichord 8'+4' × × × × The sound of an instrument frequently used in baroque × music. Variations in playing touch will not affect the volume, and a characteristic sound will be heard when you release the key. × A harpsichord with an added upper octave. Produces a more brilliant sound. VIBRAPHONE (VIBES) Vibraphone Marimba Vibraphone played with relatively soft mallets. The tone × × becomes more metallic the harder you play. Distinctive vibraphone effects and stereo sampling provide a spa- cious sound. × × × A marimba sound, sampled in stereo for spaciousness and realism. Celesta × × The celesta sound often used memorably in an orchestra. JazzOrgan × × × × × The sound of a "tonewheel" type electric organ. Often heard in jazz and rock idioms. ORGAN1 (ORGAN1) Theater Organ × × × × × A bright electric organ sound. Rock Organ × × × × × An aggressive electric organ sound, ideal for rock. Draw Organ × × × × × A standard electric organ sound. ORGAN2 (ORGAN2) PipeOrgan Principal PipeOrgan Tutti PipeOrgan Flute This voice features the combination of pipes (8'+4'+2') × × × × of a principal (brass instrument) organ. It is suitable for Baroque church music. × × × × This voice features a full coupler of a pipe organ, famous for the sound used in Toccatta and Fugue by Bach. A pipe organ sound that combines flute-type (woodwind × × × × type) stops of different pitches (8' + 4'). This is a gentle sound that is ideal for accompanying hymns. STRINGS (STRINGS) Strings SynthStrings SlowStrings Stereo-sampled, large-scale string ensemble with real- × × × istic reverb. Try combining this voice with piano in Dual mode. × × × A bright and spacious strings sound. Suitable for sustained parts backing an ensemble. The sound of a string ensemble, with a slow attack. × × × Suitable for playing together with grand piano sounds or electric piano sounds. Choir × × × × A big, spacious choir voice. Perfect for creating rich harmonies in slow pieces. CHOIR (CHOIR) SlowChoir × Scat × The sound of a choir with a slow attack. Suitable for × × × playing together with grand piano sounds or electric piano sounds. You can enjoy jazz "scatting" with this voice. Depending × × on how hard and what note range you play, different sounds will be produced. SYNTH.PAD SynthPad1 × (SYNTH.PAD) SynthPad2 × × × × A warm, mellow, and spacious synth sound. Ideal for sustained parts in the background of an ensemble. × × × A clear and spacious synth sound. Ideal for sustained parts in the background of an ensemble. GUITAR NylonGuitar × (GUITAR) SteelGuitar × × × × A warm and natural nylon-string guitar sound. Enjoy the atmosphere it adds to a quiet song. × × × A bright steel guitar sound. Ideal for popular music. WoodBass × × × × The sound of a finger-plucked upright bass. Frequently used in jazz and Latin music. BASS (BASS) Bass& Cymbal × ElectricBass × × × × The sound of a cymbal has been layered onto the bass. Effective when used for jazz walking-bass lines. × × × The sound of an electric bass. Frequently used in jazz, rock, and popular music. FretlessBass × × × × The sound of a fretless bass. Suitable for styles such as jazz and fusion. P-250 91 Appendix

  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27
  • 28
  • 29
  • 30
  • 31
  • 32
  • 33
  • 34
  • 35
  • 36
  • 37
  • 38
  • 39
  • 40
  • 41
  • 42
  • 43
  • 44
  • 45
  • 46
  • 47
  • 48
  • 49
  • 50
  • 51
  • 52
  • 53
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59
  • 60
  • 61
  • 62
  • 63
  • 64
  • 65
  • 66
  • 67
  • 68
  • 69
  • 70
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77
  • 78
  • 79
  • 80
  • 81
  • 82
  • 83
  • 84
  • 85
  • 86
  • 87
  • 88
  • 89
  • 90
  • 91
  • 92
  • 93
  • 94
  • 95
  • 96
  • 97
  • 98
  • 99
  • 100
  • 101
  • 102

P-250
91
Preset Voice List
Appendix
Voice group
(Panel display)
<sound group
number>
Voice name
Stereo
sampling
Touch
Sense
Dynamic
sampling
Key-off
sampling
String
resonance
Voice description
HARPSICHORD
(HARPSI.)
