Behringer ODYSSEY Quick Start Guide - Page 25

ODYSSEY Effects, Specifications

Page 25 highlights

48 ODYSSEY ODYSSEY Effects EFFECT Church Concert 1 Concert 2 Theater Room 1 Room 2 Room 3 Chamber Digiverb Plate 1 Plate 2 Spring Gated 1 Gated 2 Reverse Delay Echo Ambience Early Reverb Chorus Flanger Phaser Pan/Tremolo Detune Pitch 1 Pitch 2 Delay + Chorus Delay + Reverb Chorus + Reverb LFO-Filter Talkbox Clipper PARAMETER 1 Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Feedback Feedback Size Size Depth Depth Depth Depth Detune Shift Shift A Balance Balance Balance Vowel 1 Decay Distort VALUE 1 to 10 s 0.5 to 5 s 1 to 5 s 0.4 to 3 s 0.5 to 5 s 0.3 to 2.5 s 0.2 to 10 s 0.1 to 0.4 s 0.4 to 4.5 s 0.5 to 3 s 0.3 to 4 s 1 to 4 s 1 to 12 1 to 20 s 1 to 20 s 0 to 100% 0 to 100% 1 to 30 1 to 30 -20 to +20 -20 to +20 -20 to +20 -100 to +100% -99 to +99% -12 to +12 -12 to +12 -50 to +50% -50 to +50% -50 to +50% A, E, I, O, U 0.4 to 3 s 1 to 100 PARAMETER 2 Shape Chorus Early Level Depth Density Pre Delay Pre Delay Size High Damping Pre Delay Pre Delay Pre Delay Pre Delay Pre Delay Pre Delay Mode Damping Tail Gain Diffuse LFO Speed Resonance Resonance LFO Wave Pre Delay Pre Delay Shift B Chorus Depth Reverb Decay Reverb Decay Vowel 2 Depth Low Cut VALUE 1 to 50 1 to 30 -12 to +12 0 to 9 0 to 100% 0 to 50 ms 0 to 200 ms 1 to 30 x 0.25, 0.33, 0.5, max 0 to 40 ms 0 to 40 ms 0 to 150 ms 0 to 400 ms 0 to 30 ms 0 to 30 ms Mono, Spread, Pingpong 1 to 50 0 to 100% 1 to 20 0.05 to 5 Hz -100 to +100% 1 to 50 Tri, Ramp, Square 0 to 300 ms 0 to 300 ms -12 to +12 -20 to +20 1 to 5 s 1 to 5 s A, E, I, O, U 0 to 9 50 to 500 Hz PARAMETER 3 Damping Damping Damping Damping Damping Damping Position Damping Out Sel Damping Damping Type Type Damping Damping Tempo Tempo Damping Damping Lfo Wave Tempo Tempo Tempo Damping Detune Spread Tempo Tempo Chorus Depth Tempo Tempo Damping VALUE Bright, Dark Bright, Dark Bright, Dark Bright, Dark Bright, Dark Bright, Dark Front, Rear Bright, Dark Front, Rear Bright, Dark Bright, Dark Modern, Vintage Alive, Gated Bright, Dark Bright, Dark 72 to 500 Bpm or Tap 72 to 500 Bpm or Tap Bright, Dark Bright, Dark Sine, Triangle 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap Bright, Dark 0, 20% Narrow, Wide 75 to 500 Bpm, or Tap 114 to 500 Bpm, or Tap Soft, Deep 5 to 400 Bpm, or Tap 5 to 400 Bpm, or Tap Bright, Dark Specifications Quick Start Guide 49 Synthesizer Architecture Implementation Keyboard Keyboard Keyboard sensing FX Section Knobs Switches Display Controller Section Faders Pressure sensitive controls Switches VCO 1 Section Faders Switches VCO 2 Section Faders Switches Sample and Hold Section Faders Switches Analog 37 semi-weighted, full-size keys Note on/off, velocity FX program/value encoder FX send Parameter 1/2 Parameter 3 (tap) FX on/off LCD Tempo/gate length (for sequencer) Portamento 3x proportional pitch control 2 octaves up, down Frequency coarse Frequency fine FM level (LFO sine or square wave) FM level (S/H or ADSR) Pulse width (50% to minimum) Pulse modulation (LFO sinewave or ADSR) Audio keyboard on, LF keyboard off FM: LFO sinewave, LFO square wave FM: S/H, ADSR Pulse modulation: LFO sinewave, ADSR Frequency coarse Frequency fine FM level (LFO sinewave or square wave) FM level (S/H or ADSR) Pulse width (50% to