Yamaha F01 Owner's Manual - Page 66

Preset Voice List - guitar

Page 66 highlights

Preset Voice List Preset Voice List ENGLISH Voice Name Stereo Touch Dynamic Key-Off Sampling Response Sampling*1 Sampling*2 Voice Descriptions G. PIANO 1 VARIATION G. PIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSI. VARIATION ORGAN 1 VARIATION ORGAN 2 VARIATION STRINGS VARIATION VIB./GTR. VARIATION BASS VARIATION Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. Warm and mellow piano. Good for classical compositions. Spacious and clear piano with bright reverb. Good for popular music. Bright, spacious piano. Good for popular or rock music. An electronic piano sound created by FM synthesis. Extremely "musical" response with varying timbre according to keyboard dynamics. Good for standard popular music. A synth-generated type electronic piano sound often heard in popular music. Used in the DUAL mode it blends well with an acoustic piano voice. The sound of an electric piano using hammer-struck metallic "tines". Soft tone when played lightly, and an aggressive tone when played hard. A slightly different electric piano sound often heard in rock and popular music. The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. Mixes the same voice an octave higher for a more brilliant tone. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. This is the organ's full coupler sound often associated with Beach's "Toccata and Fugue". The sound of a "tonewheel" type electric organ. Often heard in jazz and rock idioms. Uses a rotary speaker effect with a different speed. The variations speed is faster. If the variation is selected while holding a chord, the speed of the effect will gradually change. Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL mode. Spacious strings ensemble with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. An upright bass played fingerstyle. Ideal for jazz and Latin music. Electric bass for a wide range of music styles, jazz, rock, popular, and more. *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released. 66 F11/F01 Owner's Manual

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F11/F01 Owner’s Manual
66
ENGLISH
Preset Voice List
Preset Voice List
Voice Name
Stereo
Sampling
Touch
Response
Dynamic
Sampling
*1
Key-Off
Sampling
*2
Voice Descriptions
G. PIANO 1
Recorded samples from a full concert grand piano. Also
includes three levels of dynamic sampling, sustain samples,
and key-off samples for exceptionally realistic acoustic
grand piano sound. Perfect for classical compositions as
well as any other style that requires acoustic piano.
VARIATION
Warm and mellow piano. Good for classical compositions.
G. PIANO 2
Spacious and clear piano with bright reverb. Good for popu-
lar music.
VARIATION
Bright, spacious piano. Good for popular or rock music.
E.PIANO 1
An electronic piano sound created by FM synthesis.
Extremely “musical” response with varying timbre according
to keyboard dynamics. Good for standard popular music.
VARIATION
A synth-generated type electronic piano sound often heard
in popular music. Used in the DUAL mode it blends well with
an acoustic piano voice.
E.PIANO 2
The sound of an electric piano using hammer-struck metallic
“tines”. Soft tone when played lightly, and an aggressive
tone when played hard.
VARIATION
A slightly different electric piano sound often heard in rock
and popular music.
HARPSI.
The definitive instrument for baroque music. Since harpsi-
chord uses plucked strings, there is no touch response.
There is, however, a characteristic additional sound when
the keys are released.
VARIATION
Mixes the same voice an octave higher for a more brilliant
tone.
ORGAN 1
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
VARIATION
This is the organ's full coupler sound often associated with
Beach’s “Toccata and Fugue”.
ORGAN 2
The sound of a “tonewheel” type electric organ. Often heard
in jazz and rock idioms.
VARIATION
Uses a rotary speaker effect with a different speed. The vari-
ations speed is faster. If the variation is selected while hold-
ing a chord, the speed of the effect will gradually change.
STRINGS
Stereo-sampled, large-scale strings ensemble with realistic
reverb. Try combining this voice with piano in the DUAL
mode.
VARIATION
Spacious strings ensemble with a slow attack. Try combining
this voice with a piano or electric piano in the DUAL mode.
VIB./GTR.
Vibraphone played with relatively soft mallets. The tone
becomes more metallic the harder you play.
VARIATION
Warm and natural-sounding nylon guitar. Enjoy the quiet
ambience of nylon strings.
BASS
An upright bass played fingerstyle. Ideal for jazz and Latin
music.
VARIATION
Electric bass for a wide range of music styles, jazz, rock,
popular, and more.
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of
an acoustic instrument.
*2. Contains a very subtle sample that is produced when the keys are released.