Yamaha YRM-103 YRM-103 Owners Manual Image - Page 15

Graphics/Numerical

Page 15 highlights

There. are two main types of screen displays; one for the Edit mode and the other for the Voice List (or the "directory"). The Edit mode is further divided into different screens which can be selected. The different types of displays and the keys that are used to make them appear on the screen are explained here. Fl TAB SELECT GRAPH Selects Directory/Edit display Select Voice parameters/Function parameters display Selects the set of parameters to be displayed in the block indicated by the cursor (the upper-left block is not affected by this key). Selects Graphics/Numerical value display for the block indicated by the cursor (LFO block and the performance parameter display are not affected by this key). * Pressing any of these keys twice will return the original display. SHIFT + GRAPH or SHIFT + SELECT Match the six lower block display with the block display indicated by the cursor. You should become familiar with these four keys before starting with the creation of voices. - 12 -

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There.
are
two
main
types
of
screen
displays;
one
for
the
Edit
mode
and
the
other
for
the
Voice
List
(or
the
"directory").
The
Edit
mode
is
further
divided
into
different
screens
which
can
be
selected.
The
different
types
of
displays
and
the
keys
that
are used
to
make
them
appear on
the
screen
are
explained
here.
Fl
TAB
SELECT
GRAPH
Selects
Directory/Edit
display
Select
Voice
parameters/Function
parameters
display
Selects
the
set
of
parameters
to
be
displayed
in
the
block
indicated
by
the
cursor
(the
up-
per
-left block
is
not
affected
by
this
key).
Selects
Graphics/Numerical
value
display
for
the
block
indicated
by
the
cursor
(LFO
block
and
the
performance
parameter
display
are
not
affected
by
this
key).
*
Pressing any
of
these
keys
twice
will return
the
original
display.
SHIFT
+
GRAPH
or
SHIFT
+
SELECT
Match
the
six
lower
block
display
with
the
block display
indicated
by
the
cursor.
You
should
become
familiar with
these
four
keys
before
starting
with
the
creation
of
voices.
12
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