Pioneer DJM-700 Owner's Manual - Page 3

Contents - mixer

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Selecting fine audio equipment such as the unit you've just purchased is only the start of your musical enjoyment. Now it's time to consider how you can maximize the fun and excitement your equipment offers. This manufacturer and the Electronic Industries Association's Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion-and, most importantly, without affecting your sensitive hearing. Sound can be deceiving. Over time your hearing "comfort level" adapts to higher volumes of sound. So what sounds "normal" can actually be loud and harmful to your hearing. Guard against this by setting your equipment at a safe level BEFORE your hearing adapts. To establish a safe level: • Start your volume control at a low setting. • Slowly increase the sound until you can hear it comfortably and clearly, and without distortion. Once you have established a comfortable sound level: • Set the dial and leave it there. Taking a minute to do this now will help to prevent hearing damage or loss in the future. After all, we want you listening for a lifetime. We Want You Listening For A Lifetime Used wisely, your new sound equipment will provide a lifetime of fun and enjoyment. Since hearing damage from loud noise is often undetectable until it is too late, this manufacturer and the Electronic Industries Association's Consumer Electronics Group recommend you avoid prolonged exposure to excessive noise. This list of sound levels is included for your protection. Decibel Level Example 30 Quiet library, soft whispers 40 Living room, refrigerator, bedroom away from traffic 50 Light traffic, normal conversation, quiet office 60 Air conditioner at 20 feet, sewing machine 70 Vacuum cleaner, hair dryer, noisy restaurant 80 Average city traffic, garbage disposals, alarm clock at two feet. THE FOLLOWING NOISES CAN BE DANGEROUS UNDER CONSTANT EXPOSURE 90 Subway, motorcycle, truck traffic, lawn mower 100 Garbage truck, chain saw, pneumatic drill 120 Rock band concert in front of speakers, thunderclap 140 Gunshot blast, jet plane 180 Rocket launching pad Information courtesy of the Deafness Research Foundation. S001_En Operating Environment Operating environment temperature and humidity: +5 ºC - +35 ºC (+41 ºF - +95 ºF); less than 85 %RH (cooling vents not blocked) Do not install this unit in a poorly ventilated area, or in locations exposed to high humidity or direct sunlight (or strong artificial light) D3-4-2-1-7c_A_En WARNING Before plugging in for the first time, read the following section carefully. The voltage of the available power supply differs according to country or region. Be sure that the power supply voltage of the area where this unit will be used meets the required voltage (e.g., 230V or 120V) written on the bottom panel. D3-4-2-1-4_A_En mod If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal. The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when on vacation). D3-4-2-2-1a_A_En Contents CONFIRM ACCESSORIES 4 CAUTIONS REGARDING HANDLING 4 Location 4 Cleaning the Unit 4 FEATURES 4 CONNECTIONS 5 CONNECTION PANEL 5 CONNECTING INPUTS 6 CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS 7 ABOUT MIDI CONNECTORS 8 CONNECTING MICROPHONE AND HEADPHONES 8 CONNECTING THE POWER CORD 8 NAMES AND FUNCTIONS OF PARTS 9 MIXER OPERATIONS 13 FADER START FUNCTION 14 EFFECT FUNCTIONS 16 PRODUCING BEAT EFFECTS 18 MANUAL FILTER OPERATION 19 EFFECT FREQUENCY FILTER OPERATION 19 EFFECT PARAMETERS 20 MIDI SETTINGS 21 SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION TO OPERATE AN EXTERNAL SEQUENCER 21 MIDI MESSAGES 22 PROGRAM CHANGE 24 SNAPSHOT 24 MIDI ON/OFF 24 TROUBLESHOOTING 25 SPECIFICATIONS 26 BLOCK DIAGRAM 27 3 En

