Mackie PPM1008 Owner's Manual - Page 14

Fx/mon 2 Send Output, Monitor 2 Send Or Fx Send?

Page 14 highlights

PPM1008 / 15 17 FX FOOT SWITCH 16 18 19 20 15. FX/MON 2 SEND OUTPUT This 1/4" TRS line-level output can be used to feed an external effects processor (FX) or another set of stage monitors (mon 2). The output here is a copy of what goes into the internal FX processor, being the careful mix of all channels whose FX/mon 2 control [22] is turned more than minimum. If they want "more me, and less Keith," you can turn up their channel's FX/mon 2 control, and turn down Keith's. (If you were using monitor 1 to feed the stage monitor, then you would adjust the mon 1 control [21] on each channel.) The processed output of the internal FX does not come out of here, but is added internally to the main mix or monitor 1 mix. The overall output level can be adjusted with the FX/ mon 2 send control [49], and it can be either post or pre channel level, depending on the setting of the FX send / mon 2 send switch [51] as follows: To channel 5 or 6 instrument inputs MONITOR 2 SEND or FX SEND? To run one set of stage monitors, use the monitor 1 system because it has its own graphic EQ [41], master level [43], and meter [45]. To run another set of monitors, set the FX send/mon 2 send switch to mon 2. Stage monitors allow the talented musicians in your band to hear themselves clearly on stage, and this can often be a good thing. The monitor output can be carefully adjusted in level using the channel FX/mon 2 controls [22], and not change if the channel levels or main mix levels are adjusted. This is known as "pre-fader." PRE From mon 1 or mon 2 line-level output SRM450v2 Powered Stage Monitor To feed an external effects processor, such as a nice sound effect, or delay, the feed should be "post-fader." In this way, any changes to the channel level will also affect the level going to the external processor. The processed output from the effects processor is usually returned to a spare channel, and you can carefully mix the original unprocessed channel (dry) and the processed channel (wet). Altering the original channel level increases both the wet and dry siSgnwaitlcshaind keeps them at the same delicate ratio. (ForMeoxnam2 Spelen,d (Pre) the reverb remains at the same level relative to the original). Switch in Mon 2 Send (Pre) POST Switch out FX Send (Post) Switch out FX Send (Post) SRM450v2 Powered Stage Monitors (plays mon 2 output) Using the output to feed a pair of powered stage monitors. 14 PPM1008 Stereo effects processor Using the output to feed a stereo effects processor. In this example, the stereo outputs go to ch. 7 stereo inputs.

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14
PPM1008
PPM1008
15. FX/MON 2 SEND OUTPUT
This 1/4" TRS line-level output can be used to feed an
external effects processor (FX) or another set of stage
monitors (mon 2). The output here is a copy of what
goes into the internal FX processor, being the careful
mix of all channels whose FX/mon 2 control [22] is
turned more than minimum.
The processed output of the internal FX does
not come out of here, but is added internally
to the main mix or monitor 1 mix.
The overall output level can be adjusted with the FX/
mon 2 send control [49], and it can be either post or pre
channel level, depending on the setting of the FX send /
mon 2 send switch [51] as follows:
MONITOR 2 SEND or FX SEND?
To run one set of stage monitors, use the monitor 1
system because it has its own graphic EQ [41], master
level [43], and meter [45]. To run another set of
monitors, set the FX send/mon 2 send switch to mon 2.
Stage monitors allow the talented musicians in your
band to hear themselves clearly on stage, and this can
often be a good thing. The monitor output can be
carefully adjusted in level using the channel FX/mon 2
controls [22], and not change if the channel levels or
main mix levels are adjusted.
This is known as
“pre-fader.”
If they want “more me, and less Keith,” you can turn
up their channel's FX/mon 2 control, and turn down
Keith's. (If you were using monitor 1 to feed the stage
monitor, then you would adjust the mon 1 control [21]
on each channel.)
To feed an external effects processor, such as a nice
sound effect, or delay, the feed should be “post-fader.”
In this way, any changes to the channel level will also
affect the level going to the external processor. The
processed output from the effects processor is
usually returned to a spare channel, and you can
carefully mix the original unprocessed channel (dry)
and the processed channel (wet). Altering the original
channel level increases both the wet and dry signals and
keeps them at the same delicate ratio. (For example,
the reverb remains at the same level relative to the
original).
SRM450v2
Powered Stage Monitor
From mon 1 or mon 2
line-level output
To channel 5 or 6
instrument inputs
FOOT SWITCH
FX
/
Stereo effects processor
Using the output to feed a stereo effects processor. In this
example, the stereo outputs go to ch. 7 stereo inputs.
Switch out
FX Send (Post)
POST
SRM450v2 Powered Stage Monitors
(plays mon 2 output)
Using the output to feed a pair of powered stage monitors.
Switch in
Mon 2 Send (Pre)
PRE
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