minimum) Pulse modulation (LFO sinewave or ADSR) Sync on, off FM: LFO sinewave, S/H mixer or pedal FM: S/H, ADSR Pulse modulation: LFO sinewave, ADSR S/H mixer (VCO1 sawtooth level or square level) S/H mixer (noise or VCO2 square level) S/H output lag S/H mixer: VCO1 sawtooth, VCO1 square wave S/H mixer: noise, VCO2 square wave S/H: LFO trigger, keyboard trigger Noise generator: white, pink LFO Section Fader LFO frequency LED LFO rate Audio Mixer, VCF, HPF, and VCA Section VCF frequency VCF resonance Audio mixer (noise level or ring mod level) Audio mixer (VCO1 sawtooth level or VCO1 square wave level) Faders Audio mixer (VCO2 sawtooth level or VCO2 square wave level) VCF (keyboard CV or S/H mixer or pedal) VCF (S/H or LFO sinewave level) VCF (ADSR or AR level) HPF cutoff frequency VCA gain VCA (AR level or ADSR level) VCF mode: 2 pole (4023:12 dB/oct), 4 pole (4035:24 dB/oct), 4 pole(4075:24 dB/oct) Drive on, off Audio mixer: noise, ring mod Switches Audio mixer: VCO1 sawtooth, VCO1 square wave Audio mixer: VCO2 sawtooth, VCO2 square wave VCF: keyboard CV, S/H mixer or pedal VCF: S/H, LFO sinewave VCF: ADSR, AR VCA: AR, ADSR AR and ADSR Section AR envelope attack time (5 ms to 5 s) AR envelope release time (10 ms to 10 s) Faders ADSR envelope attack time (5 ms to 5 s) ADSR envelope decay time (10 ms to 10 s) ADSR envelope sustain level (0 to 100 %) ADSR envelope release time (15 ms to 10 s) ADSR attack: keyboard gate, LFO square wave repeat Switches ADSR decay: keyboard repeat, auto repeat ADSR release: AR keyboard gate, LFO square wave repeat Rear Panel Controls LED brightness Knobs Headphones level Switch Power on, off

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48
ODYSSEY
Quick Start Guide
49
ODYSSEY Effects
EFFECT
PARAMETER 1
VALUE
PARAMETER 2
VALUE
PARAMETER 3
VALUE
Church
Decay
1 to 10 s
Shape
1 to 50
Damping
Bright, Dark
Concert 1
Decay
0.5 to 5 s
Chorus
1 to 30
Damping
Bright, Dark
Concert 2
Decay
1 to 5 s
Early Level
-12 to +12
Damping
Bright, Dark
Theater
Decay
0.4 to 3 s
Depth
0 to 9
Damping
Bright, Dark
Room 1
Decay
0.5 to 5 s
Density
0 to 100%
Damping
Bright, Dark
Room 2
Decay
0.3 to 2.5 s
Pre Delay
0 to 50 ms
Damping
Bright, Dark
Room 3
Decay
0.2 to 10 s
Pre Delay
0 to 200 ms
Position
Front, Rear
Chamber
Decay
0.1 to 0.4 s
Size
1 to 30
Damping
Bright, Dark
Digiverb
Decay
0.4 to 4.5 s
High Damping
x 0.25, 0.33, 0.5,
max
Out Sel
Front, Rear
Plate 1
Decay
0.5 to 3 s
Pre Delay
0 to 40 ms
Damping
Bright, Dark
Plate 2
Decay
0.3 to 4 s
Pre Delay
0 to 40 ms
Damping
Bright, Dark
Spring
Decay
1 to 4 s
Pre Delay
0 to 150 ms
Type
Modern, Vintage
Gated 1
Decay
1 to 12
Pre Delay
0 to 400 ms
Type
Alive, Gated
Gated 2
Decay
1 to 20 s
Pre Delay
0 to 30 ms
Damping
Bright, Dark
Reverse
Decay
1 to 20 s
Pre Delay
0 to 30 ms
Damping
Bright, Dark
Delay
Feedback
0 to 100%
Mode
Mono, Spread,
Pingpong
Tempo
72 to 500 Bpm
or Tap
Echo
Feedback
0 to 100%
Damping
1 to 50
Tempo
72 to 500 Bpm
or Tap
Ambience
Size
1 to 30
Tail Gain
0 to 100%
Damping
Bright, Dark
Early Reverb
Size
1 to 30
Diffuse
1 to 20
Damping
Bright, Dark
Chorus
Depth
-20 to +20
LFO Speed
0.05 to 5 Hz
Lfo Wave
Sine, Triangle
Flanger
Depth
-20 to +20
Resonance
-100 to +100%
Tempo
5 to 400 Bpm,
or Tap
Phaser
Depth
-20 to +20
Resonance
1 to 50
Tempo
5 to 400 Bpm,
or Tap
Pan/Tremolo