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Contents
CONFIRM ACCESSORIES
..............................................
4
CAUTIONS REGARDING HANDLING
............................
4
Location
..........................................................................................
4
Cleaning the Unit
...........................................................................
4
FEATURES
....................................................................
4
CONNECTIONS
.............................................................
5
CONNECTION PANEL
...................................................................
5
CONNECTING INPUTS
..................................................................
6
CONNECTING EXTERNAL EFFECTORS, OUTPUT
CONNECTORS
...............................................................................
7
ABOUT MIDI CONNECTORS
........................................................
8
CONNECTING MICROPHONE AND HEADPHONES
.................
8
CONNECTING THE POWER CORD
..............................................
8
NAMES AND FUNCTIONS OF PARTS
...........................
9
MIXER OPERATIONS
..................................................
13
FADER START FUNCTION
..........................................................
14
EFFECT FUNCTIONS
...................................................
16
PRODUCING BEAT EFFECTS
......................................................
18
MANUAL FILTER OPERATION
....................................................
19
EFFECT FREQUENCY FILTER OPERATION
................................
19
EFFECT PARAMETERS
................................................................
20
MIDI SETTINGS
..........................................................
21
SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL
SEQUENCER, OR USING DJM-700-S/DJM-700-K
INFORMATION TO OPERATE AN EXTERNAL
SEQUENCER
................................................................................
21
MIDI MESSAGES
.........................................................................
22
PROGRAM CHANGE
...................................................................
24
SNAPSHOT
...................................................................................
24
MIDI ON/OFF
................................................................................
24
TROUBLESHOOTING
..................................................
25
SPECIFICATIONS
........................................................
26
BLOCK DIAGRAM
......................................................
27
Operating Environment
Operating environment temperature and humidity:
+5 ºC – +35 ºC (+41 ºF – +95 ºF); less than 85 %RH
(cooling vents not blocked)
Do not install this unit in a poorly ventilated area, or in
locations exposed to high humidity or direct sunlight (or
strong artificial light)
D3-4-2-1-7c_A_En
If the AC plug of this unit does not match the AC
outlet you want to use, the plug must be removed
and appropriate one fitted. Replacement and
mounting of an AC plug on the power supply cord of
this unit should be performed only by qualified
service personnel. If connected to an AC outlet, the
cut-off plug can cause severe electrical shock. Make
sure it is properly disposed of after removal.
The equipment should be disconnected by removing
the mains plug from the wall socket when left
unused for a long period of time (for example, when
on vacation).
D3-4-2-2-1a_A_En
WARNING
The voltage of the available power supply differs
according to country or region. Be sure that the
power supply voltage of the area where this unit
will be used meets the required voltage (e.g., 230V
or 120V) written on the bottom panel.
D3-4-2-1-4_A_En
mod
Before plugging in for the first time, read the following
section carefully.
S001_En
Selecting fine audio equipment such as the unit
you’ve just purchased is only the start of your
musical enjoyment. Now it’s time to consider how
you can maximize the fun and excitement your
equipment
offers. This manufacturer and the
Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that
lets the sound come through loud and clear without
annoying blaring or distortion-and, most importantly,
without affecting your sensitive hearing.
Sound can be deceiving. Over time your hearing
“comfort level” adapts to higher volumes of sound.
So what sounds
“normal” can actually be loud and
harmful to your hearing. Guard against this by
setting your equipment at a safe level BEFORE your
hearing adapts.
To establish a safe level:
• Start your volume control at a low setting.
• Slowly increase the sound until you can hear it
comfortably and
clearly, and without distortion.
Once you have established a comfortable sound
level:
• Set the dial and leave it there.
Taking a minute to do this now will help to prevent
hearing damage or loss in the future. After all, we
want you listening for a lifetime.
We Want You Listening For A Lifetime
Used wisely, your new sound equipment will
provide a lifetime of fun and enjoyment. Since
hearing damage from loud noise is often
undetectable until it is too late, this manufacturer
and the Electronic Industries Association’s
Consumer Electronics Group recommend you avoid
prolonged exposure to excessive noise. This list of
sound levels is included for your protection.
Decibel
Level Example
30
Quiet library, soft whispers
40
Living room, refrigerator, bedroom away from traffic
50
Light traffic, normal conversation, quiet office
60
Air conditioner at 20 feet, sewing machine
70
Vacuum cleaner, hair dryer, noisy restaurant
80
Average city traffic, garbage disposals, alarm clock
at two feet.
THE FOLLOWING NOISES CAN BE DANGEROUS
UNDER CONSTANT EXPOSURE
90
Subway, motorcycle, truck traffic, lawn mower
100
Garbage truck, chain saw, pneumatic drill
120
Rock band concert in front of speakers,
thunderclap
140
Gunshot blast, jet plane
180
Rocket launching pad
Information courtesy of the Deafness Research Foundation.