Behringer ODYSSEY Quick Start Guide - Page 25
ODYSSEY Effects, Specifications
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48 ODYSSEY ODYSSEY Effects EFFECT Church Concert 1 Concert 2 Theater Room 1 Room 2 Room 3 Chamber Digiverb Plate 1 Plate 2 Spring Gated 1 Gated 2 Reverse Delay Echo Ambience Early Reverb Chorus Flanger Phaser Pan/Tremolo Detune Pitch 1 Pitch 2 Delay + Chorus Delay + Reverb Chorus + Reverb LFO-Filter Talkbox Clipper PARAMETER 1 Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Feedback Feedback Size Size Depth Depth Depth Depth Detune Shift Shift A Balance Balance Balance Vowel 1 Decay Distort VALUE 1 to 10 s 0.5 to 5 s 1 to 5 s 0.4 to 3 s 0.5 to 5 s 0.3 to 2.5 s 0.2 to 10 s 0.1 to 0.4 s 0.4 to 4.5 s 0.5 to 3 s 0.3 to 4 s 1 to 4 s 1 to 12 1 to 20 s 1 to 20 s 0 to 100% 0 to 100% 1 to 30 1 to 30 -20 to +20 -20 to +20 -20 to +20 -100 to +100% -99 to +99% -12 to +12 -12 to +12 -50 to +50% -50 to +50% -50 to +50% A, E, I, O, U 0.4 to 3 s 1 to 100 PARAMETER 2 Shape Chorus Early Level Depth Density Pre Delay Pre Delay Size High Damping Pre Delay Pre Delay Pre Delay Pre Delay Pre Delay Pre Delay Mode Damping Tail Gain Diffuse LFO Speed Resonance Resonance LFO Wave Pre Delay Pre Delay Shift B Chorus Depth Reverb Decay Reverb Decay Vowel 2 Depth Low Cut VALUE 1 to 50 1 to 30 -12 to +12 0 to 9 0 to 100% 0 to 50 ms 0 to 200 ms 1 to 30 x 0.25, 0.33, 0.5, max 0 to 40 ms 0 to 40 ms 0 to 150 ms 0 to 400 ms 0 to 30 ms 0 to 30 ms Mono, Spread, Pingpong 1 to 50 0 to 100% 1 to 20 0.05 to 5 Hz -100 to +100% 1 to 50 Tri, Ramp, Square 0 to 300 ms 0 to 300 ms -12 to +12 -20 to +20 1 to 5 s 1 to 5 s A, E, I, O, U 0 to 9 50 to 500 Hz PARAMETER 3 Damping Damping Damping Damping Damping Damping Position Damping Out Sel Damping Damping Type Type Damping Damping Tempo Tempo Damping Damping Lfo Wave Tempo Tempo Tempo Damping Detune Spread Tempo Tempo Chorus Depth Tempo Tempo Damping VALUE Bright, Dark Bright, Dark Bright, Dark Bright, Dark Bright, Dark Bright, Dark Front, Rear Bright, Dark Front, Rear Bright, Dark Bright, Dark Modern, Vintage Alive, Gated Bright, Dark Bright, Dark 72 to 500 Bpm or Tap 72 to 500 Bpm or Tap Bright, Dark Bright, Dark Sine, Triangle 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap Bright, Dark 0, 20% Narrow, Wide 75 to 500 Bpm, or Tap 114 to 500 Bpm, or Tap Soft, Deep 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap Bright, Dark Specifications Quick Start Guide 49 Synthesizer Architecture Implementation Keyboard Keyboard Keyboard sensing FX Section Knobs Switches Display Controller Section Faders Pressure sensitive controls Switches VCO 1 Section Faders Switches VCO 2 Section Faders Switches Sample and Hold Section Faders Switches Analog 37 semi-weighted, full-size keys Note on/off, velocity FX program/value encoder FX send Parameter 1/2 Parameter 3 (tap) FX on/off LCD Tempo/gate length (for sequencer) Portamento 3x proportional pitch control 2 octaves up, down Frequency coarse Frequency fine FM level (LFO sine or square wave) FM level (S/H or ADSR) Pulse width (50% to minimum) Pulse modulation (LFO sinewave or ADSR) Audio keyboard on, LF keyboard off FM: LFO sinewave, LFO square wave FM: S/H, ADSR Pulse modulation: LFO sinewave, ADSR Frequency coarse Frequency fine FM level (LFO sinewave or square wave) FM level (S/H or ADSR) Pulse width (50% to minimum) Pulse modulation (LFO sinewave or ADSR) Sync on, off FM: LFO sinewave, S/H mixer or pedal FM: S/H, ADSR Pulse modulation: LFO sinewave, ADSR S/H mixer (VCO1 sawtooth level or square level) S/H mixer (noise or VCO2 square level) S/H output lag S/H mixer: VCO1 sawtooth, VCO1 square wave S/H mixer: noise, VCO2 square wave S/H: LFO trigger, keyboard trigger Noise generator: white, pink LFO Section Fader LFO frequency LED LFO rate Audio Mixer, VCF, HPF, and VCA Section VCF frequency VCF resonance Audio mixer (noise level or ring mod level) Audio mixer (VCO1 sawtooth level or VCO1 square wave level) Faders Audio mixer (VCO2 sawtooth level or VCO2 square wave level) VCF (keyboard CV or S/H mixer or pedal) VCF (S/H or LFO sinewave level) VCF (ADSR or AR level) HPF cutoff frequency VCA gain VCA (AR level or ADSR level) VCF mode: 2 pole (4023:12 dB/oct), 4 pole (4035:24 dB/oct), 4 pole(4075:24 dB/oct) Drive on, off Audio mixer: noise, ring mod Switches Audio mixer: VCO1 sawtooth, VCO1 square wave Audio mixer: VCO2 sawtooth, VCO2 square wave VCF: keyboard CV, S/H mixer or pedal VCF: S/H, LFO sinewave VCF: ADSR, AR VCA: AR, ADSR AR and ADSR Section AR envelope attack time (5 ms to 5 s) AR envelope release time (10 ms to 10 s) Faders ADSR envelope attack time (5 ms to 5 s) ADSR envelope decay time (10 ms to 10 s) ADSR envelope sustain level (0 to 100 %) ADSR envelope release time (15 ms to 10 s) ADSR attack: keyboard gate, LFO square wave repeat Switches ADSR decay: keyboard repeat, auto repeat ADSR release: AR keyboard gate, LFO square wave repeat Rear Panel Controls LED brightness Knobs Headphones level Switch Power on, off