Yamaha 03D Owner's Manual - Page 88

Hall Simulation Applying Reverb Ambience

Page 88 highlights

03D 03D Applications 83 Hall Simulation (Applying Reverb Ambience) In city halls and churches with dead acoustics, a more natural ambiance can be created by adding reverb to sub-speakers, while using the main stereo speakers for the direct sound. Using the stereo output to feed the main speakers and the bus outputs in combination with the built-in effects processors to feed effects speakers, reverberation can be used to simulate different environments. The 03D has two independent multi-effects processors, each with 64 preset programs. In the following example, hall reverb programs are selected for both effects processors, with one feeding the front sub-speakers, the other feeding the rear sub-speakers. No effects are applied to the stereo front speakers. By adjusting the parameters of each processor, a more natural sound can be achieved. PHONES 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN MONITOR OUT PHONES PAD 26dB 26dB 26dB 26dB 26dB 26dB 26dB 26dB SOLO/ 2TR IN -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 -20 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 +10 GAIN -34 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN 0 10 LEVEL 0 10 LEVEL SETUP SCENE MEMORY UTILITY MIDI MIDI REMOTE SCENE MEMORY UNDO/ REDO SOLO SOLO DIO GROUP/PAIR SOLO SETUP AUTOMIX STORE RECALL CHANNEL CONTROL DELAY/Ø DYNAMICS PAN/ROUTING VIEW EQ LOW LO-MID HI-MID HIGH EQ LIBRARY EQ FLAT AUX 1 FADER MODE AUX 2 AUX 3 AUX 4 FUNCTION SEL CH FADER EFFECT 1 EFFECT 2 METER MIXING LAYER 1-16 17-24/MASTER 1 2 3 4 5 17 18 19 20 21 FADER STATUS 6 22 SCENE MEMORY USER DEFINE FADER 1-8 9-12 13-16 ST IN EFFECT RTN L STEREO R CLIP -3 -6 -9 -12 -15 -18 -24 -30 -36 -42 -48 USER DEFINE 1 2 3 4 ENTER CURSOR PARAMETER 1 2 7 23 8 24 9 AUX1 10 AUX2 11 AUX3 12 AUX4 13 BUS1 14 BUS2 15 BUS3 16 BUS4 ST IN EFFECT RETURN ST OUT SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 1 17 2 18 3 19 4 20 5 21 6 22 7 23 8 24 9 AUX1 10 AUX2 11 AUX3 12 AUX4 13 BUS1 14 BUS2 15 BUS3 16 BUS4 ST IN EFFECT RETURN ST OUT 03D Effect 1 Reverb Effect 1 Reverb Effect 2 Reverb Effect 2 Reverb Stereo out Stereo out Bus out Bus out Bus out Bus out Yamaha 02R & 03D Applications Guide

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03D Applications
83
Yamaha 02R & 03D Applications Guide
03D
Hall Simulation (Applying Reverb Ambience)
In city halls and churches with dead acoustics, a more natural ambiance can be created by
adding reverb to sub-speakers, while using the main stereo speakers for the direct sound.
Using the stereo output to feed the main speakers and the bus outputs in combination with
the built-in effects processors to feed effects speakers, reverberation can be used to simulate
different environments. The 03D has two independent multi-effects processors, each with
64 preset programs.
In the following example, hall reverb programs are selected for both effects processors, with
one feeding the front sub-speakers, the other feeding the rear sub-speakers. No effects are
applied to the stereo front speakers. By adjusting the parameters of each processor, a more
natural sound can be achieved.
Stereo out
03D
Stereo out
Bus out
Bus out
Bus out
Bus out
Effect 1
Reverb
Effect 1
Reverb
Effect 2
Reverb
Effect 2
Reverb
PHONES
PHONES
26dB
1
26dB
2
26dB
3
26dB
4
26dB
5
26dB
6
26dB
7
26dB
8
9
10
11
12
13
14
15
16
ST IN
MONITOR
OUT
SCENE MEMORY
SETUP
CHANNEL CONTROL
FADER MODE
MIXING LAYER
1–16
17–24/MASTER
USER DEFINE
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ST IN
EFFECT
RETURN
ST OUT
17
18
19
20
21
22
23
24
AUX1
AUX2
AUX3
AUX4
BUS1
BUS2
BUS3
BUS4
SOLO