Depth
-100 to +100%
LFO Wave
Tri, Ramp, Square
Tempo
5 to 400 Bpm,
or Tap
Detune
Detune
-99 to +99%
Pre Delay
0 to 300 ms
Damping
Bright, Dark
Pitch 1
Shift
-12 to +12
Pre Delay
0 to 300 ms
Detune
0, 20%
Pitch 2
Shift A
-12 to +12
Shift B
-12 to +12
Spread
Narrow, Wide
Delay + Chorus
Balance
-50 to +50%
Chorus Depth
-20 to +20
Tempo
75 to 500 Bpm,
or Tap
Delay + Reverb
Balance
-50 to +50%
Reverb Decay
1 to 5 s
Tempo
114 to 500 Bpm,
or Tap
Chorus + Reverb
Balance
-50 to +50%
Reverb Decay
1 to 5 s
Chorus Depth
Soft, Deep
LFO-Filter
Vowel 1
A, E, I, O, U
Vowel 2
A, E, I, O, U
Tempo
5 to 400 Bpm,
or Tap
Talkbox
Decay
0.4 to 3 s
Depth
0 to 9
Tempo
5 to 400 Bpm,
or Tap
Clipper
Distort
1 to 100
Low Cut
50 to 500 Hz
Damping
Bright, Dark
Synthesizer Architecture
Implementation
Analog
Keyboard
Keyboard
37 semi-weighted, full-size keys
Keyboard sensing
Note on/off, velocity
FX Section
Knobs
FX program/value encoder
FX send
Switches
Parameter 1/2
Parameter 3 (tap)
FX on/off
Display
LCD
Controller Section
Faders
Tempo/gate length (for sequencer)
Portamento
Pressure sensitive controls
3x proportional pitch control
Switches
2 octaves up, down
VCO 1 Section
Faders
Frequency coarse
Frequency fine
FM level (LFO sine or square wave)
FM level (S/H or ADSR)
Pulse width (50% to minimum)
Pulse modulation (LFO sinewave or ADSR)
Switches
Audio keyboard on, LF keyboard off
FM: LFO sinewave, LFO square wave
FM: S/H, ADSR
Pulse modulation: LFO sinewave, ADSR
VCO 2 Section
Faders
Frequency coarse
Frequency fine
FM level (LFO sinewave or square wave)
FM level (S/H or ADSR)
Pulse width (50% to minimum)
Pulse modulation (LFO sinewave or ADSR)
Switches
Sync on, off
FM: LFO sinewave, S/H mixer or pedal
FM: S/H, ADSR
Pulse modulation: LFO sinewave, ADSR
Sample and Hold Section
Faders
S/H mixer (VCO1 sawtooth level or square level)
S/H mixer (noise or VCO2 square level)
S/H output lag
Switches
S/H mixer: VCO1 sawtooth, VCO1 square wave
S/H mixer: noise, VCO2 square wave
S/H: LFO trigger, keyboard trigger
Noise generator: white, pink
LFO Section
Fader
LFO frequency
LED
LFO rate
Audio Mixer, VCF, HPF, and VCA Section
Faders
VCF frequency
VCF resonance
Audio mixer (noise level or ring mod level)
Audio mixer (VCO1 sawtooth level or VCO1
square wave level)
Audio mixer (VCO2 sawtooth level or VCO2
square wave level)
VCF (keyboard CV or S/H mixer or pedal)
VCF (S/H or LFO sinewave level)
VCF (ADSR or AR level)
HPF cutoff frequency
VCA gain
VCA (AR level or ADSR level)
Switches
VCF mode: 2 pole (4023:12 dB/oct), 4 pole
(4035:24 dB/oct), 4 pole(4075:24 dB/oct)
Drive on, off
Audio mixer: noise, ring mod
Audio mixer: VCO1 sawtooth, VCO1 square wave
Audio mixer: VCO2 sawtooth, VCO2 square wave
VCF: keyboard CV, S/H mixer or pedal
VCF: S/H, LFO sinewave
VCF: ADSR, AR
VCA: AR, ADSR
AR and ADSR Section
Faders
AR envelope attack time (5 ms to 5 s)
AR envelope release time (10 ms to 10 s)
ADSR envelope attack
time (5 ms to 5 s)
ADSR envelope decay time (10 ms to 10 s)
ADSR envelope sustain level (0 to 100 %)
ADSR envelope release time (15 ms to 10 s)
Switches
ADSR attack: keyboard gate, LFO square wave
repeat
ADSR decay: keyboard repeat, auto repeat
ADSR release: AR keyboard gate, LFO square
wave repeat
Rear Panel Controls
Knobs
LED brightness
Headphones level
Switch
Power on, off
Specifications