<7>
Harpsichord8'
×
×
×
The sound of an instrument frequently used in baroque
music. Variations in playing touch will not affect the vol-
ume, and a characteristic sound will be heard when you
release the key.
Harpsichord
8'+4'
×
×
×
A harpsichord with an added upper octave. Produces a
more brilliant sound.
VIBRAPHONE
(VIBES)
<8>
Vibraphone
×
×
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play. Distinctive
vibraphone effects and stereo sampling provide a spa-
cious sound.
Marimba
×
×
×
A marimba sound, sampled in stereo for spaciousness
and realism.
Celesta
×
×
The celesta sound often used memorably in an orches-
tra.
ORGAN1
(ORGAN1)
<9>
JazzOrgan
×
×
×
×
×
The sound of a “tonewheel” type electric organ. Often
heard in jazz and rock idioms.
Theater Organ
×
×
×
×
×
A bright electric organ sound.
Rock Organ
×
×
×
×
×
An aggressive electric organ sound, ideal for rock.
Draw Organ
×
×
×
×
×
A standard electric organ sound.
ORGAN2
(ORGAN2)
<10>
PipeOrgan
Principal
×
×
×
×
This voice features the combination of pipes (8'+4'+2')
of a principal (brass instrument) organ. It is suitable for
Baroque church music.
PipeOrgan
Tutti
×
×
×
×
This voice features a full coupler of a pipe organ, famous
for the sound used in Toccatta and Fugue by Bach.
PipeOrgan
Flute
×
×
×
×
A pipe organ sound that combines flute-type (woodwind
type) stops of different pitches (8' + 4'). This is a gentle
sound that is ideal for accompanying hymns.
STRINGS
(STRINGS)
<11>
Strings
×
×
×
Stereo-sampled, large-scale string ensemble with real-
istic reverb. Try combining this voice with piano in Dual
mode.
SynthStrings
×
×
×
A bright and spacious strings sound. Suitable for sus-
tained parts backing an ensemble.
SlowStrings
×
×
×
The sound of a string ensemble, with a slow attack.
Suitable for playing together with grand piano sounds
or electric piano sounds.
CHOIR
(CHOIR)
<12>
Choir
×
×
×
×
A big, spacious choir voice. Perfect for creating rich
harmonies in slow pieces.
SlowChoir
×
×
×
×
The sound of a choir with a slow attack. Suitable for
playing together with grand piano sounds or electric
piano sounds.
Scat
×
×
×
You can enjoy jazz “scatting” with this voice. Depending
on how hard and what note range you play, different
sounds will be produced.
SYNTH.PAD
(SYNTH.PAD)
<13>
SynthPad1
×
×
×
×
A warm, mellow, and spacious synth sound. Ideal for
sustained parts in the background of an ensemble.
SynthPad2
×
×
×
×
A clear and spacious synth sound. Ideal for sustained
parts in the background of an ensemble.
GUITAR
(GUITAR)
<14>
NylonGuitar
×
×
×
×
A warm and natural nylon-string guitar sound. Enjoy
the atmosphere it adds to a quiet song.
SteelGuitar
×
×
×
×
A bright steel guitar sound. Ideal for popular music.
BASS
(BASS)
<15>
WoodBass
×
×
×
×
The sound of a finger-plucked upright bass. Frequently
used in jazz and Latin music.
Bass&
Cymbal
×
×
×
×
The sound of a cymbal has been layered onto the bass.
Effective when used for jazz walking-bass lines.
ElectricBass
×
×
×
×
The sound of an electric bass. Frequently used in jazz,
rock, and popular music.
FretlessBass
×
×
×
×
The sound of a fretless bass. Suitable for styles such
as jazz and fusion.