Yamaha P-250 Owner's Manual - Page 50

Recording in Dual or Split mode

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Basic Operation Song Operation Recording in Dual or Split mode When you record in Dual or Split mode, the P-250 records each voice onto a separate track. The following table shows how tracks are assigned to each voice. CAUTION When you record multiple parts into tracks one by one, or when you record new data over an existing song (see page 49), the existing data will be erased. Proceed with caution! In the following example, Tracks 1, 2, and EXTRA TRACK "n" have been selected for recording. Main Assigned recording tracks TRACK1 TRACK2 EXTRA TRACKn ↓ ↓ ↓ TRACK 1 TRACK 2 TRACK n Dual Layer TRACK 3 TRACK 4 TRACK n+2 Main TRACK 1 TRACK n Split Tracks to be recorded Left TRACK 2 TRACK n+1 Main Left Layer TRACK 1 TRACK 2 TRACK 3 TRACK n TRACK n+1 TRACK n+2 Split Dual LeftLayer TRACK 4 TRACK n+3 The variable "n" represents a track number from 3 through 16. If "n+1," "n+2," and "n+3" exceed 16, TRACKs 1, 2, and 3 are used. TIP A switch between Dual and Split mode in a song will not be recorded. Types of data recorded Data recorded in the tracks: • Note data (notes you play) • Voice selection • P-250 pedals and modulation wheel on/off • Reverb depth "ReverbSend" • Chorus depth "ChorusSend" • Insertion effect depth "Dry/WetBalance" • Sound brightness "Brightness" • Resonance effect setting "Harmonic Content" • Equalizer's low-range frequency setting "EQLow- Freq." • Equalizer's low-range gain setting "EQLowGain" • Equalizer's low-range frequency setting "EQLow- Freq." • Equalizer's low-range gain setting "EQLowGain" • Voice octave setting "Octave" • Voice volume level "Volume" • Stereo image of each voice "Pan" • Fine pitch adjustment between two voices (Dual only) "Detune" • Volume level changes for each voice with response to the way you play "TouchSense" • Voice transpose setting "Transpose" • Scale • Soft pedal depth • String resonance depth • Sustain sampling depth • Key-off volume "KeyOffSamplingDepth" • Modulation • Pitch bend • Pitch bend range Data shared by tracks • Tempo • Time signature • Reverb type • Chorus type • Insertion effect type * You can change all data except for note data including "Octave" and "Transpose", after recording. * You can change the time signature while playback or recording is stopped, at the top of the song, or at a position reached by pressing the B [-]/[+] buttons. 50 P-250

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Song Operation
50
P-250
Basic Operation
Recording in Dual or Split mode
When you record in Dual or Split mode, the P-250
records each voice onto a separate track. The follow-
ing table shows how tracks are assigned to each
voice.
In the following example, Tracks 1, 2, and EXTRA
TRACK “n” have been selected for recording.
The variable “n” represents a track number from 3
through 16.
If “n+1,” “n+2,” and “n+3” exceed 16, TRACKs 1, 2,
and 3 are used.
Types of data recorded
Data recorded in the tracks:
• Note data (notes you play)
• Voice selection
• P-250 pedals and modulation wheel on/off
• Reverb depth “ReverbSend”
• Chorus depth “ChorusSend”
• Insertion effect depth “Dry/WetBalance”
• Sound brightness “Brightness”
• Resonance effect setting “Harmonic Content”
• Equalizer’s low-range frequency setting “EQLow-
Freq.”
• Equalizer’s low-range gain setting “EQLowGain”
• Equalizer’s low-range frequency setting “EQLow-
Freq.”
• Equalizer’s low-range gain setting “EQLowGain”
• Voice octave setting “Octave”
• Voice volume level “Volume”
• Stereo image of each voice “Pan”
• Fine pitch adjustment between two voices (Dual
only) “Detune”
• Volume level changes for each voice with
response to the way you play “TouchSense”
• Voice transpose setting “Transpose”
• Scale
• Soft pedal depth
• String resonance depth
• Sustain sampling depth
• Key-off volume “KeyOffSamplingDepth”
• Modulation
• Pitch bend
• Pitch bend range
Data shared by tracks
• Tempo
• Time signature
• Reverb type
• Chorus type
• Insertion effect type
*
You can change all data except for note data
including “Octave” and “Transpose”, after
recording.
*
You can change the time signature while play-
back or recording is stopped, at the top of the
song, or at a position reached by pressing the B
[–]/[+] buttons.
CAUTION
When you record multiple parts into tracks one by one, or
when you record new data over an existing song (see
page 49), the existing data will be erased. Proceed with
caution!
Assigned recording tracks
TRACK1
TRACK2
EXTRA
TRACKn
↓
↓
↓
Main
TRACK 1
TRACK 2
TRACK n
Layer
TRACK 3
TRACK 4
TRACK n+2
Main
TRACK 1
TRACK n
Left
TRACK 2
TRACK n+1
Main
TRACK 1
TRACK n
Left
TRACK 2
TRACK n+1
Layer
TRACK 3
TRACK n+2
LeftLayer
TRACK 4
TRACK n+3
TIP
A switch between Dual and Split mode in a song will not be
recorded.
Tracks to be recorded
Dual
Split
Split Dual