Mackie PPM1008 Owner's Manual - Page 18

Gain Switch, Low Eq, Overload Ol Led, Channel Level

Page 18 highlights

PPM1008 21 22 23 24 25 29 30 31 32 33 26 27 2 X 800W PROFESSIONAL POWERED MIXER / 34 29. LOW EQ 32. GAIN SWITCH The low EQ provides up to +15 +10 15 dB of boost or cut below +5 80 Hz. The circuit is flat (no 0 boost or cut) at the center -5 detent position. This frequency -10 -15 represents the punch in bass 20Hz 100Hz 1kHz 10kHz 20kHz drums, bass guitar, fat synth patches, and some really serious male singers who eat raw beef for breakfast. 30. OVERLOAD (OL) LED This LED will come on when the channel's input signal is too high. This should be avoided, as distortion will occur. If the LED is coming on regularly, check that the gain switch [32] is set correctly for your input and that the channel EQ [23-29] is not set with too much boost. 31. CHANNEL LEVEL Engage this switch [low]on channels that have "louder" instrumentation connected. For example, loud singing or yelling or other loud-voiced instruments, FX FOOT SWITCH such as bass, guitar or horns (whether connected via DI or mic'd). Disengage this switch [high]on channels that have "quieter" instrumentation connected. For example, spoken word shows, poetry readings, stand-up comedy or other quieter-voiced instruments such as a fingerpicked acoustic guitar, cello, djembe, bouzouki and cats. Gain switch MIC (XLR) position Inputs IN (LOW) Gain = 25 dB OUT (HIGH) Gain = 45 dB LINE (TRS) Inputs Gain = 0 dB Gain = 20 dB Note that the gain switch has no effect on the line-level inputs and RCA inputs of channels 7 or 8. This adjusts the level of each channel onto the main mix. The "U" mark i­ndicates unity gain, meaning no increase or decrease of signal level. All the way up provides an additional 20 dB, should you need to boost a section of the band. If you find that the overall level is too quiet or too loud with the level near unity, you'll want to confirm the gain switch is set correctly. 18 PPM1008 This is the first control that the input signals meet. It allows you to choose the level depending on the type of input source you have connected. If it is set incorrectly, then the input signals may overload the mixer, causing distortion, or it may come in too low, and be lost in noise. The gain switch allows you to make the initial level adjustment, appropriate for the connected device (mic or line). The channel level controls [31] are more for fine-tuning, to balance the channels appropriately for the song.

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18
PPM1008
PPM1008
32. GAIN SWITCH
Engage this switch [low]on channels that have
“louder” instrumentation connected. For example, loud
singing or yelling or other loud–voiced instruments,
such as bass, guitar or horns (whether connected via DI
or mic'd).
Disengage this switch [high]on channels that have
“quieter” instrumentation connected. For example,
spoken word shows, poetry readings, stand-up comedy
or other quieter–voiced instruments such as a finger-
picked acoustic guitar, cello, djembe, bouzouki and cats.
Note that the gain switch has no effect on the
line-level inputs and RCA inputs of channels 7 or 8.
This is the first control that the input signals meet. It
allows you to choose the level depending on the type of
input source you have connected. If it is set incorrectly,
then the input signals may overload the mixer,
causing distortion, or it may come in too low, and be
lost in noise.
The gain switch allows you to make the initial level
adjustment, appropriate for the connected device (mic
or line).
The channel level controls [31] are more for
fine-tuning, to balance the channels appropriately for
the song.
29. LOW EQ
The low EQ provides up to
15 dB of boost or cut below
80 Hz. The circuit is flat (no
boost or cut) at the center
detent position. This frequency
represents the punch in bass
drums, bass guitar, fat synth patches, and some really
serious male singers who eat raw beef for breakfast.
30. OVERLOAD (OL) LED
This LED will come on when the channel’s input
signal is too high. This should be avoided, as distortion
will occur.
If the LED is coming on regularly, check that the gain
switch [32] is set correctly for your input and that the
channel EQ [23–29] is not set with too much boost.
31. CHANNEL LEVEL
This adjusts the level of each channel onto the main
mix. The “U” mark indicates unity gain, meaning no
increase or decrease of signal level. All the way up
provides an additional 20 dB, should you need to boost
a section of the band. If you find that the overall level
is too quiet or too loud with the level near unity, you’ll
want to confirm the gain switch is set correctly.
/
2 X 800W PROFESSIONAL P
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
21
22
23
24
25
29
31
32
33
34
30
26
27
Gain switch
position
MIC (XLR)
Inputs
LINE (TRS)
Inputs
IN (LOW)
Gain = 25 dB
Gain = 0 dB
OUT (HIGH)
Gain = 45 dB
Gain = 20 dB